Ronee Blakely

When a wealthy homosexual man (Wlad Cembrowicz) turns up missing, his sister (Debra Sandlund) convinces her ex-husband (Sam Behrens) to investigate the legion of suspects. ~ John Bush, All Movie Guide

Orson Welles made his final screen appearance as, appropriately enough, Orson Welles (or "Danny's Friend") in Henry Jaglom's "emotional vérité" comedy Someone to Love. The film begins as filmmaker Danny (Henry Jaglom) prepares to spend the night at his girlfriend Helen (Andrea Marcovicci)'s apartment. Helen has just adjusted to sleeping alone after the breakup of her previous relationship and tells Danny that if he stays with her, she won't be able to go to sleep. Fascinated by the explanation, Danny sends out telegrams to a bunch of his Hollywood friends to meet on Valentine's Day at a Santa Monica theater, the Mayfair, that is about to be torn down to make way for a shopping mall. Danny figures that he will throw a party for his lonely celebrity friends. He also reasons that he could introduce his brother, real estate developer Mickey (Michael Emil, Jaglom's real-life brother), to some romantic companions. The party would also be a handy way to get some film footage. The day of the party, Danny's friends arrive --a famous movie star (Sally Kellerman); a pop singer named Blue (Stephen Bishop); a jazz pianist (David Frishberg); a sophisticated continental woman named Yelena (Oja Kodar); and, bringing up the rear and ensconced in the back of the theater, Danny's Friend (Orson Welles). With his camera crew in tow, Danny takes to filming his guests as they answer questions about love and loneliness. ~ Paul Brenner, All Movie Guide

Singer/actress Ronee Blakely, best remembered for her portrayal of an emotionally tattered country-western star in Nashville, was responsible for this bizarre, hallucinatory vanity production. I Played it for You concentrates on Blakely's stormy 6-year marriage to filmmaker Wim Wenders, who appears as himself and reportedly advised his ex-wife on production techniques. No effort is made to explain what attracted Blakely to Wenders (nor why she refers to him as "Howard") but plenty of time is given over to the reasons for their breakup. Shot in a variety of film gauges (including 8 millimeter), the film looks more like a home movie than a documentary. Fourteen songs are performed in the course of I Played it for You, which briefly surfaced at a theater in Venice, California before retreating into obscurity. ~ Hal Erickson, All Movie Guide

A decade of wisecracking sequels have not diminished the power of this striking horror film from the director of Scream. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter (Heather Langenkamp) traces the cause to child molester Fred Krueger (Robert Englund), who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. The teenaged leads are sympathetic and intelligent, unlike the dumb victims presented in most films of the period, and they are ably backed up by veterans like John Saxon and Ronee Blakley. Director Wes Craven creates moments of real dread by examining the line between nightmares and reality, as well as the "sins of the parents" theme, and although the film is quite gory, it never resorts to cheap bloodletting for its effect. A unique and disturbing experience, this film is highly recommended for horror buffs. ~ Robert Firsching, All Movie Guide

Lightning Over Water is a penetrating documentary of the last days of cult film director Nicholas Ray. The film was lovingly assembled by Wim Wenders, whose idolatry of Ray is obvious in virtually every frame of his own work. Dying slowly of cancer, Ray reflects on a lifetime of accomplishments, failures and compromises, with plenty of screen time given over to his reminiscences of Joan Crawford, James Dean and others who appeared in his films. Most of the film was lensed in Ray's modest New York City loft, a sharp and poignant contrast to the comparative luxury of his Hollywood years. Lightning Over Water has also been released as Nick's Film. ~ Hal Erickson, All Movie Guide

Bob Dylan made this concert film that chronicles a 1975/1976 performance of his Rolling Thunder Revue. In between songs he, his wife Sara Dylan, along with Joan Baez, Allen Ginsberg, and other counterculture figures perform philosophically based improvisational pieces. During the skits, Dylan plays the ambiguous Renaldo, while Ronnie Hawkins and Ronee Blakely play Dylan and his wife. Songs include "Isis, I Want You," "It Ain't Me Babe," "Knockin' on Heaven's Door," "Hurricane," "Romance in Durango," "One Too Many Mornings," "One More Cup of Coffee," "Sara," "Patty's Gone to Laredo," "Just Like a Woman," "A Hard Rain's Gonna Fall," "Sad-Eyed Lady of the Lowland," "When I Paint My Masterpiece," (Bob Dylan), "Chestnut Mare" (Roger McGuinn), "Diamonds and Rust" (Joan Baez), "Suzanne" (Leonard Cohen), "Need a New Sun Rising" (Ronee Blakely), "Salt Pork West Virginia" (Jack Elliott), "Kaddish" (Allen Ginsberg), "Cucurrucucu Paloma" (Tomas Mendez), and "Time of the Preacher" (Willie Nelson). ~ Sandra Brennan, All Movie Guide

Originally made for television, this western concerns three unjustly convicted female prisoners. While being transported to prison, their guards die of water poisoning and a former contract killer helps them survive. ~ John Bush, All Movie Guide

Based on the book by Cleo Dawson, this film follows the struggle of a female settler as she becomes involved in a political conflict during the Spanish-American War. ~ Iotis Erlewine, All Movie Guide

Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, All Movie Guide

Based on a novel by William Inge, this drama follows the attempts of two doctors to help a 35-year-old educator deal with a brutal rape. The incident is complicated by the fact that she was a virgin when it happened and that her attacker was a man she had been trying to help. The racial implications of the story may be offensive to many audience members. The film is also known as The Sin, The Shaming, and Secret Yearnings (on video). ~ Sandra Brennan, All Movie Guide