Takashi Shimura Movies
Whenever asked to name his favorite actors, Japanese filmmaker
Akira Kurosawa would cite, with reservations, the unpredictable
Toshiro Mifune--then would lavish unqualified praise upon
Takashi Shimura. After a long stage career, Shimura made his first film in 1935. Eight years later, he worked for Kurosawa for the first time in
Sanshiro Sugata (1943), going on to appear in virtually all of the director's films until 1965. Shimura was seen as the firewood peddler in
Rashomon (1950), the dying civil-servant protagonist in
Ikiru (1952), samurai leader Kambei in
Seven Samurai (1954), the old general in
The Hidden Fortress (1957), and in equally weighty roles in
Throne of Blood (1957),
The Bad Sleep Well (1960),
Yojimbo (1961) and
Red Beard (1965). Curiously, Shimura was never under contract to Kurosawa; instead, the actor was a "hired hand" at Japan's Toho Studios, accepting whatever role he was ordered to play. This explains why, in the midst of so many Kurosawa classics, Takashi Shimura was just as frequently seen in Japanese horror pictures, most famously as the kindly Dr. Yamana in Godzilla (1954). ~ Hal Erickson, Rovi

- 1981
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When a broadcasting company takes away its financial support from a symphony orchestra, some of the members refuse to admit defeat. The first violinist returns to his home and manages to get the orchestra back together for a grandiose performance, saved at the last minute by their original conductor -- and boding well for the future of the die-hard musicians. ~ Eleanor Mannikka, Rovi
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- Starring:
- Morio Kazama, Yuko Tanaka, (more)

- 1980
- PG
- Add Kagemusha to Queue
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Just as many American studio-era directors found acclaim abroad that was denied them in their home country, by 1980 Akira Kurosawa's reputation outside Japan exceeded his esteem at home. As uncompromising as ever, he found considerable difficulty securing backing for his ambitious projects. Unsure he would be able to film it, the director, an aspiring artist before he entered filmmaking, converted Kagemusha into a series of paintings, and it was partly on the basis of these that he won the financial support of longtime admirers Francis Ford Coppola and George Lucas. Set in the 16th century, when powerful warlords competed for control of Japan, it offers an examination of the nature of political power and the slipperiness of identity. For some time, Shingen Takeda Tatsuya Nakadai has been able to stay removed from the heat of battle by using his brother Nobukado Tsutomu Yamazaki as a double. As the film opens, Nobukado offers another option, having discovered a condemned thief (also played by Tatsuya Nakadai) bearing an uncanny resemblance to the warlord. After he insists on witnessing the fall of an enemy in person, Shingen falls victim to a sniper's bullet, forcing his advisers to present the thief as the fallen warrior. At first awkward in his new position and plagued by dreams in which the spirit of his double confronts him, he slowly grows into the role even as his enemies begin to advance on his kingdom. The winner of the Palm D'Or at Cannes, Kagemusha: The Shadow Warrior has also been released as The Double. ~ Keith Phipps, Rovi
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- Starring:
- Tatsuya Nakadai, Tsutomu Yamazaki, (more)

- 1978
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For a brief period during the 16th century, the Portuguese and Dutch were permitted influence in Japan, with the result that a considerable number of Japanese converted to Christianity. By the late 16th century, a reaction against these outside influences was in full sway. In this story, Lady Ogin is unable to marry her lover because he has become a Christian, and Christians are being persecuted by the Shogun Hideyoshi. This tragic romance is based on a story by Toko Kon. ~ Clarke Fountain, Rovi
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- Starring:
- Takashi Shimura, Ryoko Nakano, (more)

- 1975
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This speculative drama's original name, Prophecies of Nostradamus is perhaps more descriptive of the subject. Set in the year 1999, this feature dramatizes the events predicted by the great French seer. Disasters depicted included severely polluted air and water, crazed adults, war, and natural disasters. ~ Sandra Brennan, Rovi
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- 1974
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In this Japanese sci-fi film based on the prophesies of the French seer Nostradamus, the story begins in 1999, the year the prophet predicted the world would end. The future world is horribly polluted, and one scientist is assigned to deal with the giant blood-sucking slugs that have been spawned by the toxic filth in the ocean. With their presence, almost all sea-life dies, the Earth's plants shrivel up, and children begin to expire. At this point, the common folk begin to riot until the governments call in the military to stop them. ~ Sandra Brennan, Rovi
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- 1974
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In this Japanese actioner, the brave blind swordsman Zatoichi runs across a childhood comrade who has grown up to be a cruel and powerful yakuza who mercilessly steals everything the peasants have. Fortunately, the super-perceptive Zatoichi soon takes care of him and his gang. ~ Sandra Brennan, Rovi
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- Starring:
- Shintaro Katsu

- 1969
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This Japanese action movie is set in Kyoto during the 16th-century. At that time the town was in turmoil over a hefty food tax. The farmers and the wealthy townfolk were battling it out. To assist them, the townspeople hired samurai. That does not stop the determined farmers from defeating them all. One man is able to bring the factions together. A festival celebrating their new solidarity ensues. ~ Sandra Brennan, Rovi
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- 1967
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Aiyako Wakao stars in this drama about an actress whose life experiences mirror those of the late Marilyn Monroe. The dedicated actress is befriended by an elderly producer, poses nude for a calendar, goes back to school, and marries a baseball player. After her divorce, she turns into an intellectual playwright before taking too many sleeping pills. The unoriginal story is taken from a novel by Aiyako Sono. ~ Dan Pavlides, Rovi
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- Starring:
- Ayako Wakao, Eiji Funakoshi, (more)

- 1967
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- 1967
-
- Add The Emperor and a General to Queue
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This star-studded and relatively lavishly produced fact-based war drama, set in 1945 Japan during WW II, chronicles the attempts of Japan's War Minister, (played by Toshiro Mifune), to prevent Emperor Hirohito from publicly broadcasting the declaration of surrender. The War Minister rallies those officers around him who also want to keep the war going. The conspirators murder the leader of the Imperial Guards and storm the palace. Fortunately they are stopped by the palace guard. On learning of this failure, the War Minister commits suicide. At least one Western reviewer of this 1967 film (for Variety) still bore very harsh memories of the war and attributed all sorts of face-saving propagandistic intent by the Japanese to this relatively innocuous movie. He was particularly distressed that the aura of sanctity surrounding the Emperor remained intact and was even enhanced by this film; even so, he praised it as expertly acted and entertaining in its own right, despite being an apparently "official" film. ~ Sandra Brennan, Rovi
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- Starring:
- Toshiro Mifune, So Yamamura, (more)

- 1966
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In this Japanese melodrama a youthful physician is loved by his foster sister. Though she has felt this way for years, she loses interest when he falls in love with the daughter of a Chinese trader. Later, the doctor is assigned to a work in a major Bangkok hospital, and it seems as he and his foster sister will again become lovers. But then they learn that her father has sold her to a Thai prince. A tragic parting ensues. ~ Sandra Brennan, Rovi
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- Starring:
- Yuzo Kayama, Yuriko Hoshi, (more)

- 1965
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- Add Red Beard to Queue
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In 1820, young Noboru Yasumoto (Yuzo Kayama) completes his medical education in Nagasaki and returns to his native Edo hoping both to marry the daughter of a wealthy man and to achieve affluence himself through his medical practice. He happens to visit the famed Koishikawa clinic for the indigent, which is run by the autocratic Dr. Kyojo Niide (Toshiro Mifune), better known as Red Beard. To his intense displeasure, he soon finds himself assigned to the clinic for his internship. At first, the young intern is arrogant and rebellious, intent on displaying his knowledge of medical innovations and contemptuous of the older doctor for spending his life among the poor. But as time passes, he gains an intimate knowledge of the kind of suffering that is endemic to the impoverished, and at length, becomes an acolyte of this seemingly dictatorial physician, who heals his patients with gentleness and humility as much as with his medical skill. ~ Michael Costello, Rovi
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- Starring:
- Toshiro Mifune, Yuzo Kayama, (more)

- 1965
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- Add Samurai Assassin to Queue
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A ronin seeking to redeem his wandering status by gaining entry into one of the great houses takes part in a plot to assassinate a Shogunate Elder in this classic tale of swordplay directed by Okamoto Kihachi, starring Toshiro Mifune, and based on actual events. Niiro Tsuruchiyo (Mifune) is a samurai without a master, though he longs to gain the status and respect of a true warrior. Fate has never been particularly kind to this steady handed swordsman, and now, as he waits at the gates of Edo Castle on a chilly morning in March of 1860 and the snow begins to fall, he is about to discover just how fragile life can truly be. ~ Jason Buchanan, Rovi
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- Starring:
- Toshiro Mifune, Keiju Kobayashi, (more)

- 1964
-
- Add Ghidorah: The Three-Headed Monster to Queue
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A true "monster rally," this Japanese special-effects smorgasbord stars no fewer than four "A"-list movie monstrosities. Once again, the citizens of Tokyo are subjected to an ill-tempered atomic mutant. This time it's the triple-headed Ghidrah, who breathes electric volts in all directions. Coming to Tokyo's rescue is faithful old Mothra, but Ghidrah proves too much for the outsized insect, even with the ubiquitous "Peanuts" (Emi and Yumi Ito) acting as Mothra's cheerleaders. Fortunately, Godzilla and Rodan stop fighting each other to help Mothra vanquish Ghidrah. The climactic battle royal takes place high atop Mount Fuji (how do those monsters cast shadows on the sky like that?) Lots of fun, Ghidrah, the Three-Headed Monster surprisingly yielded no immediate sequels. ~ Hal Erickson, Rovi
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- 1964
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- Add Kwaidan to Queue
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Kwaidan is an impressively mounted anthology horror film based on four stories by Lafcadio Hearn, a Greek-born writer who began his career in the United States at the age of 19 and moved permanently to Japan in 1890 at the age of 40, where he eventually became a subject of the empire and took on the name Koizumi Yakuno. Hearn became a conduit of Japanese culture to western audiences, publishing journalism and then fiction incorporating traditional Japanese themes and characters. "Black Hair," the first tale, concerns a samurai who cannot support his wife; he leaves her for a life of wealth and ease with a princess. Returning years later, he spends the night with his wife in their now-dilapidated house, only to awake to a horrifying discovery which drives him insane. In "The Woman of the Snow" (deleted from U.S. theatrical prints after the film's Los Angeles opening; it is on the DVD version), two woodcutters seek refuge during a snowstorm in what appears to be an abandoned hut. A snow witch appears and kills one of them but lets his partner free. Years later, the survivor meets and married a lovely young woman, only to learn her true identity. The most visually impressive tale is "Hoichi the Earless," in which a blind musician is asked by the ghost of a samurai to play for his late infant lord at a tomb. The monks who house the musician cover him with tattoos to prevent any harm coming to him, but they forget his ears. He returns from the engagement with his ears cut off; however, his misadventure propels him to fame. "In a Cup of Tea" concerns a samurai who is haunted by the vision of a man he sees reflected in his tea. Even after he drinks from the cup, he still sees the man while on guard duty. ~ Tom Wiener, Rovi
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- Starring:
- Rentaro Mikuni, Michiyo Aratama, (more)

- 1964
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- Add Frankenstein Conquers the World to Queue
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This hilarious monster mess from the makers of the Godzilla series (including director Inoshiro Honda) essentially recruits Mary Shelley's classic creature into the ever-growing ranks of Japanese city-stomping behemoths -- albeit with a less colorful costume. The only nod to the original Frankenstein involves the monster's reanimated heart, rescued from Nazi Germany and blasted with radiation in the Hiroshima blast. When the heart is accidentally eaten (don't ask) by a Japanese youth, the poor kid bulks up to titanic (though hardly Godzilla-esque) proportions, apparently presenting a threat to Mount Fuji's current guardian, the lizard-monster Baragon. The two duke it out Toho-style while token yank Nick Adams comments on the proceedings. The plot originally pitted the colossal Frankenstein monster against a giant sea creature (the film's original title was Frankenstein vs. the Giant Devilfish), but the alternate opponent was edited out of the final print. ~ Cavett Binion, Rovi
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- Starring:
- Nick Adams, Tadao Takashima, (more)

- 1964
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Japanese sci-fi director Inoshiro Honda and special effects wizard Eiji Tsuburaya teamed up again (Rodan, Godzilla, Mothra) for this thriller/adventure. Set in the futuristic 1980, a group of Tokyo scientists discover that Earth is in the direct path of a star with a gravitational pull 6,000 times than that of Earth's. As a space ship finds itself close to the orb, its team of astronauts are able to transmit important information to Ground Control. Collaborating with other specialists from various nations, the scientists frantically attempt to save the world from a catastrophic collision. Running at only 77 minutes, this version omits the original--and bizarre--Japanese ending wherein a gargantuan walrus emerges from the cracked glaciers of the South Pole. ~ Kristie Hassen, Rovi
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- Starring:
- Ryo Ikebe, Akihiko Hirata, (more)

- 1963
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In this Japanese adventure, a brave sailor--called Sinbad in the English language version Americans could relate to him--must stop a wicked premier from overtaking the kingdom. To do so he enlists the aide of a pirate band. In addition to ridding their land of the villain, they also get rid of the mean old witch who turns people to stone. ~ Sandra Brennan, Rovi
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- Starring:
- Toshiro Mifune, Jun Funado, (more)

- 1962
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- Add Chushingura to Queue
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This sweeping historical epic has sometimes been labelled the Gone with the Wind of Japan; at any rate, it's almost the same length as Gone (the film was originally released in two parts). Chusha Ichikawa plays a powerful and ruthless feudal lord who battles virtuous young noble Yuzo Kayama. Ichikawa is temporarily victorious when he tricks Kayama into committing Hara Kiri. Vengeance is meted out by Kayama's forty-seven samurai retainers. Based on a venerable Japanese legend, the story of Chushingura has been filmed several times, but only the 1941 version (47 Ronin) matched the grandeur of director Hiroshi Inagaki's 1962 version. In some English-speaking countries, Chushingura has been released in a shorter version titled The Loyal 47 Ronin. ~ Hal Erickson, Rovi
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- Starring:
- Koshiro Matsumoto, Yuzo Kayama, (more)

- 1962
-
- Add Sanjuro to Queue
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Set in the mid-19th century when the disintegration of a rigid social structure was turning the once wealthy into paupers, or vice-versa, this kinetic drama by acclaimed Akira Kurosawa features the hero Sanjuro (Toshiro Mifune), one of many samurai whose once traditional positions were fast disappearing. In this tale of false perceptions and truth, of honor and dishonor, Sanjuro is a character who captures and holds attention from the moment he appears on screen. When he arrives in a small city, he discovers that a band of nine men are anxious to overthrow the corrupt ruling elite. Physically strong and agile, mentally sharp and clear-headed, Sanjuro still has an deep commitment to justice and honor underneath his dirty, abrasive, and cynical exterior. The nine men may doubt his nobility, but that is because they are only looking skin deep. While the sword fighting and action scenes are memorable, it is Toshiro Mifune's characterization and Kurosawa's camera eye that enhance the story. ~ Eleanor Mannikka, Rovi
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- Starring:
- Toshiro Mifune, Yuzo Kayama, (more)

- 1962
-
- Add High and Low to Queue
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Based on King's Ransom, an "87th Precinct" novel by Ed McBain (aka Evan Hunter), High and Low stars Toshiro Mifune as Gondo, a wealthy industrialist. Gondo is contacted by a gang of kidnappers, who inform him that they've kidnapped his son. The crooks demand a huge ransom for the boy's return -- an amount so huge that it will utterly bankrupt Gondo. As the harried businessman prepares to pay the ransom, he discovers that his son is safe at home: the kidnappers have accidentally snatched the son of his chauffeur. Does Gondo drop his payoff plans, or does he do the honorable thing and rescue his employee's son? This dilemma is but one aspect of the multilayered character study from the unbeatable team of star Toshiro Mifune and filmmaker Akira Kurosawa, who directs this superb film with his usual depth and impeccable eye for detail and character. As a man forced to make impossible decisions, Mifune gives a nuanced, perceptive and psychologically convincing performance. While not one of Kurosawa's master works, High and Low, with its grim reality and moral ambiguity stands as a superb example of film noir at its best. High and Low was originally released in Japan as Tengoku To-Jigoku. ~ Hal Erickson, Rovi
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- Starring:
- Toshiro Mifune, Kyoko Kagawa, (more)

- 1962
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Different Sons was originally released in Japan as Futari no Musuko. When Kensuki (Akira Takarada) marries a bar hostess, he is disowned by his family--who, truth to tell, aren't much higher on the social scale than Kensuki's bride. Over the years, Kensuki's financial condition improves by leaps and bounds; still, his poor but proud family refuse to accept help from him, choosing instead to rely on his "faithful" brother Shoji (Yuzo Kayama). The bitterness rages on until the rift is finally repaired in a most unexpected fashion. Perhaps better suited temperamentally for a Japanese audience, Different Sons still has much to offer for non-Japanese filmgoers. ~ Hal Erickson, Rovi
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- 1961
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The attack on Pearl Harbor is presented from the Japanese point of view in this war drama. The story centers upon Natsuki, the flight navigator for Admiral Isoroku Yamaguchi, the task force commander in charge of the fateful attack. After the bombing, Natsuki returns to Japan where his fiance waits. Though they are childhood sweethearts, he, fearing that marriage will affect his competence as an officer, refuses to marry her. The war continues, and Natsuki begins to wonder if the Japanese fleet is truly invincible after they suffer a series of crushing defeats. His own carrier is sunk by American bombers at Midway. As they sink, the crewman stand at attention and salute. ~ Sandra Brennan, Rovi
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- Starring:
- Yosuke Natsuki, Toshiro Mifune, (more)

- 1961
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- Add Yojimbo to Queue
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Toshiro Mifune portrays a Samurai who finds himself in the middle of a feud-torn Japanese village. Neither side is particularly honorable, but Mifune is hungry and impoverished, so he agrees to work as bodyguard (or Yojimbo) for a silk merchant (Kamatari Fujiwara) against a sake merchant (Takashi Shimura). He then pretends to go to work for the other, the better to let the enemies tear each other apart. Imprisoned for his "treachery," he escapes just in time to watch the two warring sides wipe each other out. This was his plan all along, and now that peace has been restored, he leaves the village for further exploits. Yes, Yojimbo was the prototype for the Clint Eastwood "Man with No Name" picture A Fistful of Dollars (1964). The difference is that Fistful relies on Eastwood for its success, whereas Yojimbo scores on every creative level, from director Akira Kurosawa to cinematographer Kazuo Miyagawa to Mifune's classic lead performance. ~ Hal Erickson, Rovi
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- Starring:
- Toshiro Mifune, Eijiro Tono, (more)

- 1961
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Two war buddies help each other defend their businesses against gangsters in this crime drama. ~ Rovi
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