Roberta Shore Movies

"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, All Movie Guide

This fast-paced, entertaining drama set in a high school is directed by Paul Wendkos who has a talent for turning teen-oriented movies into hits, as proven just before this release (his 1959 Gidget). The ever-young Dick Clark plays Neil, a new, dedicated history teacher who becomes involved with the lives of his students and always for the better. He also becomes involved with Joan (Victoria Shaw) the attractive secretary in the principal's office. In an era before cocaine, crack, and school shootings would destroy the nation's image of high schools forever, the problems of "delinquents" like Griff (Michael Callan), or Buddy (Warren Berlinger), whose mother is unfaithful, may seem archaic to some audiences. ~ Eleanor Mannikka, All Movie Guide

Showing up in Virginia City to collect a $4000 debt from Captain Rory Fitzgerald (David Frankham), Bart has trouble believing that the prosperous-looking Fitzgerald is as penniless as he claims. Rather than absorb the loss, Bart decides to hang around in town until the Captain is able to make good his debt--which proves to be a big mistake when our hero ends up kidnapped and bound hand and foot. Roxane Berard appears in another of her duplicitous-damsel roles, while Robert Shore goes through much the same ingenue paces as in her later costarring gig on TV's The Virginian. ~ Hal Erickson, All Movie Guide

A surprisingly serious and well-acted major studio variation on the "teens in trouble" films that AIP and Allied Artists cranked out in the 1950's, Blue Denim stars Brandon De Wilde and Carol Lynley as Arthur and Janet, a pair of high school sweethearts who find in each other the love and understanding they don't receive from their emotionally distant parents. However, teenage romance leads to adult consequences when Janet finds herself pregnant; neither of the teens can broach the subject with their parents, and since they're regarded as too young to get married, they're forced to seek out an illegal abortion before Janet is no longer able to hide her condition. While time has dated the story, Blue Denim still comes off as sincere and well-crafted (the sequence where the teen lovers meet the abortionist is still a bit spooky all these years later), and was considered quite frank in its day. ~ Mark Deming, All Movie Guide