Simone Signoret Movies

Pierre Prevert directed this amusing comedy, one of three which he co-wrote with his better-known brother Jacques Prevert. Pop singer Charles Trenet stars as a rich moron who is targeted for murder by a shady enemy (Pierre Brasseur). Brasseur blackmails a criminal (Julien Carette) into killing Trenet, but both escape into the countryside, where they encounter some funny situations and odd locals. Prevert was forced by the film's producer to cast Trenet, and rumors of trouble on the set were plentiful, but none of it appears to have affected the film, which remains a light and engaging romp. ~ Robert Firsching, All Movie Guide

Set in World War II times, this drama involves a highly trained bunch of British soldiers who must parachute into Nazi-held Belgium on a rescue and destroy mission. Documentary film footage is included in the early parts of the film as the trainees get prepared for the task ahead. Robert Beatty plays the priest, Father Phillip, and Simone Signoret appears as an insurgent who falls in love with another of the trained resistors. ~ All Movie Guide

The Paris demimonde of 1900 is the setting for Casque d'Or. Georges Manda (Serge Reggiani), an honest woodworker, falls in love with Marie (Simone Signoret), the "moll" of minor crook Roland (William Sabatier). Gangster boss Felix Leca (Claude Dauphin) orders Georges and Roland to fight a duel to the death over the girl, as prescribed by the "code of the apache." Felix then pins the blame for Roland's death on Georges' boyhood chum, Raymond (Raymond Bussières), knowing that the woodworker will nobly accept the blame; this will leave Marie alone, which is what the lustful Felix has wanted all along. When Georges learns he's been set up as a dupe, he escapes from the police and kills Felix. Casque D'Or was based on the true-life Leca-Manda scandal, wherein an otherwise decent man was guillotined for shooting down a gangster boss in broad daylight. Since the scandal was common knowledge in France, the downbeat ending of this film was hardly unexpected but still extremely moving. Completed in 1951, Casque D'Or was a failure on its first release but then built up an excellent word-of-mouth reputation abroad. The film was released in the U.S. in 1956 as Golden Marie. ~ Hal Erickson, All Movie Guide

Originally released in France as Dedee D'Anvers in 1948, this tight little melodrama was both directed and co-written by Yves Allegret. The title character, played by Simone Signoret, lives in near-squalor near the docks of Anvers. Her only companions are practitioners in that left-handed form of endeavor known as petty crime. Even the man she lives with, doorman Marco (Marcel Dalio), is not immune to baser instincts: Marco is driven to murder when sea captain Francesco (Marcel Pagliero) threatens to take Dedee away from him. For his troubles, Marco is himself knocked off by Dedee and seedy café-owner Rene (Bernard Blier). And so it goes. Suspense is deliberately downplayed in Dedee in favor of characterization and mood. ~ Hal Erickson, All Movie Guide

Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists." ~ Eleanor Mannikka, All Movie Guide

Director Jacques Baratier's Sweet and Sour is an independently produced project with a surprising amount of European movie-industry input. Guy Bedos, a Brando wannabe, plays one of several young French cineastes who take to the streets to make improvisational movies. The "cinema verite" quality of the film is somewhat undercut by the presence of major stars: Anna Karina, Simone Signoret, Jean-Paul Belmondo, Monica Vitti, Claude Brasseur, and many others. After several "spontaneous" vignettes -- a street tennis game, a striptease lesson, a West Side Story style gang rumble -- Guy Bedos announces he will go to Hollywood to film the life of Voltaire. ~ Hal Erickson, All Movie Guide

Cornell Wilde serves as "box office insurance" in this Swiss-filmed romantic comedy. Wilde plays American sailor Stanley Robin, who while vacationing in Switzerland falls in love with Suzanne (Josette Day), the daughter of a local watchmaker. Their romance is threatened by the arrival of French femme fatale Yvonne (Simone Signoret). Those not interested in the amorous entanglements will be amused by Cornel Wilde's antic attempts at learning to ski. Wilde's navy buddies include such TV stars-to-be as Alan Hale Jr. (of Gilligan's Island) and George Petrie (of Dallas). Among the screenwriters for Swiss Tour was Curt Siodmak, who adapts to comedy as well as he did to Gothic horror in the 1940s. ~ Hal Erickson, All Movie Guide

Eddie Roback (Dane Clark), an American army deserter turned criminal, is going to trial in Paris after a ten-month delay when he is sprung on his way to court in a pitched gun battle. A manhunt ensues with the police just a few paces behind, including a nicely staged scene in a department store in which Roback manages to improvise an escape, only to be standing by across the street from his intended destination as his waiting confederates are taken by the police. Investigators try to get ahead of him by reaching out his girlfriend, Denise Vernon (Simone Signoret). Feigning innocence, she makes contact with the wounded Roback, who is turned away by his former associates in his attempts to find shelter and escape. She eventually finds him a hiding place in the studio of Max Salva, a lecherous photographer with a sadistic streak, who may have given Roback up to the police. Denise tries to find him a way out of the country, with money from an American writer, Frank Clinton (Robert Duke), while the police slowly catch on to Roback's whereabouts, drawing the net ever closer. Several battles of wits unfold at once, drawing the viewer in, across intertwining, overlapping plot elements. Even nature raises its hand against Roback as a crippling fog slows his seemingly easy escape to Belgium. All of the players are drawn together for a final confrontation that is every bit as violent as anything seen in American crime films of the period. ~ Bruce Eder, All Movie Guide

Henri Langlois was, in many respects, the ultimate film fan. In 1936, at the age of 22, Langlois became (along with Jean Mitry and Georges Franju) one of the founders of the Cinémathèque Française, a theater and museum devoted to preserving the history of the motion picture. Initially a tiny operation financed by private funds, the Cinémathèque, with time, grew into Europe's most important film archive, collecting and preserving prints of rare films from all over the world and protecting many rare gems of the French cinema from destruction during the Nazi occupation of World War II. Langlois' enthusiasm for sharing the treasures of his collection with others helped spawn a film-crazy generation who created the French New Wave of the '50s, and in time, the French government acknowledged the importance of the Cinémathèque's work by financing their endeavors. In 1968, the French minister of culture, André Malraux, responded to Langlois' difficult personality and sloppy bookkeeping by pulling the government's financing of his projects, which led to an international outcry leading to the shutdown of the Cannes Film Festival by activists and film buffs. The Cinémathèque's funding and Langlois' leadership were later restored, and in 1973, his work in film preservation was honored with a special Academy Award. Henri Langlois: The Phantom of the Cinémathèque is a documentary which chronicles the life, times, and passions of the legendary archivist and includes interviews with his friends, contemporaries, and colleagues -- including Claude Berri, Claude Chabrol, Jack Valenti, and Daniel Cohn-Bendit. ~ Mark Deming, All Movie Guide

When her old resistance buddies come to her looking for someone to helm a financially troubled liberal newspaper, Judith (Simone Signoret) is at first reluctant, but for this old hero of the French anti-Nazi resistance, challenges are hard to ignore. She takes on the job, mortgaging her house to keep the paper solvent. When things take a turn for the worse, because of concerted opposition by conservative forces, she is forced to sell the paper, and she regards this as a personal failure. ~ Clarke Fountain, All Movie Guide