Bill Shine Movies

This film adaptation of the Broadway musical based loosely on Puccini's opera La Bohème features many members of the original cast. It follows a year in the lives of seven friends living the disappearing Bohemian lifestyle in New York's East Village. AIDS and both its physical and emotional complications pervade the lives of Roger (Adam Pascal), Mimi (Rosario Dawson), Tom (Jesse L. Martin), and Angel (Wilson Jermaine Heredia); Maureen (Idina Menzel) deals with her chronic infidelity through performance art; her partner, Joanne (Tracie Thoms), wonders if their relationship is worth the trouble; Benjamin (Taye Diggs) has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with his former friends; and Mark (Anthony Rapp), an aspiring filmmaker, feels like an outsider to life in general, always behind the camera recording the events but never playing a part. ~ Cammila Albertson, All Movie Guide

This spy film purports to be inspired by the true story of Kim Philby (1912-1988), a British intelligence officer and Soviet spy during the 1940s and '50s who gained international notoriety when he blew his cover and defected to the USSR in 1963. But this fictional, unsophisticated, if not naive docudrama portrays a world of espionage in a cross between Nancy Drew and Sam Spade, and Philby's real story is buried in the process. The film opens with British double agent Philip Kimberly (Michael Caine) undergoing complete plastic surgery by order of his Soviet bosses, while his death is announced in the world press. With a different name and face, Kimberly -- now Kuzminsky -- is sent back to England in the guise of a Soviet citizen to retrieve a secret list of names he supposedly hid several years ago. Kusminsky/Kimberly defects at the British passport control, and later escapes his British guards -- leading to a manhunt by both British and Soviet agents. His chief nemesis is Admiral Scaith (Laurence Olivier) and the man he assigns to the case, Jaime Fraser (Robert Powell) -- who just happens to be living with Kimberly's daughter. ~ Eleanor Mannikka, All Movie Guide

Roger Corman's New World Pictures took a stab at the tale of the nefarious real-life graverobbers -- and filled it with the studio's usual quota of nudity, softcore sex and tacky humor. The result is pretty much as one would expect -- nothing to rival the excellent Flesh and the Fiends, or even Tod Slaughter's campy The Greed of William Hart. Harry Andrews plays the unscrupulous Dr. Knox, who enlists the aid of grave-plundering dirtbags Derren Nesbitt and Glynn Edwards in obtaining fresh cadavers for the medical academy. When the demand increases and local cemeteries begin to run dry, the industrious pair turn to the living to keep the doctor supplied. This time out, Burke and Hare are particularly randy fellows, who spend more time carousing in Edinburgh whorehouses than stalking their prey. Despite the macabre subject matter, the producers opted for sexploitation over gruesome horror, but the end result is decidedly dull. ~ Cavett Binion, All Movie Guide

Steed and Tara investigate when the directors of Project Cupid, a top-secret construction project, are being systematically murdered. The culprit turns out to be a has-been vaudeville comedian, who resents the fact that Project Cupid plans to demolish a number of old music halls. Captured by the comedian and his minions, a bound-and-gagged Tara is subjected to the most hideous torture of all -- having to listen to their wheezy old jokes. John Cleese of Monty Python fame appears in an uproarious guest star role. Written by Dennis Spooner, this capriciously titled Avengers episode debuted in America on May 8, 1968, and was seen in England the following December 4th. ~ Hal Erickson, All Movie Guide

The British town of Warlock is scandalized by Hazell's cottage-turned-tearoom with the local inspector found in a compromising situation and the marriage of Hazell to the mayor. ~ All Movie Guide

A battered houseboat on the Thames provides the setting for this romantic British comedy. Two newlyweds rent the leaky floating home. The trouble begins when the husband decides to move the scow to a better location. The rickety barge disrupts river traffic. Next the two get lost in a fog bank. When it finally lifts, they find themselves in France. Fortunately, their landlord's yacht is moored nearby and they are able to borrow some petrol. The landlord bets that he can beat them across the Channel with his yacht. The race begins. The yachtsman gets terribly drunk and his cannot stay on course. The newlyweds win the race. ~ Sandra Brennan, All Movie Guide

This rollicking political satire stars Ian Carmichael as an impressionable British TV personality. His vanity is stroked by a group of political managers who talk him into running on the Conservative ticket during a political campaign. The managers hope that Carmichael's name value will draw voters, but don't intend to permit him anything like actual legislative power. Carmichael suddenly develops an abiding interest in politics when he meets his Labour Party opponent--lovely Patricia Breden. Left, Right and Center is blessed with an abundance of supporting character comedians, headed by Alistair Sim as Carmichael's avaricious uncle. ~ Hal Erickson, All Movie Guide

A man is forced to prove who he really is -- and discovers that it isn't as easy as one might think -- in this drama. Sir Mark Loddon (Dirk Bogarde) is a titled member of the British aristocracy who lives a life of wealth, privilege, and notoriety, until one day Jeffrey Buckenham (Paul Massie), a pilot from Canada, makes a startling accusation. Buckenham and Loddon were both inmates in the same POW camp during WWII, and Buckenham is convinced that Loddon is not the man he claims to be; Frank Welney, an actor who was also a prisoner in the same camp, bore a striking resemblance to Loddon, and he is convinced that the actor has taken Loddon's place. The press picks up Buckenham's story, and the question of Loddon's identity becomes the talk of all England; Lady Maggie Loddon (Olivia de Havilland), Mark's wife, is deeply offended and insists that he sue for libel to restore his good name. Mark obtains the services of Sir Wilfred (Robert Morley), one of the nation's best-respected attorneys, but it soon becomes evident that proving Mark's identity in court may not be as simple as it might seem; Mark suffered severe head injuries during the war that cause him to stutter at times and also result in periodic spells of amnesia; the testimony of the many witnesses called by Sir Wilfred and his opponent, Hubert Foxley (Wilfrid Hyde-White), establish no clear consensus of who Loddon really is. Libel was based on the popular stage drama by Edward Wooll. ~ Mark Deming, All Movie Guide

A stellar cast redeems the tawdry European-filmed melodrama 3DThe Man Inside3D. Nigel Patrick plays Sam Carter, a mild-mannered British clerk who spends half his life fantasizing about stealing a valuable diamond. When he is finally able to pull off this heist, it is at the cost of another man's life. Escaping to the Continent, Sam lives like a king, throwing his money around and romancing an unending stream of willing females. Private detective Milo March (Jack Palance) suspects that Sam is in some way tied in with the jewel theft, as are several less reputable types. Among the latter category are femme fatale Trudie Hall (Anita Ekberg) and two-bit crooks Lomer (Bonar Colleano, whose last film this was) and Rizzio (Sean Kelly). Anthony Newley also shows up briefly as a comedy-relief cabbie. If 3DThe Man Inside3D seems like a dry run for the "James Bond" films of the 1960s, it may be because the film was produced by Albert "Cubby" Broccoli and scripted by Richard Maibaum, both mainstays of the Bond series. ~ Hal Erickson, All Movie Guide

In this drama, a writer and his wife rent a small country cottage where he plans on doing some work. Unfortunately, he soon discovers that the eccentric landlord, an artist, wants to kill his wife. The painter is already suspected of killing his own wife. The murderous landlord is just about to kill the writer's wife when he is stopped. ~ Sandra Brennan, All Movie Guide

In this comedy, a remake of the 1936 comedy, two sanitation workers get an unexpected bonus when they encounter a rare book that was accidentally tossed away. Soon they find themselves pursued by thieves, as this book is unique in the world. ~ Sandra Brennan, All Movie Guide

Sir Walter Scott's medieval take on the "John Alden" story formed the basis of Quentin Durward. Robert Taylor dons armor in the title role, playing the son of an aging Scottish nobleman. He has been dispatched to propose to a high-born Frenchwoman (Kay Kendall) on his uncle's behalf, but one look at the lady and Quentin Durward falls head over heels. But there are villains to vanquish in several sword fight setpieces, the best of which is the climactic battle in which the hero and the head bad guy (Duncan Lamont) dangle on bell ropes. Quentin Durward was the fifth MGM Robert Taylor picture filmed in whole or in part in England; the others were Conspirator, Quo Vadis, Ivanhoe and Knights of the Round Table. ~ Hal Erickson, All Movie Guide

Adapted from the play by Terence Rattigan, The Deep Blue Sea stars Vivien Leigh as the troubled wife of a London attorney (Emlyn Williams). Racked with emotional problems, Leigh turns her back on her loveless marriage and sets up house with a handsome RAF officer (Kenneth More). When her lover proves to be shallow and unreliable, Leigh attempts to kill herself. She is rescued by a gambler (Eric Portman), who'd once been a doctor before being drummed out of his profession in disgrace. The kindly ex-doctor builds up Leigh's confidence in herself, allowing her to go on with her life without relying upon men to define her self-image. ~ Hal Erickson, All Movie Guide