Franco Silva Movies

Giallo specialist Mario Landi directs Patrick Still Lives, a thriller about a boy named Patrick who seems to possess powerful telekinetic capabilities, even though he is in a deep coma. ~ Perry Seibert, All Movie Guide

Claude Autant-Lara's 1961 Count of Monte Cristo is one of the most faithful screen versions of the evergreen Alexandre Dumas story -- and one of the most compelling, thanks to the director's ability to squeeze the last drop of romanticism out of the original. While Louis Jourdan seems ill at ease as the younger Edmond Dantes, he is ideally suited for the film's later scenes, when the older, sadder, and wiser Dantes begins exacting revenge upon those who had him condemned to prison. Honoring the spirit of the original, Autant-Lara avoids inserting the leftist proselytizing which weighed down many of his later films. To perk up the pace and ensure double-bill bookings, the American distributor of Count of Monte Cristo removed 90 minutes from the film's 3-hour length. This was the seventh movie adaptation of the Dumas classic, which was first filmed by Hobart Bosworth in 1912. ~ Hal Erickson, All Movie Guide

Yet another in a spate of historical costume dramas by Italian filmmakers, Hannibal tells the story of the famous general's battles and his ill-advised march across the snowy Alps. To make life that much more interesting, violence, gore, sex, love, and personal issues are thrown in for good measure. The great general is played by Victor Mature and his main love interest Sylvia by Rita Gam. As Hannibal's successes in battle increase, it seems like he is fated for ultimate victory, but his own failings are his undoing in the end. Unevenly paced and unconvincing in parts, this offering by director Carlo Ludovico Bragaglia (best-known for the "Toto" series of comedies) is geared more for audiences out for spectacle and entranced by history, no matter how it is interpreted. ~ Eleanor Mannikka, All Movie Guide

It's hardly a coincidence that George Raft made so many films outside the U.S. when he began to have income-tax problems in the early 1950s. The Man From Cairo casts Raft as an American vacationing in Algiers. In short order, he becomes involved with a group of mercenaries who are searching for a fortune in gold that was lost somewhere in the desert during WW II. Gianna Maria Canale co-stars as a sexy nightclub chanteuse who, like everyone else in the film, isn't all she seems to be. This Italian-financed melodrama was released in Great Britain as Crime Squad. ~ Hal Erickson, All Movie Guide