Pamela Shoop Movies

Season Three of Murder She Wrote begins with the first episode of a two-part story, in which mystery writer Jessica Fletcher (Angela Lansbury) pays a visit to the Carmody Circus, an extremely small-time operation. It seems that Jessica has evidence that one of the circus' employees, a roustabout-clown who calls himself Carl, is actually her brother-in-law Neil (Jackie Cooper), who has long been presumed dead. No sooner does Jessica link up with Neil than the man is accused of murdering the circus' hateful manager Hank Sutter (Charles Napier). A young Courtney Cox appears as Neil's granddaughter, Carol Bannister. ~ Hal Erickson, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide

In the conclusion of Magnum, P.I.'s two-part opening episode (originally telecast as a single two-hour "TV movie"), Magnum (Tom Selleck) and Alice Cook (Pamela Susan Shoop) literally put their lives on the line to prove that Alice's sister, Navy lieutenant Dan Cook, died a hero--contradicting the government's insistence that Cook was part of an international drug-smuggling ring. The trail of clues leads to crime lord Philipe Trusseau (Roger Loggia), with whom Magnum had previously crossed swords in Vietnam. As with most TV pilots, there are significant differences between "Don't Eat the Snow in Hawaii" and later Magnum, P.I. episodes. For example, Magnum's wartime buddy Rick (Larry Manetti is the owner of a nitery called "Café Americain" instead of his more familiar stamping grounds at the King Kamehameha club; also, the role of Moki the Bartender, later played by Rene Abillera, is here enacted by Branscombe Richard, while Jeff McKay, later seen on a semi-regular basis as Naval officer "Mac" MacReynolds, is cast on this occasion as "Ski" ~ Hal Erickson, All Movie Guide

This exploitation film offers the "inside story" about those ever-popular star spangled gyrating, jiggling gals as a magazine reporter goes undercover and joins the team. ~ Sandra Brennan, All Movie Guide

The formal title for this TV mini-series was Harold Robbins' 79 Park Avenue, just in case you might mistake it for William Makepeace Thackeray's 79 Park Avenue. Originally presented in three parts, this adaptation of the Robbins best-seller stars Lesley Ann Warren as Marja Fludjicki, a Depression-era tenement girl who is accused of murdering her drunken stepfather. Part One details how Marja's "crime" was justifiable; she'd been raped by the bounder. Parts Two and Three would trace Marja's progress from teenaged prostitute to elegant, high-priced Park Avenue Madam--and mob mistress. Forced by circumstance into a life of prostitution, Marja marries Las Vegas high-roller Ross Savitch (Marc Singer). Ross is bumped off by the Syndicate, leaving Marja in the lurch. Marja rebounds from tragedy to become a federal witness against the Mob. 79 Park Avenue was first telecast on October 16, 17, and 18, 1977. Though all the names are changed, it isn't hard to discern the Bugsy Siegel story in this video equivalent to eating a whole box of chocolates in one sitting. ~ Hal Erickson, All Movie Guide

Though Roy (Kevin Tighe) is worn to a frazzle by a heavier-than-usual workload, he must put up with the rest of the Squad, each one of whom has his own special idea of how Roy should spend his upcoming vacation. Back on the job, the Squad tends to a martial-arts instructor who is injured while conducting a class, a brace of hang-gliders standed on a high mountain, and a man suffering from an usual case of stomach trouble. Watch for a pre-Dallas Linda Grayin a supporting role. ~ Hal Erickson, All Movie Guide