Ann Shoemaker Movies

The second of three Kay Francis films in which the star was cast as a dedicated lady physician, Doctor Monica was adapted from a Polish play by Marja Morozowicz Szezepkowska. Francis plays obstetrician Dr. Monica, whose husband John (Warren William) cheats on her with young Mary (Jean Muir). When Mary becomes pregnant, the selfless Monica befriends her, provides her with advice, and delivers the baby. The good doctor even offers to give up John so that the child will have a father. But after giving birth, Mary calmly tells John to go back to Monica -- even though there's every indication that he'll never give up his philandering ways! ~ Hal Erickson, All Movie Guide

Dog of Flanders, the durable novel written in 1872 by the author who signed herself Ouida, was filmed three times, first in 1924 with Jackie Coogan. The second filmization, produced in 1935, stars child actors Frankie Thomas, Helen Parrish and Richard Quine as three poor Flemish youths whose lives are interconnected by a handsome German shepherd (played by "Lightning"). The threesome nurse the abandoned dog back to health; soon afterward, the dog rekindles the creative spark of a reclusive artist, whose painting of the noble hound wins a hefty cash prize. Richard Quine, the third juvenile lead of Dog of Flanders, grew up to become an important Hollywood writer/director of the 1950s. Quine did not, however, work on the 1959 remake of Dog of Flanders--which starred another future filmmaker, David Ladd. ~ Hal Erickson, All Movie Guide

In this romantic drama, a horsewoman is forced to work in a society dame's stable. There she meets and falls in love with a destitute polo-player who has curried the favor of his lovely employer. The matron gets jealous of the budding relationship between the horsewoman and the player. A wealthy man, who wants the stable girl, also gets jealous. Fortunately, the young lovers are able to withstand the ensuing turmoil and they elope. A while later, the other man attends a lively party aboard a yacht. There a drunken chorine falls overboard and drowns. One of the ship's officers blames the wealthy man and says he saw him leaving with a mysterious "woman in red." During the ensuing trial, the horsewoman clears his name by admitting that he was with her. It is a difficult admission because she knows she is risking her marriage. Fortunately, her husband and his family support her all the way and the marriage is strengthened. ~ Sandra Brennan, All Movie Guide

A bell ringer's wife dies while giving birth to his second son who turns out to be deaf. His oldest son moves to America where he becomes a successful engineer. Meanwhile, back at home in Austria, the bell ringer gives his remaining son to a monastery and then wanders off to become a bum. Years pass and eventually the hearing-impaired boy grows up. During WW I, an explosion miraculously restores his hearing. He then becomes a musician and moves to America where he not only finds fame and fortune, but also renewed family ties. ~ Sandra Brennan, All Movie Guide

In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide

This hard-hitting Warner Bros. courtroom drama begins with the usual "Any resemblance to actual persons, living or dead, is coincidental" disclaimer. Filmgoers with long memories, however, recognized Robert Rossen and Aben Kandel's screenplay as a blow-by-blow recreation of the Leo Frank-Mary Phagan case of 1915. Phagan, a 14-year-old employee in a Marietta, GA pencil factory, was found murdered. The bulk of the evidence pointed to a black janitor (who actually confessed to the crime years after the fact), but race-baiting Atlanta newspaper publisher Tom Watson decided to go after Leo Frank, the Northern Jew who owned the factory where Mary worked. "We can lynch a nigger any time," the politically ambitious Watson is alleged to have said, "but when do we get a chance to hang a Yankee Jew?" Thanks largely to Watson's "guilt by headline" campaign, and to Fulton County's cooperative solicitor general, Frank was found guilty and sentenced to death. Georgia Governor John M. Slaton, who all along smelled something fishy in the case, commuted Frank's case to life imprisonment (and was ruined politically as a result). En route to prison, Frank was abducted by a mob and lynched, an incident that boosted the prestige of the Georgia Ku Klux Klan. Aben Kandel dramatized this appalling miscarriage of justice in his novel Death in the Deep South, which served as the basis for They Won't Forget. In Mervyn LeRoy's film version, Lana Turner (in a star-making turn) plays Mary Clay, a teen-aged typing school student who dresses garishly and flirts with every man she meets. Mary is later found murdered; the last person to see her alive was her teacher, recently arrived Northerner Robert Hale (Edward Norris). Once more, a black janitor (played as a superstitious moron by Clinton Rosemond) is the most likely suspect, but the ambitious district attorney (Claude Rains) seems sincere in his belief that Hale is guilty. Once Hale is sentenced to death, the governor, played by Paul Everton, commutes his sentence, serene in the belief that, once his career is finished, he'll be able to retire peacefully (real-life governor Slaton did not go down so benignly). Except for the removal of the original case's anti-Semitic elements, They Won't Forget is stark, powerhouse filmmaking, one of the best of Warners' "social protest" films of the 1930s. It was remade as the 1987 TV movie The Murder of Mary Phagan starring Jack Lemmon, Kevin Spacey, Peter Gallagher, and Charles S. Dutton (as well as as the unsuccessful 1998 Broadway musical Parade). ~ Hal Erickson, All Movie Guide

Set in a northern California logging community the trouble in this western begins when a lumberjack is killed while sawing down a tree. No one believes it was accidental as everyone is aware that the deceased had just stolen the heart of his partner's girl. Unfortunately, the partner, while jealous sure enough, is innocent and sets out to prove it. He finally wins their belief when he saves the town from a raging forest fire. ~ Sandra Brennan, All Movie Guide

Famous filmmaker Jacques Tourneur (known for his compelling film noir and scary horror movies) makes his directorial debut in this crime drama that centers on a gang's getaway driver who is captured and imprisoned. There he undergoes rehabilitation and decides to go straight. The head gangster's moll also opts for reform while her boyfriend decides to stay a crook. The good couple ends up earning an early parole; they make the most of their second chance and prove that prison rehabilitation works. The film is noted for its realism. ~ Sandra Brennan, All Movie Guide

Imagine the dismay of those hapless TV station managers who've booked the 1940 Martha Raye vehicle The Farmer's Daughter in the belief that they've actually gotten hold of the same-named 1947 Loretta Young picture. Hardly in the same league as its namesake, the 1940 film casts Raye as Patience Bingham, a starstruck rural gal who hopes to land a part in a musical show being staged in a reconverted barn. The show is being financed by millionaire Nicksie North (Charlie Ruggles) as a vehicle for his untalented girl friend Clarice Sheldon (Gertrude Michael). That's right, folks: Clarice walks off the show on opening night, forcing her understudy-who else but Patience?--to appear in her stead. As a bonus, Patience lands leading man Dennis Crane (Richard Denning) as a husband, to the surprise of no one but Dennis. ~ Hal Erickson, All Movie Guide

A Broadway producer and a director conspire to destroy the career of an aging star so they can tear up her contract and use fresher talent in this comedy drama. First they must choose an appropriately horrible script. They find one, "The End of Everything," written by a lovely female playwright. Unfortunately, the old diva adores the script and somehow turns the play into the hit of the season. ~ Sandra Brennan, All Movie Guide

An Angel from Texas was the fourth of five film versions of the venerable George S. Kaufman stage farce The Butter and Egg Man. The plot remains basically the same, with a wealthy but incredibly naïve young sprout coming to the rescue of a near-bankrupt Broadway musical. This time around, Eddie Albert stars as bumptuous Texan Mr. Colman, who uses his mother's life savings to finance the New York stage debut of his hometown sweetheart Lydia (Rosemary Lane). Fast-talking producers McClure (Wayne Morris) and Allen (Ronald Reagan) persuade Colman to invest his money in their upcoming production, a turgid drama that has all the earmarks of a quick failure. But through a series of wacky complications, many of them engineered by Allen's level-headed wife Marge (played by Reagan's real-life spouse Jane Wyman) the show is transformed into a Hellzapoppin-style surprise hit. Amusingly, reviewers in 1940 referred to Ronald Reagan's comedy style as "conservative"! ~ Hal Erickson, All Movie Guide

Leo McCarey was supposed to both produce and direct My Favorite Wife, but an illness forced him to relinquish the director's chair to Garson Kanin, who did a splendid job. This hilarious retread of the old "Enoch Arden" legend stars Irene Dunne as Ellen, who returns home to her husband Nick (Cary Grant) and children Tim (Ann Shoemaker) and Chinch (Mary Lou Harrington) after being marooned on a desert island for seven years. Thing of it is, Ellen has been declared legally dead, and Nick has taken unto himself a second wife, the bitchy Bianca (Gail Patrick). Upon discovering that Ellen is still alive, Nick is on the verge of a tender reunion-until it discovers that she spent those seven lost years in the company of handsome Mr. Barkett (Randolph Scott). The superb supporting cast includes Granville Bates as a flummoxed judge, Chester Clute as a meek shoe salesman whom Ellen tries to pass off as Barkett, and Donald MacBride as a beetle-browed honeymoon-hotel clerk. My Favorite Wife was remade in 1963 as Move Over Darling, in which Irene Dunne and Cary Grant were replaced by Doris Day and James Garner. ~ Hal Erickson, All Movie Guide