Donald Sinden Movies

Portrait from Life is an over-orchestrated "guilty pleasure" from the glory days of British romance pictures. A German professor sees a portrait in an art gallery which looks exactly like his daughter, who is assumed to have died in the war. The girl (Mai Zetterling) has been living as an amnesiac in Europe, under the protection of a former Nazi bigwig. British army major Guy Rolfe tries to cut through red tape and an tangled-up espionage plot to rescue the girl. Portrait from Life was issued in the US under the imaginative title The Girl in the Painting. ~ Hal Erickson, All Movie Guide

Based on The Hand and the Flower, a novel by Jerrard Tickell, A Day to Remember stars Stanley Holloway as Charley Porter, captain of London darts team. When the team travels to the French town of Boulogne for the annual darts tournament, a good time is had by all--and more besides. Jim Carver (Donald Sinden), one of the team's members, is reunited with a little French girl he'd befriended during the war, who has now developed into a beautiful young woman (Odelle Versois). And Fred Collins (James Hayter) makes a poignant journey to the hotel where he'd honeymooned with his late wife (Brenda DeBanzie). The film works best as a low-key comedy-drama; it is least successful when it ventures into O. Henry territory and strains for "surprise" story twists. ~ Hal Erickson, All Movie Guide

In this seagoing military drama set in World War II, Lt. Comdr. Ericson (Jack Hawkins) is made captain of a British corvette, a small escort vessel used to guide and protect convoys traveling through the Atlantic. Ericson had his confidence severely shaken during his last command, in which he lost his ship and most of its men following an attack by a German U-boat. As he leads a new and largely inexperienced crew aboard the H.M.S. Compass Rose, Ericson is once again thrown into a life-and-death dilemma that forces him to choose between destroying an enemy ship and sparing the lives of his own men. The Cruel Sea featured breakthrough early performances from Denholm Elliott and Virginia McKenna, and it was based on a best-selling novel by Nicholas Monsarrat, who stipulated that the film rights could be sold only to a British company. ~ Mark Deming, All Movie Guide

This second film version of Somerset Maugham's Vessel of Wrath lacks the casual charm of the first (which starred Charles Laughton and Elsa Lanchester), but is otherwise quite entertaining. Robert Newton stars as Honorable Ted, a slovenly, bibulous South Sea Island beachcomber. The black sheep of a prominent British family, Ted is paid an annual salary to stay as far away from England as possible. Prim-and-proper missionary Martha (Glynis Johns), the sister of heathen-hating Welsh minister Owen (Paul Rogers), takes it upon herself to reform the intractable Ted. The script then goes off on a tangent not found in the Maugham original. Due to illness, Owen is unable to travel to a native village in an attempt to halt a cholera outbreak. So he sends Martha, with a reluctant Ted along as interpreter, to the village in his stead in an attempt to cure the tribal headman's daughter. After they fail, they and an intern are sentenced to a horrible death by the angry villagers. Despite the radicial differences in their separate acting styles, Robert Newton and Glynis Johns make a copacetic screen team. ~ Hal Erickson, All Movie Guide

You gets what you pays for in An Alligator Named Daisy. Donald Sinden stars as a young songwriter who accidentally picks up someone else's alligator suitcase. Somehow this leads to the luckless Sinden being saddled with a baby alligator, who prefers to sleep within his piano. Glamour girl Diana Dors is the leading lady, revealing an unexpected flair for wacky comedy. Based on a novel by Charles Terrot, An Alligator Named Daisy seemed to show up every other day on TV in the early 1960s, possibly due to its pleasant Technicolor photography. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a womanizing uncle tells the story of his good-hearted but fickle niece, whose tendency to always champion the underdog causes her endless romantic woes. It all begins when she breaks up with her fiance on the eve of their wedding so she can marry and help out a half-starved aspiring playwright. With her moral support and his talent, the playwright makes it big. Unfortunately, her old fiance shows up. He has lost his fortune and must flee the police. The tender-hearted lass, unable to resist a hard-luck story, then falls for her former love until he is proven innocent. It is at that point that the niece chooses her man once and for all. ~ Sandra Brennan, All Movie Guide

In this thriller a woman witnesses a robbery, runs away from the scene and is rundown by a bus. The two thieves, realizing that she could get them arrested, sneak into the hospital where they plan to kill her. Their repeated attempts all end in failure. At the end, one of the thieves, feeling guilty about killing her, murders the other thief and saves the woman's life. ~ Sandra Brennan, All Movie Guide

In this British crime drama, an escaped killer heads for the French coast to find a mysterious treasure reportedly buried in a widow's mansion. The lonely widow is preparing to marry a man she doesn't love. Suddenly she begins receiving mysterious photos of her late spouse; they seem to suggest that he is alive. Frightened, she takes the pictures to the cops; they then implicate the fugitive and just as they get to the widow's mansion, they find the crook holding an invaluable statue of the Madonna. The cops inform the cornered thief that the statue is useless to him because no one will buy it from him. ~ Sandra Brennan, All Movie Guide

The small but resourceful Scots island of Todday, introduced in the 1949 Ealing comedy Whisky Galore!, made a return visit to movie screens in 1958's Rockets Galore--released in the U.S. as Mad Little Island. In the first film, the good people of Todday faced up to the appalling dilemma of a whisky shortage. Now we're in the space age, and Todday has been targeted as the location for a rocket-launching site. Banding together as before, the islanders do their best to sabotage the project under the unsuspecting noses of the blinkered British military. Mad Little Island was better received in America than it was in England, where it was perceived as an uninspired rewarming of yesterday's haggis. ~ Hal Erickson, All Movie Guide

A real-life incident became the basis for this highly fictionalized drama about a January 1911 confrontation between political anarchists and London police in that city's Whitechapel district that resulted in an infamous, blazing gun battle. Sara (Nicole Berger) is an orphaned Russian girl who works as a singer in a nightclub. There she meets Peter (Peter Wyngarde), anarchist leader of expatriate Latvians agitating for the independence of their home country following the failed revolt of 1905. At first, Sara is sympathetic to Peter and his cause, but she soon discovers that the rebels are using whatever means necessary, including robbery and murder, to raise money for their crusade, and that Peter himself has an overly pragmatic, callous attitude toward the taking of innocent life. The group's nefarious activities have attracted the attention of London police, and an inspector, Mannering (Donald Sinden) goes undercover with the anarchists in order to help bring them to justice. Mannering feels sympathy for Sara and befriends her, coming to understand her lonely attraction to Peter. The gang's violent onslaught continues unabated and results in a raid that pits gang members against hundreds of armed police. ~ Karl Williams, All Movie Guide

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, All Movie Guide

In this confusing drama, the IRA, intrigue, psychiatric analysis, and a young man framed for murder are thrown together in a series of events that were perhaps originally intended to highlight the psychological aspects of the case under study. One night, eighteen-year-old Harry Jukes (British rock 'n roller Adam Faith in his first dramatic role) is driving down a deserted country road when he gets a flat tire. A policeman stops to help him out when a truck drives by, and the next thing Harry knows, the policeman is lying dead on the road and Harry is literally holding a smoking gun in his hand. From there to his arrest and trial is a brief hop, skip, and then a jump into prison to await his execution. His lawyer thinks he did it, but his psychiatrist (Anne Baxter) disagrees -- and sets out to prove she is right. ~ Eleanor Mannikka, All Movie Guide

Originally broadcast in England on November 12, 1967, this episode of The Prisoner was written by Anthony Skene and directed by "Joseph Serf" --- actually a pseudonym for series star Patrick McGoohan. Arising from his slumbers early one morning, Number Six discovers that the Village is deserted and all the power has been shut off. At last able to make his escape, Number Six fashions a raft and sets out to sea. Washing up on the shore of what seems to be a familiar English coastal village, he finds that his old lodgings have been taken over by a Mrs. Butterworth (Georgina Cookson), whose behavior does not set his heart at ease. Hoping to return to his former government headquarters to inform his superiors of the Village's existence, the prisoner is plunged into a deep and ever-widening pit of paranoia, with no certainty as to whom he can trust and whom he should fear. Donald Sinden and Patrick Cargill guest star as the Colonel and Thorpe, respectively. "Many Happy Returns" first aired in America on July 20, 1968. ~ Hal Erickson, All Movie Guide