Jonathan Silverman Movies

Ross' ex-wife, Carol (Jane Sibbett), goes into labor, leading to a heated "I'm more help to her!" confrontation between Ross (David Schwimmer) and Carol's girlfriend, Susan (Jessica Hecht). In her efforts to end the argument, Phoebe (Lisa Kudrow) performs a reverse procedure of sorts by dragging Susan back into the closet. Meanwhile, Rachel (Jennifer Aniston) learns more than she wants to about the OB-GYN (Jonathan Silverman) she likes, Joey (Matt LeBlanc) assists in another birth, and Monica (Courteney Cox) broods and broods. June Gable, normally cast as Joey's agent, Estelle, is here seen as a nurse. ~ Hal Erickson, All Movie Guide

A 12-year old boy inherits the Minnesota Twins in this baseball comedy that is aimed toward younger viewers. Young Billy, a normal twelve-year old, is nuts about baseball and knows almost everything there is to know about the game. He should, his grandfather owns the perennial losers, the Minnesota Twins. When grandpa dies, he leaves the Twins in Billy's hands. Naturally the players are skeptical, especially after Billy designates himself as team manager. But with a combination of guile, knowledge and determination, Billy earns their grudging respect and the team begins a winning streak. Initially, Billy reminds the team that baseball is supposed to be fun, but he soon forgets that as he becomes increasingly involved in the adult world of competition, management and team politics. His three friends are angered that he no-longer has time for them. Billy gets made when the first baseman starts going out with his mom. Eventually the burned out Billy must again learn how to be a kid. ~ Sandra Brennan, All Movie Guide

When they discover that their deceased boss had stashed away two million illegally embezzled dollars in a Caribbean safe deposit box, two co-workers decide to claim the cash. To do so, however, they must convince everyone the boss is actually alive -- a situation which seems oddly familiar to them both. This sequel to the popular 1989 comedy Weekend at Bernie's promises more of the same: slapstick with an amazingly lifelike corpse at the center. Whatever freshness the premise may have once had has vanished, however, and the occasionally clever set pieces become lost under the weight of a number of cluttered subplots. ~ Judd Blaise, All Movie Guide

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, All Movie Guide

In this made-for-TV comedy, a self-made man (Jack Lemmon) tries to teach is idle son (Jonathan Silverman) and greedy wife a lesson by giving away his hard-earned wealth. However, the plan doesn't go quite as smoothly as expected. Released on video under the title Father, Son and the Mistress. ~ Iotis Erlewine, All Movie Guide

Taking its cues from the classic Some Like It Hot (1959) and the television series Bosom Buddies (1980-82), this comedy combines the teen campus and cross-dressing subgenres. Jonathan Silverman stars as college freshman Bobby, an eager if naïve student who intends, as a legacy, to pledge his father's fraternity. Forced to endure a series of humiliating initiations, Bobby learns that he must retrieve a painting from a sorority, Zeta Alpha Zeta, as his final rite of passage. Dressed in high heels and a wig and sporting a British accent, he pretends to be "Roberta," a hopeful female pledge. Once he meets the beautiful Diana (Alyssa Milano), however, Bobby decides to keep up his ruse and remain with Zeta Alpha Zeta, in an effort to become better acquainted with her. Although he struggles to maintain his fake identity, Bobby learns what women really think about men, using his newfound wisdom both to become a better man and to separate Diana from her loutish boyfriend. ~ Karl Williams, All Movie Guide

Here's a "backwards BIG" where, instead of turning younger, this leading man turns into an old man--overnight. Jonathan Silverman plays Seymour, who, shortly after a promising youth full of high-minded aspirations (he'd hoped to become an astronaut), finds himself working in a dead-end office job. And then he goes to sleep to awake the next day with an 80-year-old's body. He looks the same outside, but inwardly he's become and old man. It's not long before he loses his job and is doctor- shopping in a frustrating attempt at finding the medical reason for his premature decline. Somewhat introspective, this film explores our youth-dominated society and examines the perspective of the aged. ~ All Movie Guide

John Lithgow sets aside his patented drooling villainy to play the sympathetic title character in Traveling Man. Beset by business and marital problems, salesman Lithgow feels as though he's at the end of his rope. But it's at this point that he avoids the Willy Loman syndrome by realizing that there's more to life than a smile and a shoeshine. Fade-out salvation arrives in the lovely form of Margaret Colin. Jonathan Silverman co-stars as Lithgow's eager-beaver assistant, while John Glover is slime personified as the sales manager. Written for television by David Taylor, Traveling Man debuted June 24, 1989, over the HBO Cable service. ~ Hal Erickson, All Movie Guide

The storytelling device of the flashback gets an intense workout in this tragic coming of age drama. Mark Harmon stars as washed-up baseball player Billy Wyatt, who is shocked when he receives news that his childhood sweetheart and friend Katie Chandler (Jodie Foster) has committed suicide and left the disposal of her ashes to his judgment. Although Billy and Katie have not kept in touch through the years, he has always carried a torch for her, his first love. On his way home, Billy recalls his past associations with the free-spirited Katie: their first meeting, the time they made love, and conversations they had, mostly during summers at the New Jersey shore. Billy also remembers the adolescent mischief he got into with his best friend Alan Appleby (played by Jonathan Silverman in the flashbacks, Harold Ramis in the present-day), like when each of them ended up sleeping with other's prom date. Billy finally decides to cast Katie's ashes to the wind in the place where they were happiest, by the seashore. Stealing Home was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and Will Aldis. ~ Karl Williams, All Movie Guide

On her first day at an all-girls Catholic High School in Chicago, shy and reserved Janey Glenn (Sarah Jessica Parker) meets the wild and wacky Lynne Sands (Helen Hunt). Even though her oppressive dad, Col. Glenn (Ed Lauter), won't let her go, Lynne talks her into sneaking out to try out for a spot on the beloved show Dance TV. Janey wows the judges with her gymnastic ability and makes first cuts, conveniently assigned to a cute dance partner: blue-collar bad boy Jeff Malene (Lee H. Montgomery). They compete against the bratty rich girl Natalie Sands (Holly Gagnier), who sabotages them because she wants Jeff and the contest for herself. Janey and Lynne get revenge by inviting punks and street kids to crash her debutante ball. Natalie then resorts to making her wealthy industrialist dad, J.P. Sands (Morgan Woodward), threaten Jeff; If he doesn't let Natalie win, his dad (Biff Yeager) could lose his job at the factory. It all leads up to the live television broadcast of the Dance TV contest, right when Janey's dad races to the studio to stop her. Also starring Shannen Doherty as Jeff's little sister, Maggie. ~ Andrea LeVasseur, All Movie Guide