Sylvia Sidney Movies

This documentary, produced for PBS's American Masters series, is based on A. Scott Berg's well-received biography of Samuel L. Goldwyn (1882-1974), Hollywood's first and likely still greatest independent producer. (Berg cowrote the screenplay.) Like many Hollywood pioneers, Goldwyn was born in Europe in modest circumstances, began his professional life in America in another business (selling gloves), and then fell into motion pictures, in Goldwyn's case, just as production was moving to the West Coast. His first film, with partner Jessie L. Lasky, was The Squaw Man, directed by Cecil B. DeMille and shot on location in the newly minted community of Hollywood. Goldwyn's career was slow getting started, but he hit his stride in the sound era, with literary adaptations of Sinclair Lewis's Arrowsmith and Dodsworth, Lillian Hellman's These Three and The Little Foxes (which Goldwyn, famous for slips of speech, always referred to as The Three Little Foxes), Sidney Kingsley's Dead End, and Emily Bronte's Wuthering Heights. He also made the first two screen versions of the venerable weepie, Stella Dallas, produced Eddie Cantor's big foray into film, Whoopee, and made the iconic baseball biography, Pride of the Yankees. Goldwyn finally reached the pinnacle of movie success in 1946 with The Best Years of Our Lives, which brought him his first Oscar for Best Picture. His postwar career arc was largely downward; two big musicals, Guys and Dolls and especially Porgy and Bess, failed to capture the public attention in spite of lavish production values and big-name casts. The newly filmed interviews, mostly with the surviving members of the Goldwyn family, including his son Sam Goldwyn, Jr., his daughter from his first marriage, Ruth Capps, and his actor grandson Tony Goldwyn, offer insights into Goldwyn the man, while excerpts from vintage interviews with Bette Davis, William Wyler, John Huston, Rouben Mamoulian, Lillian Hellman, Danny Kaye, Dana Andrews, Merle Oberon, and Laurence Olivier (doing a hilarious impression of Goldwyn) offer glimpses into his working persona. ~ Tom Wiener, Rovi

Todd Graff wrote the screenplay for this eccentric romantic comedy in the spirit of Moonstruck that exchanges pasta for matzo balls. The film takes place in Queens in 1969, where Pearl Berman (Shirley MacLaine) has just arrived back from the funeral of her husband. As her dysfunctional family kvetches in the living room, the dapper Joe Meledandri (Marcello Mastroianni) arrives. It seems that Joe has admired Pearl from afar for a number of years, ever since he met her husband in a bar and persuaded him to return to his wife. He invites Pearl for coffee, provoking the wisecrack from her mother (Jessica Tandy): "She got picked up at her own husband's funeral." As Pearl is wooed by Joe, she has to deal with her lonely, overweight daughter Bibby (Kathy Bates) and her prettier daughter Norma (Marcia Gay Harden), who suffers from such a lack of self esteem that she assumes the personalities of Marilyn Monroe, Jackie Kennedy, and Bonnie Parker. ~ Paul Brenner, Rovi

Thanks to the carelessness of a cute little dog, newlyweds Geena Davis and Alec Baldwin are killed in a freak auto accident. Upon arriving in the outer offices of Heaven, the couple finds that, thanks to a century's worth of bureaucratic red tape, they're on a long celestial waiting list. Before they can earn their wings, Davis and Baldwin must occupy their old house as ghosts for the next fifty years. Alas, the house is now owned by insufferable yuppies Catherine O'Hara and Jeffrey Jones. Horrified at the prospect of sharing space with these obnoxious interlopers, Davis and Baldwin do their best to scare O'Hara and Jones away, but their house-haunting skills are pathetic at best. In desperation, the ghostly couple engage the services of a veteran scaremeister: a yellow-haired, snaggle-toothed, profane, flatulent "gonzo" spirit named Beetlejuice (Michael Keaton). The problem: Beetlejuice cannot be trusted-especially when he falls in love with O'Hara and Jones' gloomy, black-clad teenaged daughter Winona Ryder. Beetlejuice producer David Geffen, director Tim Burton, and composer Danny Elfman were also involved in an animated TV-series spin-off. ~ Hal Erickson, Rovi

Originally telecast November 11, 1985, An Early Frost was the first TV movie to deal with the subject of AIDS. Aidan Quinn plays a personable young gay lawyer who is stricken with the HIV virus. As his health deteriorates, Quinn finds that his physical agony is secondary to his mental anguish. Ben Gazzara and Gena Rowlands play Quinn's parents, who must not only come to grips with their son's impending death, but with their own long-standing fears and prejudices concerning homosexuality. No easy answers are offered in this realistic drama, which also stars Sylvia Sidney as Quinn's grandmother and John Glover as a fellow AIDS victim. Ron Cowen and Daniel Lipman won Emmys for their pioneering teleplay. ~ Hal Erickson, Rovi

Actress Joanne Woodward made her (surprisingly unheralded) directorial debut with Come Along With Me. Estelle Parsons stars as a freewheeling woman who decides to start over completely when her husband dies. Before leaving town, she sells everything she owns and burns all her bridges behind her. Parsons sets up residence in a faraway burg under a new name, where she pursues her first love--the occult. The 60-minute Come Along With Me was based on an unpublished short story by Shirley Jackson; it debuted February 16, 1982, on PBS' American Playhouse. ~ Hal Erickson, Rovi

Sylvia Sidney guest stars as Elizabeth Barrett, the literary mentor of Magnum's boss Robin Masters. Elizabeth arrives in Hawaii ostensibly to interview Dr. Albert Tessa (Joseph Wiseman), a reclusive bird expert who has been living in hiding ever since the abortive 1956 Hungarian revolt. What Magnum (Tom Selleck) doesn't realize is that Elizabeth actually plans to kill Tessa, thereby capping a complex revenge scheme involving an "Attack Macaw"! Jacqueline Ray, in real life the former spouse of series star Tom Selleck, appears in a secondary storyline involving Magnum's futile efforts to collect an overdue fee. ~ Hal Erickson, Rovi

Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn. ~ Hal Erickson, Rovi

Jason Robards stars as the ailing, 62-year-old President Franklin Delano Roosevelt in F.D.R.: The Last Year. Though visibly frail and weary, Roosevelt runs for a precedent-setting fourth term. He also oversees plans for the D-Day Invasion and engages in tempestuous summit meetings with his wartime allies Stalin (Nehemiah Persoff) and Churchill (Wensley Pithey). Eileen Heckart co-stars as Eleanor Roosevelt, while Kim Hunter plays his "great and good friend," artist Lucy Rutherfurd, who is at his side when he suffers his fatal cerebral hemorrhage in April of 1945. The 3-hour, made-for-TV F.D.R.: The Last Year was first telecast May 15, 1980. ~ Hal Erickson, Rovi

The Gossip Columnist is a rare one-part offering from Operation Prime Time, the TV-syndication service responsible for such miniseries as The Kent Family Chronicles. Fourth-billed Kim Cattrall plays the title character, journalist Dina Moran. Instructed by her boss (Dick Sargent) to take over the gossip column previously written by Hedda Hopper-clone Alma Llewellyn (Sylvia Sidney), Dina becomes a veritable Rona Barrett (why, one would think that scenarist Michael Gleason had purposely based the character on Barrett). In the course of 2 hours, our heroine makes and breaks several celebrities. Martha Raye plays a character not far removed from herself: a formerly big star hoping for a comeback. The cast includes such TV perennials as Robert Vaughn, Bobby Vinton, Bobby Sherman, Richard Deacon and Lyle Waggoner, along with such guest stars as Steve Allen, Jim Backus, Jack Carter, Allen Ludden, Jayne Meadows, Rip Taylor and Betty White. The Gossip Columnist first aired during the third week of March, 1980. ~ Hal Erickson, Rovi

Siege is set in a big-city housing development. Retiree Martin Balsam, along with the rest of the building's residents, live in terror of a street gang commandeered by self-styled "king" hoodlum Dorian Harewood. Police lieutenant James Sutorius tries to rally the older citizens to stand up against the younger punks, all to no avail. But when Balsam's lady friend Sylvia Sidney falls victim to the hoods, Balsam takes the law into his own hands--leading to an ironic climax. While it is satisfying to see Martin Balsam giving the arrogant gang leader his due, the made-for-TV Siege clearly sets forth the dangers of vigilantism. ~ Hal Erickson, Rovi

Without ever revealing the diagnosis, this film chronicles the inner life and outer circumstances of Deborah Blake (Kathleen Quinlan), a young mental patient. As the film opens, she is being accompanied by her subdued parents to yet another mental hospital. This one looks clean and cheerful, at least. Her treatment is handled by Dr. Fried (Bibi Andersson), a very skillful therapist who gets past her deranged defenses and reveals that Deborah harbors some very violent fantasies about some of her relatives. The movie is based on the best-selling autobiographical novel by Joanne Greenberg. ~ Clarke Fountain, Rovi

In this made-for-television chiller, an enormous and angry Bigfoot launches a campaign of death and destruction against the skiers who have disturbed its home. ~ Sandra Brennan, Rovi

Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi