Maurice Shrog Movies

A gay councilman is murdered, leading detectives Logan (Chris Noth) and Briscoe (Jerry Orbach) to question such "probables" as the dead man's roommate, Joe Gibb (Michael Lichtenstein), and a married man (Robert Joy) with whom the decedent might have had a brief affair. When the investigation narrows down to Councilman Kevin Crossley (Daniel Hugh Kelly) who, despite his outspoken homophobia, insists that he was a good friend of the victim, an outraged Logan completely loses his cool. Suffice to say that this final fifth-season Law & Order episode also represented the last regular appearance of co-star Chris Noth. ~ Hal Erickson, Rovi

Night and the City is a remake of the 1950 Richard Widmark vehicle of the same name. Major changes: As played by Robert DeNiro, the Widmark character, one Harry Fabian, is no longer merely a two-bit tout but instead a two-bit lawyer; and the film is set in New York, as opposed to the London setting of the original. While embroiled in a lawsuit involving a boxer, Fabian becomes fascinated in the world of championship prizefights. Always susceptible to get-rich-quick schemes, Fabian tries to organize his own big boxing event, but to do that he needs the help of hardnosed promoter Alan King--and to get to King, Fabian uses the promoter's father, former boxer Jack Warden, to act as front man. Fabian scurries around lying and double-dealing in order to sell percentages of the upcoming bout, while King warns Fabian of the consequences should anything unfortunate happen to the ailing Warden. Disaster plagues Fabian as his boxers fail to pass their physicals, and Warden dies while setting up the big event. Pursued by King and his creditors, the terrified Fabian is urged by girlfriend Jessica Lange to get of town. Instead, Fabian decides to face up to his failings for the first time in his life, and stands his ground for the final, fatal confrontation. Like the earlier Widmark film, the 1992 Night and the City is based on a novel by Gerald Kersh. ~ Hal Erickson, Rovi

To spice up their tepid social lives three ad execs from Manhattan place ads in the personals column of a local magazine. ~ Sandra Brennan, Rovi

A smaller, amusing comedy from writer/director Woody Allen, Broadway Danny Rose begins with a bunch of show business vets sitting around a table at New York's Carnegie Deli and reminiscing about the legendary titular character, a loser of an agent who would represent anyone, including blind xylophonists, piano-playing birds, and has-been crooners with drinking problems. Allen plays Rose as a befuddled, warm-hearted schlub who finally has a shot at getting somewhere when he signs washed-up lounge singer Lou Canova (Nick Apollo Forte) and nearly brings his career back to life. Danny gets him a date at the Waldorf, where Milton Berle is in the audience, looking for guests for his TV special. Canova has a complicated love life, juggling both a wife and a girlfriend. so he enlists Danny to take the girlfriend, Tina Vitale (Mia Farrow), to the concert. But Canova and Tina have a fight, she goes back to her Mafioso boyfriend, and Danny winds up getting chased halfway around New York and New Jersey by the Mob. And of course, once Canova gets his big break, he dumps Danny for another agent. Allen, Forte, and especially Farrow all do strong work with characters that could have easily become stereotypes, and the film has a lighter, warmer touch than the Allen films that preceded it (Stardust Memories and Zelig). ~ Don Kaye, Rovi

In this comedy, an even-tempered fireman with a happily tepid life, finds his peaceful world disrupted when he becomes infatuated with the woman he saved from a burning building. ~ Sandra Brennan, Rovi