Dan Shor Movies

A German expressionism/film-noir hybrid from former special efffects photographer Les Bernstein (Contact (1997) and Fight Club (1999)), this visually driven film follows portly ex-con Joe Butcher (John Voldstad) as embarks on a wild and surreal journey south of the border while trying to solve the mystery of his brother's death. Entangled in a menacing web of corruption surrounding Tijuana's snuff film industry shortly after his arrival in Mexico, Butcher's alcohol enduced stupor finds him encountering a Mexican spitfire and a series of increasingly bizarre, and often threatening characters. ~ Jason Buchanan, Rovi

John Dahl directed and co-wrote (along with his brother Rick Dahl) this quirky and energetic film noir that, after a well-received screening at the Toronto Film Festival, was consigned to oblivion before resurfacing on cable television. When the owner of a San Francisco movie theater, who was a big fan of the film, arranged for a theatrical release, the film clicked and toured the country as an art house hit. The film concerns eternal loser Michael (Nicolas Cage), down to his last five dollars and looking for work. He finds himself at a bar in the town of Red Rock. The bartender, Wayne (J.T. Walsh) eyes him suspiciously and asks him, "You must be Lyle, from Dallas." Michael, eager to earn some cash, agrees. It seems Wayne has a job for Michael, but what Michael doesn't realize until too late is that the job is to kill Wayne's wife for $10,000. Michael heads out to Wayne's farm with the cash to warn Wayne's wife, Suzanne (Lara Flynn Boyle). Suzanne responds by offering to double Michael's fee if he will kill her husband instead. Michael takes the money and tries to leave town, but when a thunderstorm comes up, he runs over a man who was trying to flag him down. The sheriff arrives on the scene to attend to matters -- who turns out to be Wayne. Wayne proceeds to drive Michael out of town for an execution, but Michael manages to elude him. Flagging down a driver on the road who is driving back into Red Rock, they return to the bar, where the driver offers to buy Michael a drink. As Michael accepts the offer of a drink, he realizes that he is drinking with the real "Lyle from Dallas" (Dennis Hopper) who is awaiting Wayne's return. ~ Paul Brenner, Rovi

This confusing but enjoyably weird film stars Drew Barrymore (still toying with her good girl/bad girl image) as Holly Gooding, a young woman who apparently stabs her mother to death in New York then shows up on the doorstep of young L.A. screenwriter Patrick (George Newbern), in response to his ad for a prospective roommate. Despite his attraction to her, Patrick is increasingly bewildered by the appearance of Holly's apparent double, whose existence she neither confirms nor denies. At the same time, Holly is tormented by recurring visions of her mother's death and the persistent snooping of an FBI agent. When Patrick becomes convinced that Holly is being pursued by her own evil twin, he learns from ex-nun and phone-sex operator Sister Jan (Sally Kellerman) that the deadly double is Holly's "doppleganger," a supernatural creature which haunts a human being after assuming that person's shape. One plot twist follows another before unraveling completely in a ridiculously contrived double-surprise climax. This film does boast good performances and manages to avoid most standard low-budget horror conventions -- that is, until the last five minutes, wherein its cleverness is derailed by plot holes large enough to fly a zeppelin through. ~ Cavett Binion, Rovi

A group of scientists are sent to the sun in 2050 to stop a giant solar flare from destroying the Earth. As the team nears the sun, some members of the team begin to suspect that someone is trying to sabotage their mission. Solar Crisis has very strong special effects and fine acting, making it an excellent sci-fi thriller. ~ Stephen Thomas Erlewine, Rovi

With only a few days before their high-school graduation, it looks like airheaded rock star wannabes Bill (Alex Winter) and Ted (Keanu Reeves) are doomed to flunk all their finals. The boys' long-suffering teacher (Bernie Casey) gives them one more chance. If they can ace a presentation on the topic of how a famous historical personality might react to modern times, they will be allowed to pass. If not, Ted's dad will plunk the boy into military school, thereby breaking up the boys' garage band permanently. Bill and Ted receive unexpected aid from a very unexpected source: Rufus (George Carlin), an Emissary from the Future. It seems that in Rufus's time, Bill and Ted's rock music is the basis of all society-and if their band is aborted, Rufus's world will no longer exist. Thus, Bill and Ted are whisked off in a time machine (actually a telephone booth) to retrieve a few historical characters--including Joan of Arc, Abe Lincoln, Napoleon and Beethoven--as "eyewitnesses" for their crucial oral exam. Bill & Ted's Excellent Adventure inspired both a sequel (Bill & Ted's Bogus Journey) and a Saturday morning cartoon series. ~ Hal Erickson, Rovi

A farming family turns to a life of crime when Daddy (Raymond Barry) convinces his three rather slow sons to join him on a banking spree across the Midwest, all the while searching for a Mama to call his own. ~ John Bush, Rovi

This psychodrama is set in New Zealand during the 1880s and is based on the true story of an orphaned 18-year-old who marries a cruel, much-older man. He constantly abuses her and keeps her under his thumb until she snaps and using hypnotism, kills him. Later she is tried in court. ~ Sandra Brennan, Rovi

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, Rovi

Strangers Kiss stars Peter Coyote as an obsessive independent filmmaker who will allow nothing to interfere with the completion of his B-flick "masterpiece." Gangster Richard Romanus agrees to bankroll the film, provided that his girlfriend Victoria Tennant is cast in the leading role. Aware that there is no rapport whatsoever between Tennant and leading man Blaine Novak, Coyote stage-manages a real-life romance between the two--even though this will mean disaster for Novak should Romanus find out. Best described as a whimsical roller-coaster, Strangers Kiss doggedly avoids predictability throughout. The film might make an intriguing double feature with Woody Allen's similarly-themed Bullets Over Broadway (1994). ~ Hal Erickson, Rovi

While staying at the Hollins Communication Institute, a stuttering accountant fittingly falls for a squirrel huntress who has a similar speech impediment. ~ Kristie Hassen, Rovi

Dead Kids, aka Strange Behavior, is a creepy exercise from director Michael Laughlin--who conceived this as part one of an abortive "Strange Trilogy" which also included 1983's Strange Invaders. Although lensed in New Zealand, the film is set in a sleepy American town, in which a series of gory murders committed by local teenagers are linked to a twisted brainwashing scheme by a deranged behavioral psychologist (note irony please). Despite some humorous details (e.g. one killer dons a Tor Johnson mask) and a nostalgia for '50s pulp horrors (not to mention a fondness for splattery death scenes), the disparate plot elements don't come together as well as they should, failing to live up to the premise's potential for guilty chuckles or gasps of horror. Fiona Lewis is sexually menacing as the mad doc's assistant, but Louise Fletcher's wasted role may make viewers pine for Nurse Ratched. ~ Cavett Binion, Rovi

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, Rovi

Set in the Deep South during the postwar era, Wise Blood stars Brad Dourif as an aimless veteran, who decides to become a Bible-thumping preacher (for a questionable concern called "The Church Wihout Christ") principally because he hasn't anything better lined up. Dourif links up with a veteran of the hellfire-and-brimstone circuit, who for business purposes pretends to be blind. The older man persuades Dourif to blind himself for real so that he can truly "see the light" (yes, the movie is that weird). Director Huston, himself, appears as Dourif's grandfather. Adapted from the one-of-a-kind novel by Flannery O'Connor, Wise Blood was a noble experiment but a box-office failure-though, to be fair, Huston never set out to make a blockbuster from O'Connor's offbeat tale. ~ Hal Erickson, Rovi