Simone Signoret Movies

The first person the audience sees in Ship of Fools is dwarf Michael Dunn, who speaks to viewers directly and acts as a Greek chorus throughout the film. It begins on the deck of an ocean liner travelling from Vera Cruz to Bremerhaven. The time is the 1930s, so close and yet so far from war. The cross-section of humanity on board includes ship's doctor Oscar Werner, Spanish political activist Simone Signoret, aging coquette Vivien Leigh, hedonistic baseball player Lee Marvin, philosophical Jew Heinz Ruhmann, a smattering of pro- and anti-Hitlerites (Jose Ferrer plays the nastiest and most vocal "pro") and young lovers George Segal and Elizabeth Ashley. Yes, it's Grand Hotel at sea, a feast for stargazers and an endurance test for those who aren't comfortable with non-stop speechmaking. Despite such lines as "What can the Nazis do? Kill all six million of us?," Ship of Fools manages to stay afloat throughout its 148 minutes. Michael Dunn was nominated for an Academy Award for his interlocutory characterization; the rest of the performances range from brilliant to merely filling up the room. Other Oscars were presented to cinematographer Ernest Lazslo and to the art-direction staff. Ship of Fools was adapted by Abby Mann from the novel by Katharine Ann Porter. ~ Hal Erickson, All Movie Guide

This French/Italian effort travelled under the titles Le Jour Et L'Heure, Il Giorno e L'Ora and Viviamo Oggi in Europe. In Great Britain, it was known as Today We Live. No matter the title, the film stars Simone Signoret as a world-weary French aristocrat who finds a purpose in life by joining the World War II Resistance. She is ordered by her fellow undergrounders to hide allied paratrooper Stuart Whitman in her own country estate. At first resenting this intrusion in her life, Signoret falls in love with Whitman, and together they try to escape into Spain. The Day and the Hour was based on a story by Andre Barret. ~ Hal Erickson, All Movie Guide

This is an untraditional film documentary that concerns Paris. Instead of covering the usual sights and sounds of the city, writer/director Chris Marks takes his film crew to the street and interviews people on the spot and in their homes. Comments range from the French-Algerian conflict and the stock market to everyday problems of housing, homelessness, working conditions and moral and religious observations. Although the classic art and culture that made Paris famous worldwide is discussed, the primary focus is on how Parisians look at themselves and their everyday lives. Yves Montand narrates the film, sounding too much like American cartoon character Pepe LePew. ~ Dan Pavlides, All Movie Guide

Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide

Talented actress and writer Simone Signoret carries this drama about an emotionally deteriorating woman, Roberta, who tries everything she can to win back the affection and interest of her husband, Milan (Reginald Kernan). Milan is a moody race-car driver who is now retired, living with Roberta, married for ten years, and intent on writing his memoirs. Too much togetherness has the couple sniping at each other, so when an attractive young woman joins them for awhile, Roberta eventually sees her as a chance to improve her marriage. Already declining in heavy bouts with the bottle, Roberta thinks that the young woman could awaken her husband's interest in intimacy -- and therefore in Roberta herself. As might be expected, this convoluted and risky plan backfires in the worst possible way. ~ Eleanor Mannikka, All Movie Guide

Ruthless young working-class Englishman Laurence Harvey takes a job in a North Country village controlled by millionaire Donald Wolfit. Harvey resents Wolfit's class consciousness and vows to rise to the top by wooing the millionaire's daughter, Heather Sears. Meanwhile he has an affair with Frenchwoman Simone Signoret. Though he regards Signoret as a mere self-gratifying conquest, she takes their romance seriously enough to kill herself when Harvey impregnates Field. Only as he leaves the chapel after marrying the millionaire's daughter does Harvey that his "smart" marriage, coupled with the guarantee of a fabulous business career, has been attained at the cost of his soul. Based on the novel by John Braine, Room at the Top was one of the most successful films of the British angry-young-man school; it later spawned two sequels, as well as a weekly TV series. ~ Hal Erickson, All Movie Guide

This standard documentary follows a 1956 tour by singer-actor Yves Montand through various cities in the USSR as he performs in theaters, sports stadiums, and other venues. Aside from clips of him on stage, there is Soviet newsreel footage of the French star's receptions and public appearances. Montand's wife Simone Signoret is also on-camera as she helps him out and has a few things to say herself. Their trip was a part of a mid-'50s Franco-Soviet cultural exchange. Editor (Leonide Azar) pieced together the various film clips into a cogent, 70-minute overview of the tour. ~ Eleanor Mannikka, All Movie Guide

The greatest film that Alfred Hitchcock never made, Henri-Georges Clouzot's Diabolique is set in a provincial boarding school run by headmaster Michel Delasalle (Paul Meurisse). A ruthless lothario, he becomes the target of a murder plot concocted by his long-suffering invalid wife Christina (Vera Clouzot, the director's own spouse) and his latest mistress, an icy teacher played by Simone Signoret. A dark, dank thriller with a much-imitated "shock" ending, Diabolique is a masterpiece of Grand Guignol suspense. The simple murder plot goes haywire, and Michel's corpse disappears, prompting strange rumors of his reappearance which grow more and more substantial as the film careens wildly towards its breathless conclusion. Later remade as a greatly inferior 1996 Hollywood feature with Sharon Stone and Isabelle Adjani. ~ Jason Ankeny, All Movie Guide

The Paris demimonde of 1900 is the setting for Casque d'Or. Georges Manda (Serge Reggiani), an honest woodworker, falls in love with Marie (Simone Signoret), the "moll" of minor crook Roland (William Sabatier). Gangster boss Felix Leca (Claude Dauphin) orders Georges and Roland to fight a duel to the death over the girl, as prescribed by the "code of the apache." Felix then pins the blame for Roland's death on Georges' boyhood chum, Raymond (Raymond Bussières), knowing that the woodworker will nobly accept the blame; this will leave Marie alone, which is what the lustful Felix has wanted all along. When Georges learns he's been set up as a dupe, he escapes from the police and kills Felix. Casque D'Or was based on the true-life Leca-Manda scandal, wherein an otherwise decent man was guillotined for shooting down a gangster boss in broad daylight. Since the scandal was common knowledge in France, the downbeat ending of this film was hardly unexpected but still extremely moving. Completed in 1951, Casque D'Or was a failure on its first release but then built up an excellent word-of-mouth reputation abroad. The film was released in the U.S. in 1956 as Golden Marie. ~ Hal Erickson, All Movie Guide

Yves Allegret's Maneges was released in English-speaking countries as The Riding School, The Cheat and Riding for a Fall. Allegret and his screenwriter Jacques Sigurd use their melodramatic plotline to skewer several varieties of hypocrisy. Simone Signoret plays a thoroughly mercenary young woman who offers her body to a wealthy riding-school owner (Bernard Blier). Once she's trapped the poor man into marriage, she strips him of his wealth and property, all the while consorting with lovers from her own class. The film's Ethan Frome-like climax is in keeping with the cynical, semi-satiric tone of the rest of the picture. It is difficult to "feel" for any of the characters in Maneges, since Allegret holds all of them in undisguised contempt. ~ Hal Erickson, All Movie Guide

Eddie Roback (Dane Clark), an American army deserter turned criminal, is going to trial in Paris after a ten-month delay when he is sprung on his way to court in a pitched gun battle. A manhunt ensues with the police just a few paces behind, including a nicely staged scene in a department store in which Roback manages to improvise an escape, only to be standing by across the street from his intended destination as his waiting confederates are taken by the police. Investigators try to get ahead of him by reaching out his girlfriend, Denise Vernon (Simone Signoret). Feigning innocence, she makes contact with the wounded Roback, who is turned away by his former associates in his attempts to find shelter and escape. She eventually finds him a hiding place in the studio of Max Salva, a lecherous photographer with a sadistic streak, who may have given Roback up to the police. Denise tries to find him a way out of the country, with money from an American writer, Frank Clinton (Robert Duke), while the police slowly catch on to Roback's whereabouts, drawing the net ever closer. Several battles of wits unfold at once, drawing the viewer in, across intertwining, overlapping plot elements. Even nature raises its hand against Roback as a crippling fog slows his seemingly easy escape to Belgium. All of the players are drawn together for a final confrontation that is every bit as violent as anything seen in American crime films of the period. ~ Bruce Eder, All Movie Guide