Simone Signoret Movies

Henri Langlois was, in many respects, the ultimate film fan. In 1936, at the age of 22, Langlois became (along with Jean Mitry and Georges Franju) one of the founders of the Cinémathèque Française, a theater and museum devoted to preserving the history of the motion picture. Initially a tiny operation financed by private funds, the Cinémathèque, with time, grew into Europe's most important film archive, collecting and preserving prints of rare films from all over the world and protecting many rare gems of the French cinema from destruction during the Nazi occupation of World War II. Langlois' enthusiasm for sharing the treasures of his collection with others helped spawn a film-crazy generation who created the French New Wave of the '50s, and in time, the French government acknowledged the importance of the Cinémathèque's work by financing their endeavors. In 1968, the French minister of culture, André Malraux, responded to Langlois' difficult personality and sloppy bookkeeping by pulling the government's financing of his projects, which led to an international outcry leading to the shutdown of the Cannes Film Festival by activists and film buffs. The Cinémathèque's funding and Langlois' leadership were later restored, and in 1973, his work in film preservation was honored with a special Academy Award. Henri Langlois: The Phantom of the Cinémathèque is a documentary which chronicles the life, times, and passions of the legendary archivist and includes interviews with his friends, contemporaries, and colleagues -- including Claude Berri, Claude Chabrol, Jack Valenti, and Daniel Cohn-Bendit. ~ Mark Deming, All Movie Guide

Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists." ~ Eleanor Mannikka, All Movie Guide

When her old resistance buddies come to her looking for someone to helm a financially troubled liberal newspaper, Judith (Simone Signoret) is at first reluctant, but for this old hero of the French anti-Nazi resistance, challenges are hard to ignore. She takes on the job, mortgaging her house to keep the paper solvent. When things take a turn for the worse, because of concerted opposition by conservative forces, she is forced to sell the paper, and she regards this as a personal failure. ~ Clarke Fountain, All Movie Guide

Madame Rosa (Simone Signoret) is an aging former prostitute who, in her dotage, makes a living by caring for the children of other prostitutes in Paris' Arab community. Haunted by memories of her experiences in a Nazi concentration camp, Rosa is seized with the notion that the Gestapo is still after her. She thus begs one of her young charges (Samy Ben Youb) not to give away her "hiding place." Madame Rosa was based on Momo, a novel by one Emile Ajar (better known as Romaine Gary). ~ Hal Erickson, All Movie Guide

In this French film, Jeanne (Simone Signoret) is a poorly regarded (and treated) second wife, who serves as more of a servant to her new family than as anyone important. This movie screens both her Thurber-esque fantasies of gaining status and revenge, and her actual activities, which generally do little to improve her situation. ~ Clarke Fountain, All Movie Guide

The very modest lawyer (Jean-Louis Trintignant) in this case of murder finds much more than he is looking for and then must decide what to do with the unwelcome information. He is defending a woman who is accused of killing her lover. It turns out that the lover was actually killed during a holdup, and was a member of a gang which did bullying favors for local politicians; and the trail doesn't end there. This French film is directed by Trintignant's wife, Nadine. ~ Clarke Fountain, All Movie Guide

Nolan (Serge Reggiani) was set up to take the fall for a crime committed by his whole gang, and as a result, his brother is dead and he is forced to do a stint in prison. Nolan comes out of prison looking for his former compatriots, and not just to shake their hands. He runs into an old girlfriend, Madeleine (Jeanne Moreau), now a respectable doctor's wife. Another woman he encounters, Lea (Simone Signoret), betrays him to an enemy. The remaining cast includes a number of fine French actors who add depth to this suspense thriller (Charles Vanel, Marcel Bozzuffi, Andre Pousse, Michel Bouquet, Amidou and Jean Desailly). This is a French language film, with no dubbing or subtitles. ~ Clarke Fountain, All Movie Guide

In this war drama set during the French Resistance of WW II, a courageous fighter escapes Gestapo headquarters and returns to Marseille. There he and his gang capture a traitor and throttle him. They then try to rescue a Resistance fighter in Lyons. As they do so, the hero is again captured and his partner killed. Again the hero escapes just before he is executed. He then finds that a female partner has been captured. To avoid having her daughter forced to work in a Nazi brothel, the woman has informed upon the others. She is then released and subsequently killed by another Resistance fighter for revenge. The screenplay is based on Joseph Kessel's novel and became filmmaker Jean Pierre Melville's magnum opus. ~ Sandra Brennan, All Movie Guide

To help fight the communists, comic-strip superhero Mister Freedom (John Abbey) is sent to France by an American group called Freedom Incorporated. Receiving his orders from Doctor Freedom (Donald Pleasence), he battles the Russian Moujik Man and a fire-breathing dragon named Red China Man in this political satire critical of U.S. policies. When one of the heroes nears death, another is sent to take his place to uphold the sometimes ridiculous policies. Those who don't heed the warning of the so-called hero are destined to die in an atomic bomb explosion. ~ Dan Pavlides, All Movie Guide

John LeCarre's Call for the Dead was the basis for this gloomy, complex spy story. James Mason plays a British secret agent puzzled by the sudden suicide of Foreign Office higher-up Robert Flemyng. Mason had worked on Flemyng's security clearance himself, and can't fathom what personality quirk he might have missed. The agent suspects that the dead man's wife (Simone Signoret), a concentration camp survivor, may hold the answer to Flemyng's despair, but the Foreign Office wants Mason to drop the case. Mason hires retiring Inspector Harry Andrews to do some private detective work. What Mason and Andrews find out is more insidious than they've imagined; worse, Mason is saddled with a new dilemma--his wife (Harriet Andersson) has been unfaithful with a colleague (Maximillian Schell). ~ Hal Erickson, All Movie Guide

In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide

This French/Italian effort travelled under the titles Le Jour Et L'Heure, Il Giorno e L'Ora and Viviamo Oggi in Europe. In Great Britain, it was known as Today We Live. No matter the title, the film stars Simone Signoret as a world-weary French aristocrat who finds a purpose in life by joining the World War II Resistance. She is ordered by her fellow undergrounders to hide allied paratrooper Stuart Whitman in her own country estate. At first resenting this intrusion in her life, Signoret falls in love with Whitman, and together they try to escape into Spain. The Day and the Hour was based on a story by Andre Barret. ~ Hal Erickson, All Movie Guide

This is an untraditional film documentary that concerns Paris. Instead of covering the usual sights and sounds of the city, writer/director Chris Marks takes his film crew to the street and interviews people on the spot and in their homes. Comments range from the French-Algerian conflict and the stock market to everyday problems of housing, homelessness, working conditions and moral and religious observations. Although the classic art and culture that made Paris famous worldwide is discussed, the primary focus is on how Parisians look at themselves and their everyday lives. Yves Montand narrates the film, sounding too much like American cartoon character Pepe LePew. ~ Dan Pavlides, All Movie Guide