Jean Simmons Movies
A luminous beauty, Jean Simmons was a star in her native Britain and in the U.S. who first appeared onscreen at age 14 in Give Us the Moon (1944), but did not become a true star until she played Estella in David Lean's Great Expectations (1946). In 1948, she was handpicked by Laurence Olivier to play the doomed Ophelia in his classic version of Hamlet and won a Best Actress award at the Venice Film Festival and an Academy Award nomination for her efforts. Simmons traveled to Hollywood in 1950 after marrying Stewart Granger. Their marriage lasted a decade and Simmons then became Mrs. Richard Brooks in 1960, the year he starred her in Elmer Gantry. During the '50s and '60s, Simmons had an extremely busy film career appearing in everything from costume epics to romances to musicals to straight dramas. Simmons received an Oscar nomination in 1969 for The Happy Ending. By the mid-'70s, Simmons started working less frequently and divided her time between features and television work. In the late '80s, she had a burst of character roles, but has since made increasingly sporadic forays into acting. ~ Sandra Brennan, All Movie Guide
Although criticized by Shakespeare devotees upon its release because of director, producer, and star Laurence Olivier's decision to excise large portions of the text, his cinematic version of Hamlet is widely considered the best out of several dozens (and counting). Hamlet (Olivier) is a medieval Danish prince who's still melancholy over the sudden death of his father and the quick, subsequent remarriage of his mother, Queen Gertrude (Eileen Herlie) to his uncle, Claudius (Basil Sydney). Informed by the ghost of his father that Claudius murdered him, Hamlet schemes to take revenge. Unsure how best to proceed, his delays and the horrible secret burdening him eventually lead to the violent snuffing out of several lives in both his family and that of courtier Polonius (Felix Aylmer), whose daughter Ophelia (Jean Simmons) is in love with Hamlet. Greatly influenced by the inventive camera work in Citizen Kane (1941) and by modern, psychological reinterpretations of Shakespeare's play, Olivier's masterpiece was the winner of four Academy Awards, for Best Picture, Best Actor (Olivier), Best Black and White Art Direction/Set Direction and Best Black and White Costume Design. ~ Karl Williams, All Movie Guide
- Starring:
- Laurence Olivier, Eileen Herlie, (more)
- 1947
An evil guardian plots the murder of his young heiress niece in this Victorian melodrama, also known as Uncle Silas. ~ Jason Ankeny, All Movie Guide
- Starring:
- Derek Bond, Frederick Burtwell, (more)
- 1947
The misery caused by a long-term feud between two Irish families provides the framework in this drama based on a book by Daphne du Maurier. The saga begins in 1840 as the father of the Donovan clan rebels against the Brodrick family, the owners of the copper mine located on what was formerly Donovan land. In the ensuing conflict, the mine is destroyed and the eldest Brodrick son is killed. His younger brother then becomes the clan leader. He cares not a fig for mining; instead he would rather spend his time wooing a beautiful local girl whom he marries. They have four children and when the brother dies, his eldest son succeeds him. The new patriarch and his mother are terribly greedy and eager to take control of the mine. His mother is distraught when her son suddenly rejects her. The unwanted woman goes to London where she soon gets involved with gambling and drugs to ease her broken heart. One day, her son travels to the city and runs into her. To ease his aching conscience he asks her to return home. Just as she gets there, the eldest son is killed by another Donovan during a labor dispute. She then has one Donovan arrested. An aging servant manages to talk the bereaved mother into dropping the charges so that the feud may finally end. She does. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eileen Crowe, Michael Denison, (more)
British filmmakers Michael Powell and Emeric Pressburger once again deliberately courted controversy and censorship with their 1947 adaptation of Rumer Godden's novel. Deborah Kerr and Kathleen Byron play the head nuns at an Anglican hospital/school high in the Himalayas. The nuns' well-ordered existence is disturbed by the presence of a handsome British government agent (David Farrar), whose attractiveness gives certain sisters the wrong ideas. Meanwhile, an Indian girl (Jean Simmons) is lured down the road to perdition by a sensuous general (Sabu). While Kerr would seem most susceptible to fall from grace --we are given hints of her earlier love life in a long flashback--she proves to have more stamina than Byron, who delivers one of moviedom's classic interpretations of all-stops-out, sex-starved insanity. The aforementioned flashback was removed from the US release version of Black Narcissus so as not to offend the Catholic Legion of Decency. While the dramatic content of the film hasn't stood the test of time all that well, the individual performances, production values, and especially the Oscar-winning Technicolor photography of Jack Cardiff are still as impressive as ever. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Kerr, Sabu, (more)
- 1946
George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, All Movie Guide
- Starring:
- Vivien Leigh, Claude Rains, (more)
Immediately grabbing the audience's attention with a heart-stopping opening scene in a dark graveyard, acclaimed British director David Lean realizes the cinematic potential of Charles Dickens' classic 1861 novel, and the result is considered by many to be one of the finest literary adaptations ever made as well as one of the greatest British films of all time. Crystallized into a tight 118-minute running time by Lean, Ronald Neame, and a corps of uncredited contributors, this is the story of young Pip, a lad of humble means whose training as a gentleman is bankrolled by a mysterious benefactor. Along the way, Pip falls in love with the fickle Estella, befriends the cheerfully insouciant Herbert Pocket, has memorable encounters with the escaped convict Magwitch and the lunatic dowager Miss Havisham, and almost (but not quite) forgets his modest origins as the foster son of kindhearted blacksmith Joe Gargery. The role of Pip is evenly divided between Anthony Wager as a child and John Mills as an adult; Alec Guinness makes his starring film debut as the jaunty Pocket; Jean Simmons and Valerie Hobson are costarred as the younger and older Estella; and Martita Hunt is unforgettable as the mad Miss Havisham ("It's a fine cake! A wedding cake! MINE!") Remade several times, Great Expectations resurfaced in 1989 as a TV miniseries, with Jean Simmons, originally the young Estella, tearing a passion to tatters as Miss Havisham; and in 1998 it was remade again, in a contemporary version, with Ethan Hawke, Gwyneth Paltrow, Robert DeNiro, and Anne Bancroft in the Miss Havisham role. ~ Hal Erickson, All Movie Guide
- Starring:
- John Mills, Valerie Hobson, (more)
- 1945
Originally released in England as The Way to the Stars, Johnny in the Clouds is the story of how the Battle of Britain affected the lives of combatants and civilians alike. Terence Rattigan's screenplay concentrates on three groups of people: an American pilot and his wife, a doomed British officer with a wife and child, and a young couple who plan to marry despite the precariousness of wartime romances. Most of the action takes place at an air base and the neighboring village, where the private citizens react to rationing and other restrictions with various degrees of nobility and selfishness. The American title of this film is derived from the poem "Johnny in the Clouds," recited in tribute to the decease British airman; the U.S. version, which was released after the war, includes a prologue set in the deserted air base, with the bulk of the film offered as a flashback. ~ Hal Erickson, All Movie Guide
- Starring:
- John Mills, Michael Redgrave, (more)
- 1944
The title character in Meet Sexton Blake was created in 1893 as a way of cashing in on the immense popularity of Sherlock Holmes. This 1944 film opens with a bizarre and intriguing murder. Late one night along the London waterfront, a man is desperately tugging at the hand of another man -- a corpse, the audience soon discovers. There clearly is something very important about the dead man's hand, as the living man goes so far as to take out a saw and start removing it. Soon after achieving his prize, he falls from a bridge to his own death. The body is hauled aboard a passing ship, and when they search the body they discover the grisly severed hand. Blake is soon on the scene, using his keen powers of detection to determine that the hand belonged to a photographer from another country. Blake retires to his digs, but it's not long before a new client appears at his door. By coincidence, this man -- an arms manufacturer -- wants Blake to investigate the death of a friend, who just happens to have been a foreign photographer. Blake and his assistant Tinker delve into the case, which leads them to a mysterious villain named Slant Eyes and an espionage plot involving a new alloy for use in airplanes that is of enormous value to both sides in the war. ~ Craig Butler, All Movie Guide
- 1944
The Caryl Brahams-S. J. Simon novel The Elephant is White is the basis for the British Give us the Moon. Comic actor Vic Oliver delivers a broad performance as Sascha, a dour suicide-prone chap who belongs to an "I won't work" club. The organization was founded by Nina (Margaret Lockwood) on behalf of those who have no intention of ever making a living, and who make no bones about it. Romance enters the picture when the industrious son (Peter Graves) of a hotel owner poses as a member of the idle rich, the better to be close to Nina. To take the curse off an "unemployment" comedy in the middle of WW2 (when everyone was expected to "do their bit"), Give Us the Moon is set in a fanciful postwar London. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Lockwood, Vic Oliver, (more)
- 1944
In this romance, a young woman gets into a real mess when her mother begins meddling in her romantic life by conning her into becoming engaged to her boss. Unfortunately, the girl loves another who has gone off to fight the war. Upon his return, he is enraged to learn about the engagement. Mayhem ensues until the whole mess is straightened out and the lovers are reunited. ~ Sandra Brennan, All Movie Guide
- 1944
Though a top-billed British stage star, Feliz Aylmer seldom rose above the supporting cast in films: Mr. Emmanuel is a rare exception. Aylmer plays the title role, an elderly European Jew living in Manchester, England. Honoring a promise to a young refugee, Mr. Emmanuel makes a perilous journey to Nazi Germany to search for the boy's mother. The gentle, even-tempered old man is subject to all manner of persecution by the jack-booted Gestapo thugs, but he is saved from the Concentration Camps through the intervention of Greta Gynt, a British woman who is the mistress of a high-ranking Nazi. While Mr. Emmanuel himself emerges from Germany intact, his mission ends on an unexpectedly melancholy note. ~ Hal Erickson, All Movie Guide
- Starring:
- Felix Aylmer, Greta Gynt, (more)
When a young lady is called to her Aunt's estate to help her recuperate from illness, she finds that the real problem is not so much the illness but the fact that someone seems to be trying to do away with her Aunt. Trying to help uncover the culprit leads the young heroine into danger of her own. ~ Tana Hobart, All Movie Guide
