Simone Signoret Movies

Raymond Rouleau stars in Le Couple Ideal as a French movie leading man, circa 1912. Slated to appear at a gala for President Armand Falieres, Rouleau is detained by the police at the behest of a scheming producer. To escape the clutches of the law and make it to the celebration on time, our hero is forced to adopt a series of clever disguises. Helene Perdiere costars as a "Perils of Pauline"-type actress who ends up in Rouleau's arms. As a lampoon of the early silent era, Le Couple Ideal is not quite as memorable as Rene Clair's Le Silence C'est D'Or. ~ Hal Erickson, Rovi

Generally forgotten today, Macadam opened to good reviews and excellent business when it first came out in 1946. The film takes place in the "demimonde" of Paris' Montmartre district. The incomparable Francoise Rosay heads the cast in this atmospheric, melodramatic yarn about French gangsters, their mistresses, and various and assorted "ladies of the evening." Much of the critical attention was centered around Simone Signoret, in her first major screen role. In America, Macadam was released (in a heavily expurgated version!) as Back Streets of Paris. ~ Hal Erickson, Rovi

Yves Allegret's Maneges was released in English-speaking countries as The Riding School, The Cheat and Riding for a Fall. Allegret and his screenwriter Jacques Sigurd use their melodramatic plotline to skewer several varieties of hypocrisy. Simone Signoret plays a thoroughly mercenary young woman who offers her body to a wealthy riding-school owner (Bernard Blier). Once she's trapped the poor man into marriage, she strips him of his wealth and property, all the while consorting with lovers from her own class. The film's Ethan Frome-like climax is in keeping with the cynical, semi-satiric tone of the rest of the picture. It is difficult to "feel" for any of the characters in Maneges, since Allegret holds all of them in undisguised contempt. ~ Hal Erickson, Rovi

Eddie Roback (Dane Clark), an American army deserter turned criminal, is going to trial in Paris after a ten-month delay when he is sprung on his way to court in a pitched gun battle. A manhunt ensues with the police just a few paces behind, including a nicely staged scene in a department store in which Roback manages to improvise an escape, only to be standing by across the street from his intended destination as his waiting confederates are taken by the police. Investigators try to get ahead of him by reaching out his girlfriend, Denise Vernon (Simone Signoret). Feigning innocence, she makes contact with the wounded Roback, who is turned away by his former associates in his attempts to find shelter and escape. She eventually finds him a hiding place in the studio of Max Salva, a lecherous photographer with a sadistic streak, who may have given Roback up to the police. Denise tries to find him a way out of the country, with money from an American writer, Frank Clinton (Robert Duke), while the police slowly catch on to Roback's whereabouts, drawing the net ever closer. Several battles of wits unfold at once, drawing the viewer in, across intertwining, overlapping plot elements. Even nature raises its hand against Roback as a crippling fog slows his seemingly easy escape to Belgium. All of the players are drawn together for a final confrontation that is every bit as violent as anything seen in American crime films of the period. ~ Bruce Eder, Rovi

Caroline (Maria Casales) and Isabelle (Simone Signoret) are half-sisters with a long history of mutual animosity. Jacques (Jacques Berthier) is Caroline's lover, who jilts Caroline for her pianist half-sister Isabelle while Isabelle recuperates from a nervous breakdown. The envious Caroline tries to win Jacques back by forcing Isabelle into another emotional collapse. There may be a happy ending resulting from all this, but one would never know it from the murky photography and overwrought acting. Of the stars, Simone Signoret comes off best, making the most of a difficult and contradictory role. ~ Hal Erickson, Rovi

The grim Emile Zola "naturalist" novel Therese Raquin has been vividly cinematized by director Marcel Carne. Simone Signoret plays the title character, the long-suffering housewife who dreams of a more romantic life-partner than the bourgeois Camille (Jacques Duby). Therese enjoys a torrid affair with burly truck-driver Laurent (Raf Vallone), only to realize the true emptiness of her aspirations. Ultimately, Therese brings about her own destruction, never truly learning to appreciate what she already has. In the U.S., Therese Raquin was released under the come-on cognomen The Adulteress. ~ Hal Erickson, Rovi

Recharging his creative batteries with a "commercial" venture, director Luis Bunuel came up with the stylish if undistinguished La Mort en ce Jardin (Death in This Garden). Set in a steaming jungle, the film concerns a disparate group of refugees from a despotic military regime. Among these worthies is "good time girl" Djin (Simone Signoret), ageing miner Castin (Charles Vanel) and deaf-mute Marie (Michele Girardon). The deeper the protagonists venture into the jungle, the more Bunuel's patented surrealism begins to surface. Only two of the escapees survive the ordeal, and they aren't necessary the two whom the viewers are rooting for. Some prints of La Mort en ce Jardin bear the title Gina. hel) F Lorsque L'Enfant Paris (When the Child Appears) was adapted from the hit play by Andre Roussin. The story revolves around the efforts of a well-meaning, highly moralistic minister, who wants the government to clamp down on illegitimacy. Complications ensue when the minister's own wife become pregnant--and all evidence indicates that the child is not his. Adding to the protagonist's headaches, his daughter, on the eve of her wedding to a wealthy young man, announces that she, too, may well be in the family way. Not to be left out, the minister's son declares that he thinks he's impregnated his father's secretary! ~ Hal Erickson, Rovi