Paul Silver Movies

Unlucky in love yet longing for satisfaction, best friends Alexis (Cameron Richardson) and Lindsay (Sophie Monk) hatch a plan to start knocking men unconscious and dragging them back home for sex. But just when it starts to look like they've devised the perfect plan for no-strings-attached sex, Alexis falls hopelessly in love with one of her traumatized boy toys. Meanwhile, Lindsay continues clubbing unsuspecting men until she winds up in jail, where she is forced to consider the serious repercussions of her questionable dating techniques. Tom Arnold, Chris Kattan, Alexis Arquette, and Sticky Fingaz co-star. ~ Jason Buchanan, Rovi

A gay artist and telemarketer with a special knack for getting along well with children discovers just how closed-minded the suburbs can be when he attempts to find happiness after losing his godson in writer/director Peter Paige's affectionate, not-so-black comedy. Paul Johnson (Paige) is a Portland-based artist and telemarketer who loves nothing more in life than the time spent with his two-year-old godson, Morgan. Upon learning that his best friends the Fabers are moving to Japan and taking their son Morgan with them, Paul wallows in a state of deep denial that ultimately results in him missing the Fabers' departing flight. Encouraged by his good friend Russell (Anthony Clark) to get out of his house and spend more time with others, Paul soon ventures out to a local playground, where he finds comfort and joy in the youthful exuberance that surrounds him. When it comes to the concept of a grown homosexual spending time with young children, not everyone in the suburbs can be so accepting, though, and as Paul attempts to find ways of keeping himself surrounded by his pint-sized pals, nosy neighbor and disapproving mother Maggie Butler (Kathy Najimy) rallies a ready army of angry soccer moms to take action and keep Paul away from the local children. ~ Jason Buchanan, Rovi

South Korean-born Wonsuk Chin, a NYC resident for eight years, made his directorial debut with this hip comedy, shown at the 1998 Sundance Film Festival. With numerous cinematic references and allusions (Bergman, Godard, Woo, Hartley), the tale begins with a black-and-white silent sequence depicting Death chasing a young man through Old Baghdad. The setting shifts to present-day New York, where a Japanese man, Kenji (Takeshi Kaneshiro of Chungking Express) is seen abed in a sparsely furnished apartment. Kinji goes to a local cafe where he chats with several others: Italian friend Fabrizio (Michael Imperioli) who proclaims, "Lubitsch is the god!"; a literary wit, Balzac Man (Jeffrey Wright); and an enigmatic German woman, Pola (Geno Lechner), who hints at a possible sexual liaison with Kinji. Death (Mira Sorvino) drifts about, assuming various forms -- disco gal, Japanese geisha, Chinese woman, devil with a red dress on, and a French-accented figure dressed as a man. The sad and lonely Death informs Kenji that she has no choice in determining her victims, and he also learns from her that he has only 12 hours left to live. She suggests that he make the most of his remaining minutes, so he sets forth on a series of brief adventures. At the cafe, he chides famous artist John Sage (Ben Gazzara) for being involved with a decades-younger girlfriend, the beautiful Korean Anouk (Hye Soo Kim). Sage invites Kenji to dinner at their home, and Death invites herself. Kenji makes the proposal that since he's due to die, he could be allowed sex with Anouk as a final act. This request isn't well received by anyone present, leaving Kenji to his own devices as the darkness closes in. Mira Sorvino wears a virtual fashion show of colorful costumes in this movie, which also provided her with the opportunity to speak Chinese onscreen for the first time. Sorvino majored in Asian studies at Harvard and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and viewed a variety of Chinese films. Too Tired to Die and The Replacement Killers both brought her several steps closer to her announced goal of making a film in Mandarin and working with a Chinese director. ~ Bhob Stewart, Rovi