Tom Signorelli Movies

Seven mobsters make a nighttime heist on New York City's Kennedy Airport, in this retelling of the true story of the shocking Lufthansa robbery. This cash robbery--the largest in American history--unfolds in 1978, the scheme plotted by gangster Jimmy "The Gent" Burke. The film follows them as the characters move deeper and deeper into the violence of their crime, ~ All Movie Guide

A victim of AIDS is murdered, and detectives Greevey (George Dzundza) and Logan (Chris Noth) collar a suspect who may have been responsible for a string of killings in the gay community. The suspect claims that he is an "angel of mercy," putting AIDS sufferers out of their misery. Reluctantly, assistant D.A.'s Stone (Michael Moriarty) and Robinette (Richard Brooks) take the case to court, operating upon the theory that the killer was nothing more than a homicidal homophobe. ~ Hal Erickson, All Movie Guide

In 1984, actor Dustin Hoffman starred in a critically-acclaimed Broadway revival of playwright Arthur Miller's classic Pulitzer Prize-winning drama Death of a Salesman. A year later, Hoffman and most of his fellow cast members starred in this made-for-TV production, the first English-language film by German director Volker Schlondorff. Hoffman stars as Willy Loman, an aging salesman who has lost his job because of encroaching senility. Now living on handouts provided by his friend Charley (Charles Durning), Willy's lifelong delusions of success and greatness awaiting just around the corner for he and his family have been shattered, and he's considering suicide. As he reflects on his life and the failed promise of his sons Biff (John Malkovich) and Happy (Stephen Lang), Willy finally confronts some unpleasant truths about both sons, particularly Biff, a one-time athlete who has become a kleptomaniac. One of the best of the many filmed versions of Miller's seminal work, Death of a Salesman (1985) won several awards, including a Golden Globe and an Emmy for Hoffman. ~ Karl Williams, All Movie Guide

In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, All Movie Guide

Angie Dickinson essays the title role in Big Bad Mama. This Depression-era crime caper casts the future star of Police Woman as sexy Ma Barker type Wilma McClatchie, who forces her nubile daughters (Susan Sennett, Robbie Lee) into participating in a robbery/kidnapping/murder spree. Wilma seems to be as motivated by the erotic thrill of lawbreaking as she is by the financial gains. She evens hops in the sack with her daughters, as does her common-law husband, played by William Shatner. A sequel appeared in 1987. ~ Hal Erickson, All Movie Guide

Schlockmeister Roger Corman produced this graphically violent chronicle of the Chicago gangster wars of the 1920s and the events that lead to the bloody title showdown between rival mobsters Al Capone (Jason Robards) and Bugs Moran (Ralph Meeker) that marked a brutal end to a terrifying era. Fred Steiner's film score is effectively mixed with popular songs from the 1920s, and the re-creation of gangster-era Chicago is a credit to the set designers. Historic and insightful narration is dramatically provided by Paul Frees, giving the film the flavor of a docudrama. Jean Hale plays Moran's gun moll, who is mercilessly kneed in the stomach while arguing over a fur coat. Though The St. Valentine's Day Massacre was heralded by critics at the time of its initial release, their opinion of the film has changed with each decade as they waver on the cinematic value of all of Corman's work. Audiences continue to relish the film, which is often shown on the anniversary of the bloody executions. Watch for Jack Nicholson as one of the unfortunate victims. ~ Dan Pavlides, All Movie Guide

A woman serving on the jury of an anti-Mafia trial must protect herself and her young son from a psychopathic gangster in this thriller. Demi Moore stars as Annie Laird, a single mother and artist who readily agrees to do her civic duty on the jury in the trial of a major organized crime figure. She quickly comes to regret this decision when a mysterious and eccentric Mafia associate known as The Teacher (Alec Baldwin) threatens to kidnap her son and harm her friends unless she promises to vote not guilty. Fearing for their lives, she plays along, but unfortunately the Teacher shows no sign of backing away from his plans, having become personally obsessed with Annie. Unwilling to trust the authorities, Annie instead develops a plan to save her child by taking on the Teacher and the mob. Adapting a novel by George Dawes Green, the screenplay was written by Ted Tally (The Silence of the Lambs). ~ Judd Blaise, All Movie Guide

Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

The First Deadly Sin was Frank Sinatra's final starring movie vehicle. Based on a novel by Lawrence Sanders, it casts Sinatra as Edward Delaney, a big-city detective on the verge of retirement. Beset with profound personal problems--including a gravely ill wife (Faye Dunaway)--Delaney nonetheless tackles the case of an axe murderer who seemingly strikes at random. Be on the lookout for an unbilled Bruce Willis. ~ Hal Erickson, All Movie Guide

The 1939 Irene Dunne-Charles Boyer romance Love Affair, remade with Cary Grant and Deborah Kerr in 1957 as An Affair to Remember, became a vehicle for real-life couple Warren Beatty and Annette Bening in this 1994 rendition. The well-worn story remains the same, as a man and a woman, both engaged to other people, fall madly in love while traveling, indulge in a brief but intense affair, then agree to part and sort out their feelings. They are to meet again at the top of the Empire State Building if their feelings persist, but a series of unfortunate circumstances threatens to keep the lovers apart. Despite polished visuals and a time-tested narrative, this variation suffers in comparison to its two predecessors, not to mention the previous year's Sleepless in Seattle, which had drawn on An Affair to Remember for several of its most memorable sequences. It does features Katherine Hepburn's first film appearance in 13 years. ~ Judd Blaise, All Movie Guide

Dominick Luciano (Thomas Hulce) is the moderately retarded twin brother of highly intelligent young intern Eugene (Ray Liotta). Anxious to become a successful doctor, Eugene finds he must devote most of his time to caring for Dominick. For his part, Dominick has been contributing to the family unit as a trash collector; in fact, it is his earnings that keeps food on the table. All Dominick wants out of life is a house by the lake where he and his brother can be together for all time. But the ambitious Eugene can't always bring himself to share that vision. ~ Hal Erickson, All Movie Guide