Harold Siddons Movies

In this tragic drama, an imprisoned war hero worries about his wife who is just about to give birth to their first child. An old war buddy helps him escape and get to the hospital. There he creeps into his wife's ward. She gives birth to a healthy boy, but the trauma is too much for her and she dies. ~ Sandra Brennan, All Movie Guide

The Silent Enemy is based on Commander Crabb, a book by Marshall Pugh. This is the true story of young Lieutenant Crabb (Laurence Harvey), who in 1941 arrives in Gilbaltar to learn the rudiments of deep-sea diving. Crabb isn't interested in recreation, however; there's a war on, and it is common knowledge that a band of Italian frogmen have been sabotaging the British naval forces. Without official permission, Crabb and a band of hardy volunteers take on the task of scuttling the enemy's guerilla activities. Silent Enemy is at its best during its underwater sequences, in which both British and Italian frogmen deploy an astonishing variety of deep-sea weaponry. ~ Hal Erickson, All Movie Guide

Unseen Heroes, along with Missiles from Hell, represented the US titles of the British The Battle of the V1. Set in wartime Poland, the film involves the secret Nazi missile installation at Peenemunde. British guerilla fighter Michael Rennie leads a group of Polish partisans on a mission to destroy the base and cripple the German war effort. The basic storyline is a good one, though it is muddied by several arbitrary plot transitions. Further undermining Unseen Heroes is the editing, which at times seems to have been accomplished with a paper shredder. ~ Hal Erickson, All Movie Guide

The original 1958 BBC television production of the last of Nigel Kneale's classic Quatermass scripts -- which is best known in association with the 1967 Hammer Films adaptation by Roy Ward Baker -- runs circles around the feature-film version. As with the other Quatermass serials, Kneale's original script goes a lot deeper into meanings, motivations, and consequences of the events depicted, as well as characterization and plot developments. That's understandable, as the producers had six episodes running over 30 minutes each in which to work, instead of the 98-minute running time of the movie. The result is a storyline in which the mystery is developed as much as the horror and science-fiction elements, and is worthy of Sherlock Holmes, one might add. An excavation for a London subway turns up mysterious skeletons, that are almost -- but not quite -- human. An investigation by Dr. Roney (Cec Linder), a paleontologist, reveals that these creatures had abnormally large brain cavities, much larger than was the norm for any known prehistoric proto-human species. There are other specimens as well, large insect-like creatures, and all were clustered around what seems to be a spacecraft buried at the same time as these skeletons, possibly as long as five million years. The unearthing of the space vehicle brings into the case England's greatest rocket expert, Professor Benard Quatermass (Andre Morell), who comes to believe from the evidence that the vehicle is from Mars, as were the insect-like beings. Even as Quatermass and Roney continue to investigate, they run up against resistance from government officials eager to avoid a panic, and from Quatermass' new superior, Colonel Breen (Anthony Bushell), a weapons expert who doesn't trust intellectuals or idealistic scientists, and wants to believe that the spaceship was part of a World War II Nazi hoax intended to raise hysteria among the public. Meanwhile, hysteria seems called for, as strange and potentially deadly manifestations of telekinetic power and other paranormal phenomenon start to overtake workers at the site of the excavation. Quatermass and Roney are convinced that some potentially catastrophic forces are being tampered with, but no one in the government will listen to them until it is too late, and all hell, literally, starts to break loose. ~ Bruce Eder, All Movie Guide

In this suspenseful, convoluted crime drama, the wife of a wrongly-condemned murderer begins looking for the real killer. ~ Sandra Brennan, All Movie Guide

Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide

The British The Dam Busters is the story of the development and utilization of the "bouncing bombs" in World War II. Michael Redgrave stars as Dr. Barnes Wallis, who developed these unorthodox explosives. Wallis' invention is put to practical use during the British raid on the Ruhr Dams in Germany. Most of the film is devoted to the two years spent in creating the bombs and training the pilots; the final sequence is a special-effects masterpiece, even allowing for the obvious models standing in for the dams. Adapted by R.C. Sherriff from both Guy Gibson's book Enemy Coast Ahead and Paul Brickhill's The Dam Busters, this film was Britain's biggest box-office success of 1955. ~ Hal Erickson, All Movie Guide

An H.E. Bates novel was the source for this psychological wartime drama set in Burma. Canadian pilot Gregory Peck and two comrades-in-arms crash in the Burmese wilds. The three men are forced to hack and crawl their way to safety, surrounded on all sides by the Japanese. Peck's subordinates don't completely trust their leader, and not without reason: Peck's nerves have been at the breaking point for months, and this experience may send him around the bend. But the ordeal strengthens Peck's psyche. Despite its American star, director and distributor (United Artists), The Purple Plain is a British production; thanks to its top-drawer production values and evocative color photography by Geoffrey Unsworth, the film brought in customers on both sides of the big pond. ~ Hal Erickson, All Movie Guide

The Malta Story stars Alec Guinness as WW II camera reconnaissance pilot Peter Ross. Crash-landing in Malta, Ross presents his photographs to the resident air officer (Jack Hawkins). The photos reveal that the Italians are planning a major invasion of the island. Low on fuel and men, the officer is all but helpless as the Italians mount their attack. Only the last-minute arrival reinforcements and supplies prevent Malta from falling into the hands of the enemies--but the story doesn't end there. Filmed on location, The Malta Story boasts some exceptional aerial photography, not to mention excellent performances from Guiness, Hawkins, Anthony Steele, Muriel Pavlow, Flora Robson and the rest of the stellar cast. ~ Hal Erickson, All Movie Guide

The British Conflict of Wings was also released as Fuss over Feathers: Both titles are applicable, but only the second title captures the mood of the proceedings. The story takes plays in a Norfolk-country village, where the populace is up in arms over the announcement that the RAF plans to build a target range. It seems that the village is the site for a bird sanctuary that was allegedly established 400 years earlier by King Henry VIII. Faced with an intractable government and an equally unsympathetic bureaucracy, the villages decide to resolve matters in their own inimitable way. Commendably, the RAF is not cast as the villain of the piece: both sides are well represented in the argument, though audience sympathy understandably leans in the direction of the bird-huggers. Conflict Over Wings was adapted by Don Sharp from his own novel. ~ Hal Erickson, All Movie Guide

Also known as Glory at Sea, a World War II British commander and his crew wage a fierce sea battle against the Germans in spite of their inferior vessel. ~ Iotis Erlewine, All Movie Guide