Reginald Simpson Movies
High Society is a glossy Technicolor-and-VistaVision musical remake of Philip Barry's The Philadelphia Story (1940), decked out with million-watt star power and a Cole Porter score. Set amongst the rich and famous in Newport, RI, the story revolves around the wedding plans of socialite Tracy Lord (Grace Kelly). Tracy is all set to marry stuffy George Kittridge (John Lund), while magazine writer Mike Connor (Frank Sinatra) and photographer Liz Imbrie (Celeste Holm) intend to cover the ceremony. Meanwhile, Tracy's ex-husband C.K. Dexter-Haven (Bing Crosby) also comes calling, ostensibly to the attend the annual Newport Jazz Festival, but actually for the purpose of winning Tracy back. In the course of events, Mike falls in love with Tracy, and she with him. The Jazz Festival subplot allows scriptwriter John Patrick to bring Louis Armstrong into the proceedings, much to the delight of anyone who cares anything about music. The Cole Porter tunes include the Crosby-Sinatra duet "Well, Did You Evah?," the Crosby-Armstrong teaming "Now You Has Jazz," the Kelly-Crosby romantic ballad "True Love," and the Sinatra solo "You're Sensational." Though it lacks the satiric edge of the Philip Barry original (Barry, incidentally, is not given any screen credit), High Society succeeds on its own lighthearted terms. The film represents Grace Kelly's final acting assignment before her real-life wedding to Prince Rainier of Monaco. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Grace Kelly, (more)
Max Shulman and Robert Paul Smith's Broadway hit The Tender Trap is transformed into a beguiling Frank Sinatra film vehicle. Sinatra plays a Manhattan showbiz agent, Charlie Y. Reader, who enjoys the attentions of several willing young ladies. At an audition, Charlie meets aspiring actress Julie Gillis (Debbie Reynolds), who is so determined to land a husband that she's already set the date. She goes out with Charlie for a short while, then announces that she won't marry him until he gives up all his other girls. Charlie, who hasn't said word one about marriage and who'd been preparing to give Julie the brush-off, is startled by her ultimatum -- so much so that he genuinely falls in love with her, which (we can safely assume) was her intention all along. A complication involving Charlie's former amour Sylvia Crewes (Celeste Holm) and his best friend Joe McCall (David Wayne) paves the way for the film's slightly offbeat denouement. In addition to scoring at the box office, The Tender Trap yielded a hit song (written by Sammy Cahn and Jimmy Van Heusen), which would remain a part of Frank Sinatra's repertoire for the rest of his life. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Debbie Reynolds, (more)
- 1953
Esther Williams stars in this button-cute musical about a health-conscious family of swimmers who fall in with con man Windy Weebe (Jack Carson). The Higgins family decides to swim the English Channel in order to raise money to purchase a prize bull for their Arkansas farm. As she practices for the English Channel swim, Katie Higgins (Esther Williams) gets lost in the fog and is rescued by wealthy wine merchant Andre Lanet (Fernando Lamas), and she falls for him hard. The film is distinguished by a climactic English Channel swim and an animated underwater cartoon sequence with Williams and animated MGM contract players Tom and Jerry reprising the Arthur Schwartz and Johnny Mercer tune "In My Wildest Dreams." ~ Paul Brenner, All Movie Guide
- Starring:
- Esther Williams, Fernando Lamas, (more)
- 1953
The Cole Porter title tune is but one of the musical highlights in the (literally) splashy Esther Williams musical Easy to Love. Reshuffling plot devices utilized in previous Williams vehicles, the film casts Williams as Julie Hallerton, the star of Ray Lloyd's (Van Johnson) aquacade. She loves Lloyd, but he hardly knows she exists. Only when she inaugurates romances with swimming instructor Hank (John Bromfield) and singer Barry (Tony Martin) does Lloyd wake up and smell the chlorine. The plot's finale is top-heavy with "good sport" behavior involving the three male leads. However, if you've come to an Esther Williams movie for the plot, maybe you'd better try another theatre. Easy to Love is the film that includes Busby Berkeley's legendary "motorboat/hang-glider" production number, performed at Florida's Cypress Gardens--though, incredibly, this aquatic tour de force is not the end of the picture! ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Van Johnson, (more)
Joan Crawford's first Technicolor feature has come to be known as a textbook example of "high camp." Crawford stars as musical comedy luminary Jenny Stewart, who has been hardened by the worst life has to offer. Romance enters her life in the form of her new piano accompanist, blinded war-veteran Tye Graham (Michael Wilding). The fact that Graham refuses to kowtow to the temperamental Jenny's demands, coupled with the adversarial behavior of Graham's seeing-eye dog, makes the pianist all the more attractive to the lonely songstress. Torch Song is a favorite of bad-movie buffs and female impersonators the world over: Highlights include Crawford's blackface musical number, and the now-classic scene in which she simulates blindness to better understand the taciturn Graham. Director Charles Walters, a former choreographer, appears as Crawford's two-left-feet dancing partner in the opening scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Michael Wilding, Sr., (more)
- 1953
- G
Based on the story by Paul Gallico, Lili stars Leslie Caron as the title character, a 16-year-old waif who runs off to join a carnival. Embittered, crippled puppeteer Mel Ferrer treats Lili with contempt; only by speaking through his puppets is Ferrer able to express his genuine love for the girl. Before this happens, however, Caron must overcome her crush on magician Jean-Pierre Aumont, who is married to the contentious Zsa Zsa Gabor. Though not a musical (as was Carnival, the 1961 Broadway version of Lili), the film affords Leslie Caron the opportunity for a dream ballet, and also accommodates the lilting Bronislaw Kaper/Adolph Deutsch hit song "Hi Lili, Hi Lo". Legend has it that professional curmudgeon H.L. Mencken, who considered movies a waste of time and never bothered to see them, was persuaded to attend a showing of Lili--and loved every minute of it! ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Caron, Mel Ferrer, (more)
- 1952
A lesser Fred Astaire effort, Belle of New York is set during the turn of the century. Astaire plays a footloose and fancy-free playboy who falls in love with Salvation Army lass Vera-Ellen. To prove his worth to the girl, Astaire breaks down and gets a job. Naturally, there's plenty of terpsichorean activity from the two stars, but nothing truly worth remembering save for Astaire's solo "I Wanna be a Dancin' Man". The film's best moments belong to such stellar supporting players as Alice Pearce, Marjorie Main, Keenan Wynn, Henry Slate, and the ubiquitous Percy Helton. Belle of New York was adapted by Chester Erskine from a play by Hugh Morton. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Vera-Ellen, (more)
Summer Stock represented Judy Garland's swan song at MGM. Garland plays the owner of a New England farm which entrepreneur Gene Kelly hopes to convert into a summer theatre. Gloria DeHaven, a member of Kelly's troupe, also happens to be Garland's sister. Aware that the farm is having financial difficulties, DeHaven talks the recalcitrant Garland into allowing the troupe to set up shop in the barn. All sorts of romances wind their way through the summer air as Kelly mounts his production. In the long-anticipated finale, Garland herself steps into the leading-lady slot vacated by her petulant sister DeHaven, and of course the show is a smasheroo. To watch Garland joyfully perform such numbers as "Friendly Star," "If You Feel Like Singing, Sing," and her legendary "drag" specialty "Get Happy," you'd never suspect that she was on the verge of a nervous breakdown (the film opened while Garland was recovering from a suicide attempt). Adding to the overall exuberance of Summer Stock are such dependable supporting players as Eddie Bracken, Phil Silvers, Marjorie Main and Hans Conried (cast as the troupe's resident romantic baritone!) ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, Gene Kelly, (more)
The Barkleys of Broadway became Fred Astaire and Ginger Rogers' "reunion" picture purely by accident. Originally conceived as a follow-up to the successful Astaire-Judy Garland vehicle Easter Parade, Barkleys was to have starred Fred and Judy as a successful musical comedy team that breaks up when the female half decides to become a "serious" artist. Just before shooting started, Garland fell ill, Rogers replaced her, and the rest, as they say, is history. The script is as thin as a spider's web, a mere coat-rack upon which to hang several topnotch musical numbers. Fred and Ginger aren't quite as footloose and fancy-free as they were in their RKO heyday, but they still work together seamlessly. The film's highlights include "My One and Only Highland Fling," "You'd Be Hard to Replace," a reprise of "They Can't Take That Away From Me" (originally performed by Astaire and Rogers in Shall We Dance?), and Oscar Levant's keyboard rendition of "The Sabre Dance." The film's least memorable moment is the play-within-a-play wherein Rogers, cast as the young Sarah Bernhardt, passionately recites "The Marseillaise" as an audition piece! ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Dorothy Lamour, (more)
A change of pace for both director Vincente Minnelli and star Katharine Hepburn, this taut drama features the latter as Ann Hamilton, the daughter of a scientist (Edmund Gwenn), who after a whirlwind romance marries handsome but slightly mysterious inventor turned businessman Alan Garroway (Robert Taylor). But wedded bliss proves short-lived when Garroway refuses to discuss his brother Michael, whose presence is felt constantly despite the mystery surrounding his whereabouts. The missing Michael becomes an obsession for Ann, whose curiosity is piqued even more after a chance encounter with Sylvia Burton (Jayne Meadows), a young woman who figures in the lives of both brothers and who displays a strange resemblance to Ann herself. Despite Alan's dire misgivings, Ann feels compelled to solve the mystery of Michael, until, that is, she discovers that Alan may very well have murdered his own brother. Undercurrent marked the screen debut of Jayne Meadows and a breakthrough of sorts for Robert Mitchum, whom M-G-M borrowed from David O. Selznick for a reputed $25,000. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Katharine Hepburn, Robert Taylor, (more)
- 1946
- NR
- Add The Postman Always Rings Twice to QueueAdd The Postman Always Rings Twice to top of Queue
James M. Cain's novel received its first authorized screen treatment in this MGM production. Drifter Frank Chambers (John Garfield) takes a job at a roadhouse run by slovenly but likeable Nick Smith (Cecil Kellaway). Nick's sexy young wife Cora (Lana Turner) takes an immediate liking to Frank, but he senses that she's trouble and he keeps his distance--for a while, anyway. Inevitably succumbing to Cora's tawdry charms, Frank enters into her scheme to murder Nick and claim the old boy's insurance money. Not long after committing the foul deed, Frank and Cora are arrested. Thanks to the conniving of slimy attorney Arthur Keats (Hume Cronyn), the illicit lovers are able to beat the murder rap--but, as the film's title symbolically indicates, they eventually pay for their misdeeds in an unexpected manner. Fans of the James M. Cain original--not to mention Cain himself--were aghast at the changes made in the novel by screenwriters Harry Ruskin and Niven Busch; many of the alterations were made to conform with censorship standards of the era, while others simply existed to massage the egos of the stars. Even so, the 1946 version of The Postman Always Rings Twice is infinitely more satisfying than the no-holds-barred 1981 remake, directed by Bob Rafelson with Jack Nicholson and Jessica Lange. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, John Garfield, (more)
- 1944
The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1942
Take a Letter, Darling is from the "boss lady" school of 1940s comedies. Fred MacMurray is Darling (that's his last name), an unsuccessful artist who advertises for a position as male secretary. He is hired by female advertising executive Rosalind Russell, who is all business--during business hours. MacMurray learns that his job description includes escorting Ms. Russell and her clients to social gatherings. This goes on and on until Rosalind begins softening her steely exterior and MacMurray asserts his male prerogative (this of course was 1942, when gender stereotypes weren't subject to the ACLU). The film's best moments belong to Robert Benchley as Russell's ad agency partner, who'd rather play cards than tend to business. Though Rosalind Russell seems to be typecast in Take a Letter, Darling she was actually second choice for her role; it had been slated for Claudette Colbert, but Colbert became unavailable when she took over for the recently deceased Carole Lombard in The Palm Beach Story (42). ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Fred MacMurray, (more)
- 1940
Having struck pay dirt with its Blondie films, Columbia Pictures launched another "domestic" film series, based on Margaret Sidney's "Five Little Peppers" stories. The third and last entry in the series was The Five Little Peppers in Trouble, neither the best nor worst of this negligible project. Once more, Dorothy Peterson plays the widowed Mrs. Pepper, while her five precocious and resourceful offspring are portrayed by Edith Fellows, Dorothy Ann Seese, Charles Beck, Tommy Bond (best remembered as "Butch" in the Our Gang comedies) and Bobby Larson (replacing Jimmy Leake, who appeared in the first Pepper outing in 1939). Unable to watch over her kids and go to work at the same time, Mrs. Pepper bundles the little Peppers off to boarding school. The Five Little Peppers in Trouble is describable only as "cute"; you take it from there. ~ Hal Erickson, All Movie Guide
- Starring:
- Edith Fellows, Dorothy Ann Seese, (more)
- 1939
Paramount's Café Society applies a glossy new coat of paint to a wheezy old plotline. Madeleine Carroll plays a debutante named Christopher, who after a whirlwind courtship marries newspaper photographer Crick O'Banion (Fred MacMurray). But when Crick finds out that he's been rushed to the altar so that Christoper can win a bet with society columnist Sonny DeWitt (Allyn Joslyn) he vows to teach her a good lesson. With the sub rosa help of Christopher's wealthy uncle (Claude Gillingwater Sr.), Crick contrives a latter-day "Taming of the Shrew" scenario. It's all been done before and would all be done again, but the stars are attractive and the production values top-rank. ~ Hal Erickson, All Movie Guide
- Starring:
- Madeleine Carroll, Fred MacMurray, (more)
- 1938
In this WWI drama, a group of captured British soldiers imprisoned in a German POW camp attempt to escape by building a tunnel beneath the camp. One of the prisoners is unable to stand the strain and lets the cat out of the bag, forcing the others to leave ahead of time. The pressure increases when the newest prisoner discovers that the group leader is the husband of his lover. In the end, the philandering new prisoner sacrifices his life for the leader. ~ Sandra Brennan, All Movie Guide
- 1938
I Am the Law is arguably the best of the late-1930s films inspired by the racket-busting career of New York district attorney Thomas E. Dewey. Edward G. Robinson switches to the right side of the law as the Dewey counterpart, here named John Lindsay (!) A feisty, no-nonsense law professor, Lindsay is approached by a group of concerned citizens to act as special prosecutor to rid up their (unnamed) state of big-time lawbreakers. He wastes no time taking charge, storming into the prosecutor's office and firing anyone whom he suspects of being "on the take." With the help of his dedicated law students, who work alongside him for free, Lindsay purges the local government of such corrupt influences as Eugene Ferguson (Otto Kruger), the outwardly respectable "brains" behind the rackets. Among the minor pleasures in I Am the Law is watching Robinson dancing the Big Apple with gun moll Wendy Barrie in an early scene, and his firing of suspicious-looking Charles Halton with a brusque "Don't like your face! Never have! You've got shifty eyes and a weak chin!" (which, indeed, were Halton's screen trademarks). Barbara O'Neil, who the following year played Scarlet O'Hara's mother in Gone with the Wind, is quietly effective as Robinson's supportive wife. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Barbara O'Neil, (more)
- 1938
Rising star Rita Hayworth puts in a little box-office duty in the Columbia "B" Juvenile Court. The star of the proceedings is Paul Kelly as crusading public defender Gary Franklin, who hopes to establish a Police Athletic League to give street kids a new chance in life. His toughest charge is Stubby (Frankie Darro), a born leader with potential for either the White House or the Electric Chair. Once he's won over Stubby, Franklin is able to get the rest of the neighborhood kids to attend his new athletic outfit. The far- reaching influence of Franklin's pet project is proven when a group of young punks change their minds about committing a robbery. As Franklin's girl friend Marcia Kelly, Rita Hayworth has virtually nothing to do but stand around and look pretty. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Kelly, Rita Hayworth, (more)
- 1937
A remake of 1932's Guilty as Hell, Night Club Scandal also borrows a page from 1934's Murder at the Vanities by depicting the "friendly adversary" relationship between a reporter (Lynne Overman) and a cop (Charles Bickford). Top-billed John Barrymore plays a respectable doctor married to a nightclub singer (Evelyn Brent), who murders his wife and frames the victim's lover for the crime. Overman and Bickford spot holes in Barrymore's story, bringing him to justice by Reel Seven. The murder plot is standard stuff, but the main attraction of Night Club Scandal is the aggressively masculine love/hate byplay between tipsy Lynne Overman and flint-eyed Charles Bickford. The best moment occurs at the end, when the wide-eyed ingenue (Louise Campbell) doesn't marry the fellow the audience expects her to! ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Lynne Overman, (more)
- 1936
Jane Withers plays "little Miss Fixit" in Pepper with a minimum of sentimental goo and a maximum of laughs. Though she's been warned not to do so, Pepper Jolly (Withers) intrudes upon the solitude of grouchy old millionaire John Wilkes (Irvin S. Cobb). Her unbridled good spirits virtually strong-arm the old fellow into cracking a smile for the first time in his life -- and of course has a reciprocal positive effect on everyone whom Wilkes himself has previously made miserable. The plot winds to a close as Pepper and Wilkes join forces to prevent his daughter Helen's (Muriel Roberts) marriage to an oily gigolo (who else but Ivan Lebedeff?) The scene in which Pepper coerces Wilkes into taking all of her friends to an amusement park is a riot, especially when Wilkes himself endures the happy agony of a roller-coaster ride. Recalling her co-star Irvin S. Cobb in 1975, Jane Withers told film historian Don Stanke, "He was a wonderful gentlemen. He thought I was going to be what I was like in Bright Eyes (in which she played a hateful brat), and he got the surprise of his life when I wasn't. We got along marvelously." Indeed, the warm rapport between the two stars shines through every frame. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Withers, Irvin S. Cobb, (more)
- 1936
Adapted from a long-running play by Reginald Simpson and Frank Gregory, Living Dangerously stars Otto Kruger as Dr. Norton. Though a pillar of virtue and a highly respected member of the community, Norton has a few unfortunate skeletons in his closet and these are exploited by his blackmailing ex-partner Dr. Pryor (Francis Lister). Unable to persuade Pryor to leave him alone, Norton is left with no alternative but to kill the man. Since audience sympathy is firmly in Norton's corner, one half hopes that he'll get away with his entirely justifiable crime ---and for a while, it looks like he will! Living Dangerously was one of the last directorial efforts by former spectacle specialist Herbert Brenon. ~ Hal Erickson, All Movie Guide
- Starring:
- Otto Kruger, Leonora Corbett, (more)
Based on an idea by Will Rogers, the story concerns the efforts by the President of the United States to get the public's mind off the Depression. To this end, he appoints Broadway impresario Lawrence Cromwell (Warner Baxter) to the new cabinet position of "Secretary of Amusement." Wasting no time, Cromwell sets about to nationalize the entertainment industry, organizing singers, dancers, actors and other variety artists into batallion-like touring units. Cromwell is fought at every turn by a cartel of wealthy industrialists, who've been profiting from the Depression and have no desire to see America pull itself upward. Happily, every effort to bribe or cajole Cromwell into giving up his mission is thwarted and the Department of Amusement goes on to help the the country at a time when its citizens most needed it. Among the highlights are an energetic "revival-meeting" musical number by Aunt Jemima (Theresa Gardella), and 6-year-old Shirley Temple's rendition of "Baby Take a Bow." Originally released at 80 minutes, Stand Up and Cheer was edited to 69 minutes for reissue, then to 65 minutes (removing most of Stepin Fetchit's scenes) for television: it was this last version which was computer-colorized in 1987. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Madge Evans, (more)
- 1932
In this British crime comedy, an Englishman is bequeathed a Chicago dairy by his late uncle. Once there, he learns that the operation is a front for racketeers. ~ Sandra Brennan, All Movie Guide
- 1932
Having inherited the warhorse stage piece Bird of Paradise from his predecessor William LeBaron, RKO Radio production chief David O. Selznick opted to do the property up brown, hoping to transform the Richard Walton Tully original into RKO's "prestige" offering of 1932. Joel McCrea stars as a handsome South Seas soldier of fortune who falls in love with Dolores Del Rio, the daughter of a Polynesian native chieftain. Alas, their idyllic romance is destined to come to a sudden and violent end: tribal custom decrees that Del Rio is to be sacrificed to the local volcano. After initial resistance, the heroine nobly resigns herself to her fate, realizing that there is no place for her in her white lover's civilization. A more conservative (and far less costly) version of Bird of Paradise was filmed in 1952, with Jeff Chandler and Debra Paget. ~ Hal Erickson, All Movie Guide
- Starring:
- Dolores Del Rio, Joel McCrea, (more)
