Ann Shoemaker Movies

Dog of Flanders, the durable novel written in 1872 by the author who signed herself Ouida, was filmed three times, first in 1924 with Jackie Coogan. The second filmization, produced in 1935, stars child actors Frankie Thomas, Helen Parrish and Richard Quine as three poor Flemish youths whose lives are interconnected by a handsome German shepherd (played by "Lightning"). The threesome nurse the abandoned dog back to health; soon afterward, the dog rekindles the creative spark of a reclusive artist, whose painting of the noble hound wins a hefty cash prize. Richard Quine, the third juvenile lead of Dog of Flanders, grew up to become an important Hollywood writer/director of the 1950s. Quine did not, however, work on the 1959 remake of Dog of Flanders--which starred another future filmmaker, David Ladd. ~ Hal Erickson, All Movie Guide

Screenwriter Herman J. Mankiewicz adopts the same prismatic-flashback technique he'd used so well in Citizen Kane for the 1949 filmic soap opera A Woman's Secret. Based on a novel by Vicki (Grand Hotel) Baum, the film begins with the shooting of nightclub singer Susan Caldwell (Gloria Grahame). Marian Washburn (Maureen O'Hara), who'd coached Susan into the Big Time, confesses to the shooting. Neither Marian's piano-player friend Luke Jordan (Melvyn Douglas) nor police inspector Fowler (Jay C. Flippen) completely buy her story, and it is their probing investigation of the facts that sparks the flashback parade. The film details in sometimes clever, sometimes maudlin fashion the perils of living one's life vicariously through the accomplishments of others. Though filmed before director Nicholas Ray's "official" debut feature They Live by Night, A Woman's Secret was released afterward. ~ Hal Erickson, All Movie Guide

Katharine Hepburn stars as Booth Tarkington's would-be society belle Alice Adams. The product of a family of modest means, Alice nonetheless dreams of being accepted by the "better people." Luck of luck, she meets well-to-do young Fred MacMurray at a social gathering; he is charmed by her pathetic attempts at putting on airs and accepts her invitation to dine at the Adams home. The meal is a disaster: Alice's parents (Fred Stone and Anne Shoemaker) are obviously way out of MacMurray's league, while the servant (Hattie McDaniel) that the family hired for the occasion shows up drunk and very surly. Alice Adams was the first major directorial assignment for George Stevens, as well as one of the few Katharine Hepburn vehicles of the 1930s to score a hit with the public. ~ Hal Erickson, All Movie Guide

An Angel from Texas was the fourth of five film versions of the venerable George S. Kaufman stage farce The Butter and Egg Man. The plot remains basically the same, with a wealthy but incredibly naïve young sprout coming to the rescue of a near-bankrupt Broadway musical. This time around, Eddie Albert stars as bumptuous Texan Mr. Colman, who uses his mother's life savings to finance the New York stage debut of his hometown sweetheart Lydia (Rosemary Lane). Fast-talking producers McClure (Wayne Morris) and Allen (Ronald Reagan) persuade Colman to invest his money in their upcoming production, a turgid drama that has all the earmarks of a quick failure. But through a series of wacky complications, many of them engineered by Allen's level-headed wife Marge (played by Reagan's real-life spouse Jane Wyman) the show is transformed into a Hellzapoppin-style surprise hit. Amusingly, reviewers in 1940 referred to Ronald Reagan's comedy style as "conservative"! ~ Hal Erickson, All Movie Guide

A spoiled rich girl marries a gas station owner in this dated romance starring Joel McCrea, Ginger Rogers, and Marion Nixon. It is love at first sight when debutante Glory Franklyn (Nixon) spots handsome grease monkey Blacky Gorman (McCrea), who promptly dumps faithful girlfriend Marje Harris (Rogers) to marry the heiress. Wedded bliss, however, quickly gives way to everyday worries and Glory even fails at cooking a dinner. Because she still loves Blacky, Marje nobly gives her rival a crash course in good housekeeping, but the spoiled Glory discovers that she is expecting and high tails it back to Mama (Virginia Hammond), who never approved of the marriage and is only too happy to see it fail. Fearing that his wife will obtain an abortion, Blacky hurries to New York, but is too late. Divorced and heartbroken, the young gas station owner finds solace in the arms of the loyal Marje. ~ Hans J. Wollstein, All Movie Guide

Filmed some 18 months before its release, Conflict is one of two melodramas in which Humphrey Bogart self-consciously portrayed a wife murderer (the other was The Two Mrs. Carrolls). Bogie plays unhappily married Richard Mason, who concocts a meticulous scheme to kill his shrewish wife, Kathryn (Rose Hobart), so that he'll be free to marry her sister, Evelyn (Alexis Smith). Alas, Mason inadvertently tips his hand to family friend Dr. Mark Hamilton (Sydney Greenstreet). ~ Hal Erickson, All Movie Guide

The second of three Kay Francis films in which the star was cast as a dedicated lady physician, Doctor Monica was adapted from a Polish play by Marja Morozowicz Szezepkowska. Francis plays obstetrician Dr. Monica, whose husband John (Warren William) cheats on her with young Mary (Jean Muir). When Mary becomes pregnant, the selfless Monica befriends her, provides her with advice, and delivers the baby. The good doctor even offers to give up John so that the child will have a father. But after giving birth, Mary calmly tells John to go back to Monica -- even though there's every indication that he'll never give up his philandering ways! ~ Hal Erickson, All Movie Guide

With Robert Riskin as screenwriter, director William Wellman proved in Magic Town that it was possible to make a Frank Capra-esque picture without Capra himself at the helm. James Stewart plays Rip Smith, a cynical pollster who comes across a small American town named Grandview, which represents a "perfect" balance of ethnic types, professions, political beliefs, and personal opinions (a parody of the then-current "Middletown" study). Smith publicizes this discovery, leading to a barrage of media attention and an onslaught of get-rich-quick entrepreneurs. Not surprisingly, all of this has an adverse effect on the heretofore "average" citizens of Grandview; it also seriously threatens Smith's blossoming romance with local girl Mary Peterman (Jane Wyman), who feels that her friends and neighbors are being used, exploited, and in some cases, corrupted. The satirical thrust of the film bogs down into sentimentality toward the end, but it's fun while it lasts. One of the colorful supporting characters is played by screwball-comedy favorite Donald Meek, who died during production, necessitating a number of hasty and not altogether successful rewrites. Though it pleases audiences today, Magic Town was a financial disappointment in 1947, prompting James Stewart to seek out "tougher" and more challenging roles to restore his box-office appeal. ~ Hal Erickson, All Movie Guide

The year is 1942: Mr. Winkle (Edward G. Robinson), a mild-mannered bank clerk, decides to quit his job and open a fix-it shop in his garage. Winkle's wife Amy (Ruth Warrick) disapproves of this, and orders her husband to move into his little shop. Tired of being browbeaten, Winkle is delighted when his draft notice shows up. Fitted for a uniform, Winkle has the wind taken out of his sails in basic training, but soon finds that army life agrees with him; when given a chance to go home when the draft age is lowered to 38, he refuses to do so. Transferred to the South Pacific, Winkle instinctively performs a conspicuous act of bravery. He returns home a much-decorated hero, but he's too shy to partake in the ceremonies in his honor, opting instead to return to his shop, and to his now-loving wife Amy. A tailor-made Edward G. Robinson vehicle, Mr. Winkle Goes to War was adapted by Waldo Salt, George Corey and Louis Solomon from a novel by Theodore Pratt. Watch for Robert Mitchum, Hugh Beaumont and Miss Jeff Donnell in unbilled bits. ~ Hal Erickson, All Movie Guide

Set in a northern California logging community the trouble in this western begins when a lumberjack is killed while sawing down a tree. No one believes it was accidental as everyone is aware that the deceased had just stolen the heart of his partner's girl. Unfortunately, the partner, while jealous sure enough, is innocent and sets out to prove it. He finally wins their belief when he saves the town from a raging forest fire. ~ Sandra Brennan, All Movie Guide

Previously filmed in 1916 with Mary Pickford's brother Jack in the lead, Booth Tarkington's irresistable coming-of-age novel Seventeen serves as a tailor-made vehicle for 18-year-old Jackie Cooper. The star is cast as William Slyvanus Baxter, a high school boy who is undergoing the pangs of First Romance. The object of his affections is flirtatious debutante Lola Pratt (Betty Field), an "older woman"-at least a whole year older! Losing his head completely, William spends all of his hard-earned money on the fickle Lola, only to learn a valuable (and very expensive) lesson about loving neither wisely nor too well. Norma Nelson is hilariously hateful as William's tattletale kid sister, while Otto Kruger and Ann Shoemaker are quietly effective as the boy's exasperated but understanding parents. Obviously rushed into production to capitalize on the successful teaming of Jackie Cooper and Betty Field in 1939's What a Life!, Seventeen is an excellent effort in its own right. ~ Hal Erickson, All Movie Guide

Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style. ~ Hal Erickson, All Movie Guide

Clifton Webb has the role of a lifetime as Lynn Belvedere, self-styled genius and expert on everything. Belvedere accepts the job of baby-sitting the troublesome children of Robert Young and Maureen O'Hara; he wins the job by calmly dumping a bowl of cold oatmeal on the head of the couple's most contentious offspring! At first the family chafes at Belvedere's imperiousness and unlimited resourcefulness, but gradually everyone--especially the children--grow quite fond of the man. The couple's snoopy neighbor (Richard Haydn), noting that Belvedere spends quite a lot of time in the house when the husband is away, begins spreading rumors of a clandestine affair. Belvedere only fuels the flames of innuendo by working on a "secret project" in his room. That project turns out to be a book about the community where he is staying, a revealing volume that exposes the pettiness and hypocrisy of several respectable citizens. Robert Young nearly loses his job over the ensuing scandal, but when the community becomes world famous and the object of increased business activity, Belvedere is the hero of the day. Clifton Webb made so vivid an impression as Mr. Belvedere that he repeated the role in two sequels, and played variations of Belvedere (with emphasis on his "child psychology" tactics) in such films as Cheaper by the Dozen and Mr. Scoutmaster. After numerous failed attempts at launching a TV series based on the Gwen Davenport-created character, Mr. Belvedere settled into a long video run in 1985, with Christopher Hewett in the title role and sportscaster Bob Uecker as Belvedere's nonplused employer. ~ Hal Erickson, All Movie Guide