Geno Silva Movies

A tightly knit New Mexico community devoted to God, family, and fresh Mexican food is unexpectedly thrust into the national spotlight when the face of Jesus Christ appears on a tasty tortilla as the owner and head cook prepares for the Sunday lunch rush. Isidor Navarro (José Zuñiga) is the owner and proprietor of Tortilla Heaven -- a modest Mexican restaurant located in the remote town of Falfurrias. Though Tortilla Heaven may indeed have the best food in all of New Mexico, the only people aware of the restaurant are the 72 other residents who live in Falfurrias. All of that changes one fateful Sunday, however, when the citizens of Falfurrias file into church to pray the Lord's Mass and Isidor steps into the kitchen to make some fresh tortillas. When the dough that morning proves especially hard to handle and Isidor curses the difficult mixture before slamming it down on the grill, the God-fearing cook is suddenly taken aback when the face of Jesus Christ appears on the burnt tortilla. Of course, in a tiny town like Falfurrias it's impossible to keep a secret, and the very next day curious citizens are filing into Tortilla Heaven to find out if there is any truth to the rumors concerning a divine flatbread. As Isidor realizes the moneymaking potential of the culinary anomaly and begins to charge admission, worshipers begin to appear from all corners of the state and Tortilla Heaven soon begins to turn a tidy profit. Later, after a series of incredible miracles are attributed to the tortilla, a shady city slicker named Gil Garcia (Miguel Sandoval) appears at Tortilla Heaven throwing around such words as "expansion" and "franchising." It doesn't take much for Gil to convince Isidor to sign on the dotted line, and it's only when greed begins to plague the citizens of Falfurrias that the true miracle comes to light. ~ Jason Buchanan, Rovi

A Desert Storm veteran with a 1970 Dodge Hemi Challenger and a need for speed incurs the wrath of authorities when he makes a cross-country dash to be by the side of his ailing, pregnant wife in this remake of director Richard Sarafian's 1971 cult classic. Jimmy Kowolski (Viggo Mortensen) is a troubled man and devoted husband, and when his pregnant wife is suddenly hospitalized with labor problems the ex-race car driver punches the gas without hesitation. With vengeful state trooper Sgt. Preston (Steve Railsback) and the entire FBI riding his back bumper, Jimmy's only ally is fearless radio DJ The Voice (Jason Priestley) whose outspoken support finds the desperate driver becoming a national folk hero. As Jimmy races ever-faster toward an impenetrable police roadblock with the single-minded goal of being there for his wife in her moment of need, the law closes in for one final showdown on the open highway. ~ Jason Buchanan, Rovi

Geronimo is a made-for-cable dramatization of the violent life and times of the legendary Apache warrior. Geronimo is one of the most accurate and balanced accounts of the Indian leader's life. The video release of the film included 10 extra minutes of footage. ~ Stephen Thomas Erlewine, Rovi

James Coburn guest stars as Cyrus Ramsey, chief archaeologist of the National Museum of Mexico. Ramsey is among those under suspicion when a hotel owner suspected of dealing in stolen art is murdered. It seems that the dead man was found wearing the Mask of Montezuma, which had recently been pilfered from the museum. Need we add that Jessica (Angela Lansbury) is paying a visit to Mexico City at the time of the murder, and that she will take it upon herself to solve the mystery? ~ Hal Erickson, Rovi

Meticulously researched and elaborately produced, the two-part TV movie Drug Wars: The Cocaine Cartel is based on a true story. In addition, to quote the original print ads, "This is the one we won!" Incorruptible agents of the DEA declare war against Colombia's Medelin drug lords. To undermine the enemy, the Feds launch an undercover operation, targeted at the cartel's refineries. Alex Farina, Dennis Farina and John Glover head the enormous cast, which includes Julie Carmen in a standout performance as a Colombian judge. Filmed in Spain and Florida, part one of Drug Wars debuted January 19, 1992. ~ Hal Erickson, Rovi

In the made-for-cable El Diablo, Anthony Edwards plays a bespectacled Eastern schoolteacher who is bullied and cowed by the wild westerners all around him. Soon, however, he is forced to summon up his courage to expedite the rescue of his prettiest female student (M.C. Gainey), who has been kidnapped by the notorious bandit leader El Diablo (Robert Beltran). Louis Gossett Jr. is on hand as the down-to-earth gunslinger who teaches Edwards the rudiments of frontier survival. Coproduced and cowritten by John Carpenter, El Diablo debuted July 22, 1990, over the HBO pay-cable service. ~ Hal Erickson, Rovi

Cop Killers was one of five Police Story specials, telecast in the fall of 1988. These "new" 2-hour specials were actually rewrites of scripts from the original Police Story series of 1973-80; there was an industry strike going on in '88, and networks needed material in a hurry. Ken Olin stars in Cop Killers as a police officer who feels unworthy of his medal of valor. He acted "correctly" during a shootout, but his partner was killed in the crossfire. Olin's guilt gradually begins to take a toll on his marriage to Patricia Wettig (the real-life Mrs. Ken Olin). Police Story: Cop Killers was first telecast October 29, 1988. ~ Hal Erickson, Rovi

Hunter (Rick Hunter) and McCall (Stepfanie Kramer) are faced with an ethical dilemma while investigating the murder of Latino crime boss Max Santiago (Fred Asparagus). Early on, the detectives figure out that the killer was a prominent community leader, and are also able to determine the motive for the killing. Painfully aware of the ramifications of revealing this information, Hunter and McCall are on the verge of giving up the case--and quitting the force! Rudy Ramos joins the regular cast in the role of Reuben Garcia. ~ Hal Erickson, Rovi

In this Stephen Cannell-produced pilot for a potential TV detective series, Mac Davis plays an ex-highway patrolman and Joseph Cortese an ex-trucker, related by marriage. Their wives were twin sisters--were, because in addition to all the other "ex" qualifications in their lives, Davis and Cortese are ex-husbands. Still pals after their group divorce, the boys become private eyes. Their first case is to get the goods on a shady tycoon (Robert Culp), who happens to be their former father-in-law. Brothers-in-Law was the first Steven J. Cannell independent production which failed to sell as a series, but it wouldn't be the last. ~ Hal Erickson, Rovi

Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone. ~ Hal Erickson, Rovi

The real Belle Starr was a homely, ill-tempered woman whose career as a western bandit was blown out of proportion by the "dime novels" of the era. Previous media Belle Starrs have included such attractive performers as Gene Tierney, Isabel Jewell and Abby Dalton, all of whom appeared to have included a cosmetician amongst their bandit cohorts. To her credit, Elizabeth Montgomery tries hard to deglamorize Belle in this 1980 TV movie, but she's still Elizabeth Montgomery. The script, by James Lee Barrett, attempts to stick closer to the facts than the earlier versions of Belle's exploits. ~ Hal Erickson, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

Thomasine and Bushrod was intended as the African American counterpart to Bonnie and Clyde, the difference being that the story in this case is utterly fictional. Vonette McGee plays Thomasine, and Max Julien (who also wrote and coproduced the film) is Bushrod. They are a pair of thieves, operating in the southwest between 1911 and 1915. Fancying themselves as Robin Hoods and the White Establishment as the Sheriff of Nottingham, Thomas and Bushrod steal only from Caucasian capitalists, then distribute the booty to Mexicans, Native Americans and poor whites. George Murdock is the redneck sheriff who dogs their trail. ~ Hal Erickson, Rovi