Floyd Simmons Movies

Producer/director Joshua Logan's long-awaited filmization of Rodgers & Hammerstein's Pulitzer Prize winning musical South Pacific was not the classic that everyone hoped it would be, principally because of some curious creative choices made by the production personnel. Adapted from James A. Michener's best-selling novel Tales of the South Pacific, the film stars Mitzi Gaynor as WAVE officer Nellie Forbush, who while stationed overseas during World War II falls in love with wealthy French planter Emile De Becque (Rosanno Brazzi). The Navy would like DeBecque to help them in a reconnaissance mission against the Japanese, but he refuses; having run away from the outside world after killing a man in his home town, De Becque sees no reason to become involved in a war which he did not start and in which he has no interest. But when Nellie, her inbred bigotry aroused when she discovers that Emile has two mixed-race children, refuses his proposal of marriage, DeBecque, having nothing to lose, agrees to go on the mission. His partner in this venture is Lt. Joseph Cable (John Kerr), who like Nellie is a victim of prejudicial feelings; Cable has previously thrown away a chance at lasting happiness by refusing to marry Liat (France Nuyen), the dark-skinned daughter of Tokinese trader Bloody Mary (Juanita Hall). When Cable is killed and DeBecque is seemingly lost in battle, Nellie, realizing the stupidity of her racism, prays for Emile's safe return. The dramatic elements of South Pacific are offset by the low-comedy antics of "Big Dealer" seabee Luther Billis (Ray Walston). Outside of Walston and Hall, both repeating their stage characterizations, South Pacific suffers from a largely noncharismatic cast. Mitzi Gaynor never rises above cuteness in the difficult role of Nellie Forbush, while Rosanno Brazzi (whose singing is dubbed by Giorgio Tozzi) seems to be striking poses rather than acting as Emile DeBecque. These casting deficiencies might have been ignored had not South Pacific been laboring under an additional handicap: director Joshua Logan's decision to use colored filters in several key scenes, representing the emotions experienced by the actors. The constant color shift is more unsettling than attractive, drawing attention to Logan's technique and thereby taking the audience "out" of the picture. With all this going against it, however, South Pacific has much to be treasured. For one thing, all of Rodgers & Hammerstein's immortal songs--"Some Enchanted Evening," "Bali H'ai," "There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," "Younger Than Springtime" etc.--are retained, and, as a bonus, a song cut from the original stage production, "My Girl Back Home," is revived herein. In addition, the film is a bonanza for movie buffs who enjoy playing "spot the bit player:" among the supporting-cast ranks are Tom McLaughlin, Ron Ely, Doug McClure, John Gabriel and James Stacy (rumors persist that Joan Fontaine shows up unbilled as a nurse, but we've yet to spot her). Though artistically disappointing, South Pacific ended up one of the biggest box-office gold mines of the 1950s. ~ Hal Erickson, All Movie Guide

This is the one in which the "villain" is a huge, carnivorous praying mantis. After the titular insect has attacked several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC (how did it get past customs?) The green monstrosity meets its Waterloo in "Manhattan Tunnel", where it is bombarded with poison gas (a little Raid or Black Flag might have come in handy). Some of the Arctic scenes in The Deadly Mantis were clumsily culled from the 1933 drama SOS Iceberg and a handful of Air Force training films. ~ Hal Erickson, All Movie Guide

Behind the High Wall is a remake of the 1937 Jackie Cooper-Victor McLaglen film The Big Guy. Tom Tully plays prison warden Frank Carmichael, who is kidnapped during a jail break in which a policeman is killed. In an ensuing car crash, all the escapees are killed except young Johnny Hutchins (John Gavin). Though he knows that Hutchins had nothing to do with the cop's murder, Carmichael refuses to intervene when Johnny is condemned to death. It seems that the escaping convicts had been carrying $100,000 in stolen money with them, which Carmichael has hidden away for his own use. By eliminating Hutchins, the warden is also getting rid of the only potential witness to his own perfidy. Sylvia Sidney is pure venom as Carmichael's crippled, greedy wife, while Betty Lynn (who later played Thelma Lou on The Andy Griffith Show) also registers well as Johnny's agonizing fiancee. ~ Hal Erickson, All Movie Guide

Based on the novel by Kenneth M. Dodson, Away All Boats stars Jeff Chandler as a tough Navy captain who takes charge of a group of raw, undisciplined sailors during World War 2. To keep his men from getting on each other's nerves, Chandler makes himself the target of their excess hatred by assuming the pose of a rigid martinet who cares nothing about his crew's wellbeing. He finds an ally in lieutenant George Nader, who catches on to Chandler's "act" and helps him maintain discipline. The crew survives numerous Japanese air and sea attacks with flying colors. ~ Hal Erickson, All Movie Guide

Perhaps the definitive Douglas Sirk production, Written on the Wind is based on the novel by Robert Wilder. The story revolves around the Hadleys, a wealthy but thoroughly debauched family of Texas oil millionaires. Robert Stack is self-destructive alcoholic Kyle Hadley, while Dorothy Malone won an Oscar for her equally vivid potrayal of Kyle's nymphomaniac sister Marylee. Kyle manages to win beautiful, level-headed advertising executive Lucy Moore (Lauren Bacall) away from his best friend, virile Hadley Oil geologist Mitch Wayne (Rock Hudson), but Lucy soon comes to regret her decision to marry into the hell-on-earth Hadley family. When Lucy becomes pregnant, Kyle assumes that Mitch is the father, leading to a maelstrom of fever-pitch emotionalism and stark tragedy. Before he quite knows what is happening, Mitch is on trial for murder; the one person who can clear him is the craven Marylee, who demands Mitch's sexual favors as the price for her testimony. ~ Hal Erickson, All Movie Guide