John Shrapnel Movies

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, Rovi

Actress Cate Blanchett returns to her Oscar-nominated role and director Shekhar Kapur steps back into the director's chair for this belated sequel to the critically acclaimed 1998 biopic Elizabeth that explores the 16th century romance between the "Virgin Queen" and noted adventurer Sir Walter Raleigh (Clive Owen). Michael Hirst teams with William Nicholson to pen the screenplay, and actor Geoffrey Rush returns to the role of Sir Francis Walsingham. ~ Jason Buchanan, Rovi

Director Jonny Campbell teams with screenwriter William Davies for this satirical look at the notorious, purportedly genuine "Alien Autopsy" video that fascinated viewers worldwide before being exposed as an elaborately staged hoax in 1995. Aired in America by the Fox network, the Alien Autopsy video caused an overnight sensation among UFO enthusiasts while proving just how susceptible to hype the media truly is. Now viewers can follow the adventures of ambitious British pranksters Gary (Ant McPartlin) and Ray (Declan Donnelly) as they execute one of the largest-scale practical jokes ever attempted. Bill Pullman and Harry Dean Stanton co-star in a comedy that encourages viewers to believe none of what they hear, and only half of what they see. ~ Jason Buchanan, Rovi

Also (and more pointedly) entitled The Headsman, Simon Aeby's scope period drama Shadow of the Sword uses its narrative to explore conflicts and tensions during the notorious 16th century Inquisition. Nikolaj Coster Waldau and Peter McDonald play Martin and Georg, two men who meet and bond as youths in a European monastery, then part ways and diverge paths; Georg becomes a cleric at a nearby abbey, Martin a soldier in the Army. The adult men reconnect following a fifteen year absence, and not long after, Martin (in the face of overwhelming dissuasion from Georg) falls head over heels in love with Anna - a social outcast because of her father's role as executioner. Martin and Anna marry, and - in a beat that recalls Berlanga's El Verdugo - Martin is forced to enter his father's line of work as a decapitator - a role he performs fluidly and effectively. Trouble brews, however, on two fronts: from Fabio, a handicapped local who covets Martin's new job, and from an Inquisitor (legendary playwright Steven Berkoff) who arrives to oversee George's execution when the local archbishop grows dissatisfied with him - forcing Martin to step in and act as George's salvation. Meanwhile, Brother Bernhard schemes to rob the church of stability. ~ Nathan Southern, Rovi

Serial killer Alex (who never appears onscreen) stalks young women, injects them with an immobilizing drug, and then has a "romantic" dinner with them, but dessert isn't very sweet as Alex inevitably loses control of the situation and things get nasty. Moreover, this story packs an interesting twist: "Alex" is actually a girl. Detective Hannah (John Shrapnel) and his rebellious rookie partner, Jen (Isabel Brook), are at a loss to find enough clues to stop the killer, so they use an unconscious surviving victim (Laurel Holloman) alone in a hospital bed as bait. But even that plan has its dangerous complications when Hannah and Jen have a disagreement at a very unfortunate moment. ~ Buzz McClain, Rovi

In this religious drama concerning the struggle between science and faith, Olivia Williams plays Sharon Golban, an Israeli archeologist who discovers a skeleton within a tomb in Jerusalem. After an intensive study and the accumulation of more information, the bones begin to resemble the remains of Jesus Christ. At this news, the Vatican decides to send a young priest, Rev. Matt Gutierrez (Antonio Banderas), to investigate the problem and make sure the scientist's findings do not cause a stir. Meanwhile, a Palestinian shopkeeper (Makram J. Khoury) is caught between the church and Israeli society due to his finding of the bones: His basement led to the discovery. All of this poses a dilemma for the young reverend, who is forced to re-evaluate his own religion due to this new development's rewriting of the story of Jesus, which states that when his followers arrived at the tomb after crucifixion, it was empty. Written and directed by Jonas McCord, The Body is based on a novel by Richard Ben Sapir. ~ Jason Clark, Rovi

This ten-hour mini-series extravaganza originally aired on February 26, 2000 on NBC, and concerns the fate of a janitor, Tony (John Larroquette), and his lovely daughter Virginia (Kimberly Williams), who mysteriously find themselves in a land where fairies, trolls, and elves live. Their attempts to return home are thwarted by an evil witch (Diane Wiest). Appearing in supporting roles are Rutger Hauer, Warwick Davis, and Camryn Manheim as Snow White. The 10th Kingdom was rebroadcast on August, 2000, with a substantially trimmed running time of eight hours, which was shortened even further to six hours for the video release, after all commercials had been removed. ~ Jonathan Crow, Rovi

Juliette (Virginie Aster) is an immigration officer working the Eurostar train that runs by tunnel between London and Paris. When Juliette discovers her boyfriend (who happens to be married) (played by Jean Yves Berteloot) has not only been reading the diary file on her laptop computer but got so mad he threw it out the window, she gives him his walking papers. On the rebound, Juliette becomes involved with Frank (Kulvinder Ghir), who works with several radical political groups. However, their relationship becomes problematic when he tries to involve her in a plan to smuggle a group of Somali refugees into England via the Eurostar. Filmed in 1997, Solo Shuttle received its first screenings on European television, though it later earned theatrical screenings in London. ~ Mark Deming, Rovi

Amid the bloody tumult of Communist dictator Ceausescu in 1989 Romania, a hedonistic and morally sidetracked physician, Daniel Pavenic (Michael Gambon), attempts to hold his annual dinner for 12 of his closest friends. Only three such friends are willing to brave the dangerous war-torn streets to go to Pavenic's mansion, where they find themselves investigating the shocking, debauched relationship between their host and a once-beautiful house servant. The more the guests learn about the twisted relationship, the more they find themselves re-entangled in their own dark memories. The book upon which this drama is based, The Two Deaths of Senora Puccini, by Stephen Dobyns, was set in Chile. ~ Matthew Tobey, Rovi

This British biopic attempts to chronicle the life of 17th-century tunesmith Henry Purcell. The filmmakers have had to do much speculating about Britain's first great composer, as little is known about his life back then. It is known that Purcell had been a chorister as a child and then became the court composer for three kings: Charles, James and William. Before his death at age 37, Purcell penned over 1,000 songs and sired a few children, most of whom died at birth. While little is actually known of Purcell, the film successfully recreates the tumultuous era in which he lived. Also running parallel to Purcell's story is a set in the 1960s when English society and values seemed to be rapidly eroding, just as they were in the composer's time. The story concerns a playwright's attempts to research the life of Purcell for his next play. In the last part of the film, several lavish musical numbers from Purcell's vast repertoire are presented. ~ Sandra Brennan, Rovi

After years of capitalizing on the weaknesses of a gullible public, a London advertising executive finds that his worst qualities have literally taken on a life of their own in this scathing satire. Successful copywriter Dennis Bagley (Richard E. Grant) lives a posh life with his lovely wife, Julia (Rachel Ward), in the London suburbs. Pushed to distraction by a bothersome new pimple-ointment account, he flirts with renouncing his career and becoming socially aware. Immediately thereafter, Bagley discovers that he's developed a zit of his own -- a monstrous boil on his neck that begins whispering evil things in his ear. Convinced that he's being taken over by his dark half, Bagley soon finds his "good" self relegated to the boil while his malevolent alter ego returns to the world of advertising with a vengeance. At first, Julia is relieved that her husband seems to have bounced back from the abyss of mental illness, but soon she realizes that she prefers the gentle but crazy Dennis to the poisonous professional. Written and directed by Withnail & I's Bruce Robinson, How to Get Ahead in Advertising reunites the director with that film's leading man Richard E. Grant. ~ Brian J. Dillard, Rovi