Russell Simpson Movies

Never mind the "limited" title: There are plenty of honeymooners on the ocean liner which serves as the setting for this romantic comedy. One of the few unattached passengers is heiress Joan Foster (Sally Eilers), who is watched over like a hawk by her stepmother "Ma" Gillespie (Henrietta Crossman). Hoping to escape from stepmom's baleful glare, Joan finds herself in the arms of the ship's second officer Dick Charlton (Charles Starrett). Little does she know that Charlton has been hired by her father to keep other men away from her. After the usual misunderstandings, romance finally blossoms between hero and heroine, while a comic counterpoint to the main plot is provided by second leads Alice Mudge (ZaSu Pitts) and Ezra MacDuff (Russell Simpson). Among the honeymooning couples on this Love Boat are Irene Hervey and Johnny Mack Brown, both of whom were betwixt and between more important film assignments. ~ Hal Erickson, All Movie Guide

The first of several "official" versions of Stuart Lake's biography of Wyatt Earp, Frontier Marshall stars George O'Brien as the legendary lawman, here rechristened "Michael Wyatt" for legal reasons. Riding into a lawless frontier town, Wyatt immediately butts head with the crooked town boss (Alan Edwards). Tensions methodically mount to the inevitable shootout -- not at the OK Corral, but at the local saloon, where the obligatory golden-hearted dance-hall hostess (Irene Bentley) takes a bullet intended for our hero. George O'Brien's last starring western for Fox Studios, Frontier Marshall was remade under the same title by Allan Dwan in 1939, then by John Ford as My Darling Clementine in 1946. Incidentally, supporting player Ward Bond was featured in all three films in three different roles! ~ Hal Erickson, All Movie Guide

Carolina, a melodrama directed by Henry King, follows a young woman's attempt to restore a southern plantation back to its pre-Civil War glory. Joanna Tate (Janet Gaynor), originally travels from her home in Pennsylvania to the plantation in order to collect her deceased father's belongings. Though he didn't own the plantation himself, he had worked there as a farmer for a number of years. Once she arrives, Joanna (Gaynor) finds that the actual plantation owner, Bob Connelly (Lionel Barrymore), is a Civil War veteran who, despite his dogged determination to return his farmland to what it was before the war, has fallen to alcoholism. Least expected, however, was the love that would develop between Joanna and the plantation's handsome young heir, Will Connelly (Robert Young). Joanna and Connelly (Young) eventually marry, and the farm is successfully restored through their dedication and hard work. ~ Tracie Cooper, All Movie Guide

Reported to have cost a whopping $2 million, this musical was actually made for far less -- and looks it. But unlike She Done Him Wrong (1932), filmed simultaneously next door, Hello, Everybody! made nary a nickel. Both films starred newcomers, but unlike the irrepressible Mae West, hefty Kate Smith, of radio fame, was given very little opportunity to shine. Awarded script and casting approval, the radio star had chosen a Fannie Hurst tearjerker about a goodhearted but plump farm girl who finds solace in music while her boyfriend takes off with her svelte sister. Paramount, however, made the fatal mistake of casting Smith's real-life manager Ted Collins as her on-screen agent as well, and Collins' overbearing presence was of no help whatsoever to the nervous songbird. Adding insult to injury, Sally Blane, the nearly emaciated sister of equally svelte Loretta Young, played Smith's sibling, insuring that Kate's ungainly girth remained steadfastly in focus. A wardrobe consisting of matronly housedresses and an especially atrocious production number entitled &Pickanninnies' Heaven" put the final nail in the coffin. In the end, Hello, Everybody! proved enough of a loser for Kate Smith to stay away from feature films entirely until a brief cameo in the all-star wartime extravaganza This is the Army(1943). Mae West, meanwhile, considered the phrase "Hello, Everybody!" such a jinx that she reportedly prohibited anyone from using it in her presence! ~ Hans J. Wollstein, All Movie Guide

Henry Harrison Kroll's novel Cabin in the Cotton was an attack on wealthy southern landowners who exploited their sharecroppers. While the landowners still don't come off too well in Warner Bros.' film version of Kroll's novel, the film tries to avoid stepping on powerful toes, even composing an opening-title disclaimer pointing out that both sides of the issue had arguments in their favor. Richard Barthelmess, 23 going on 45, plays a sharecropper's son who wants to improve his lot with a college education. Land baron Berton Churchill advises Barthelmess' father to get those "silly ideas" out of our hero's head, lest he forget his place. Bette Davis plays Churchill's seductive daughter, whose influence with daddy enables Barthelmess to rise to the position of Churchill's bookkeeper. When Barthelmess discovers that Churchill is cooking the books, Churchill counters that Barthelmess wouldn't have any chance to advance himself without the largess of the landowners. He even tries to get Barthelmess to inform on those field workers who plan to organize a union. A potentially bloody confrontation between the workers and management is quelled by Barthelmess, who manages to wangle compromises from both sides. The only thing Barthelmess loses is Davis, but he is compensated by the affections of longtime sweetheart Dorothy Jordan. Nobody really remembers the plot complications in Cabin in the Cotton; to most viewers, the film is memorable only for Bette Davis' classic line "Ah'd love to kiss ya, but ah jest washed ma hair." ~ Hal Erickson, All Movie Guide

The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide

In this newspaper drama, a cub reporter is puzzled when he is consistently scooped out of big crime stories by a rival. His nose for news tells him something is amiss, so he and his gal begin investigating. When he witnesses a bank-robbery that was reported before it happened, he figures out that the rival publisher and his ace reporter are part of a major crime ring. ~ Sandra Brennan, All Movie Guide

In this melodrama with strong racist overtones, Clara Bow attempts to revive her failing career by playing a free-spirited girl whose father is an American Indian and whose mother is Anglo Saxon. For some reason the girl doesn't know of her mixed heritage and constantly fights with her dad. The rebellious girl decides to show her dad who's boss by marrying a man he hates. Unfortunately it's a big mistake and soon after she gives birth to a sickly baby the marriage busts up. He leaves her impoverished and in desperation she turns to prostitution. Eventually, she returns to her homeland and learns the truth. Now at peace she meets a boy with similar heritage and they find marital bliss together. ~ Sandra Brennan, All Movie Guide

In his first Western for 1932, Buck Jones went mostly for laughs playing a former Texas ranger inheriting an Arizona ranch together with an uppity girl (Lina Basquette). The will stipulates that neither may sell without the other's consent but Lina is inclined to take an offer from smooth-talking Easterner Alan Roscoe. Jones, however, refuses to sell and the stage is set for a battle of the sexes. But there is silver in them there hills, which the Easterner has known all along. Tired of waiting for a mutual decision, Roscoe and his chief henchman, Wallace MacDonald, kidnap the girl but she is saved in the nick of time by Jones. Have the former combatants fallen in love along the way? Why, of course they have. Lina Basquette married the third of her nine husbands on the set of this film and Jones threw her a party that by all accounts was more entertaining than the film itself. ~ Hans J. Wollstein, All Movie Guide

An early screen version of the oft-filmed tale of Wyatt Earp, Doc Holliday, and the Gunfight at the O.K. Corral, Law and Order was adapted by young screenwriter John Huston from W. R. Burnett's novel, which alters the names of the principals but few of the facts. The film opens with a montage of the settling of the West, concluding with the observation that lawless behavior soon followed in many settlements. Walter Huston plays Frame Johnson, a steely-eyed gambler whose three companions, Brant, Luther (Frame's brother), and Deadwood, form a team of sorts, wandering from town to town in search of a good poker game. Johnson's reputation as "the man that cleaned up Kansas, the killingest peace officer that ever lived" precedes him when he arrives in Tombstone, a town controlled by the Northrup brothers and their crooked sheriff, Fin Elder. A committee of lawful citizens, led by a judge, try to hire Johnson to clean up the town, but he's reluctant to pin on the badge again. Inevitably, he does, and there's a showdown that leaves a corral full of corpses. ~ Tom Wiener, All Movie Guide

It was once theorized by critic Andrew Sarris that this 1931 Greta Garbo vehicle was subtitled "Her Fall & Rise" rather than the expected "Rise & Fall," because Hollywood--and by extension, the public--could not tolerate a failure. Whatever the case, modern audiences will latch onto Susan Lennox not because of its cumbersome title but because of its one-time-only pairing of Garbo and Clark Gable. Fleeing an arranged marriage with Alan Hale, Sr.,, Swedish farmer's daughter Garbo takes temporary refuge in a cabin in the woods, occupied by engineer Gable. Though it is love at first sight, Garbo hastily runs out of Gable's life when her uncle and her betrothed show up. Again a fugitive, Garbo joins a seedy carnival, becoming the kept woman of carney owner John Miljan. By chance, she is reunited with Gable, who spurns her because of her tawdry station in life. Years pass: Garbo has worked her way up the courtesan ladder, becoming the mistress of politician Hale Hamilton. This relationship comes to a sudden halt thanks to Hamilton's muckraking enemies, so it's back to the road for Garbo, who by now will settle for no man but her long-lost Gable. The protagonists finally manage bury the past in the jungle community where the drink-sodden Gable has retreated to "lose himself." Greta Garbo's performance in Susan Lennox: Her Fall and Rise is up to standard, but Clark Gable seems extremely uncomfortable, almost as if suffering an impacted molar. The film was adapted by four screenwriters from a novel by David Graham Phillips. ~ Hal Erickson, All Movie Guide

It is difficult to explain why the fly-by-night distribution firm of Road Show Pictures dragged the silent sagebrusher West of the Rockies off the shelf in 1931, three years into the talkie era. Outfitted with an unconvincing beard, Ben Lyon is cast as frontier scout Kit Carson, leading a wagon train through Indian country. Heroine Marie Prevost is in love with Carson, but he prefers to spend his time with Gladys Johnston. An Indian attack and buffalo stampede, obviously lifted from another picture, have been arbitrarily inserted in the narrative. The only other recognizable actors in the picture were Russell Simpson and Anders Randolph. ~ Hal Erickson, All Movie Guide

Lone Star Ranger was a superior entry in western star George O'Brien's Zane Grey series for Fox Studios. Lensed on location in Utah's Monument Valley (long before it was "adopted" by John Ford), the film was adapted for the screen by Zane Grey from a novel by Max Brand, which had previously done service as a Tom Mix vehicle (and would later be remade by Fox with John Kimbrough in the lead). At the outset of the film, Buck Duane (O'Brien) is an outlaw, but upon rescuing Mary Aldridge (Sue Carol) from a runaway stagecoach, he vows to turn over a new leaf. He takes to ranching, whereupon the governor offers him a pardon -- if he will agree to lasso a gang of cattle rustlers. What no one knows is that the leader of the outlaws is Mary's father Colonel Aldridge (Russell Simpson). There are plenty of well-rehearsed thrills in Lone Star Ranger, but the film's most charming moment is purely spontaneous: upon meeting Sue Carol for the first time, a shirtless George O'Brien instinctively sucks in his stomach! ~ Hal Erickson, All Movie Guide