Sab Shimono Movies

Writer-director Eric Byler adapted his ensemble comedy drama Americanese from Shawn Wong's best-selling 1995 novel, American Knees. The film, like the novel, dramatizes the seriocomic day-to-day experiences of a number of Asian American immigrants in the City of Angels. At the story's center is milquetoast-dull, middle-aged college professor and divorcé Raymond Ding (Chris Tashima) -- so ineffectual that he barely seems to have control over the events that befall him, and so emotionally distant in his relationship with his live-in lover, the Japanese-American photojournalist Aurora (Allison Sie), that his inaccessibility destroys their union. Forced to move out of their house, Raymond instead rooms with his aging father, Wood (Sab Shimono), making periodic, unannounced visits back to Aurora's home when she is absent. While Aurora kindles her own romance with American Steve (Ben Shenkman), Raymond moves into his own apartment and takes up with Vietnamese-American Betty (Joan Chen) -- a university associate plagued by deep-seated emotional and mental problems. ~ Nathan Southern, Rovi

Here, the dope-smoking duo are working on an ice-cream truck, and their specially treated confections are more than just a hit for the kids. Nice Dreams is the third in the series. ~ John Bush, Rovi

Benton (Eriq La Salle) tries to save the life of a 13-year-old gang member who's already been declared dead, thereby creating even more friction amongst the ER staffers. Meanwhile, "floating" nurse Rhonda (Jill O'Hara) continues to make disastrous mistakes. And on the domestic front, Greene (Anthony Edwards) worries that Lewis (Sherry Stringfield) may be dating Morganstern (William H. Macy), while Carter (Noah Wyle) grows ever closer to Keaton (Glenne Headly). ~ Hal Erickson, Rovi

Michael Keaton stars as a wheeler-dealer who hopes to save a failing Pennsylvania automobile-assembly factory from having to close its doors. Keaton persuades a Japanese auto firm to reopen the factory, retrain its staff, and streamline the operation. It isn't long before the American-born workers grow to resent the disciplinary demands of their new Japanese bosses, setting the stage for a comic clash of cultures. The day is saved when it turns out that the poker-faced owner of the auto company possesses a really strange sense of humor. Gung Ho was later spun off into a short-lived TV sitcom, starring Scott Bakula of Quantum Leap fame. ~ Hal Erickson, Rovi

Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, Rovi

Charles (David Ogden Stiers) revels in the humble servitude and remarkable resourcefulness of his new Korean houseboy (Sab Shimono). What nobody realizes is that the Korean is actually a Communist agent, sent to spy on the 4077th and send reports back to the North. Things take a surprising turn when the camp breaks out in rashes that no one can deal with--or at least, almost no one. ~ Hal Erickson, Rovi

An expensive war epic, Midway emulates The Longest Day and Tora! Tora! Tora! in attempting to re-create a famous World War II battle from both the American and Japanese viewpoints. The 1942 battle of Midway was the turning point of the War in the Pacific; the Japanese invasion fleet was destroyed, and America's string of humiliating defeats was finally broken. Though the battle itself was sufficiently dramatic to fill two films, Midway also has plotline involving the mixed-race relationship between Ensign Garth (Edward Albert), son of Navy Captain Matt Garth (Charlton Heston), and Haruko Sakura (Christina Kokubo), a Hawaiian girl of Japanese descent. The real-life personages depicted herein include American Admirals Nimitz (Henry Fonda), Halsey (Robert Mitchum) and Spruance (Glenn Ford), and Japanese Admiral Yamamoto (Toshiro Mifune, his voice once again dubbed by Paul Frees, whom Mifune personally selected for the job). For its original road show release, Midway was offered in the "Sensurround" process, which electronically shook and vibrated the audience's chairs during the battle sequences. ~ Hal Erickson, Rovi

This drama contains a strongly anti-military message as it presents the supposed abuses that go on inside US military stockades. The story is set in the fictitious Fort Nix (based on Fort Dix, New Jersey where many of the accounts the film is based on came from), and contains scenes of graphic violence as it tells the prisoners' tales. ~ Sandra Brennan, Rovi

Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him. ~ Nick Sambides, Jr., Rovi

In the conclusion of a two-part story, Quincy (Jack Klugman) races against time to locate and neutralize the mysterious neurological disease that has already claimed three lives on a luxury liner. Though some of the pasengers have managed to escape to shore, the ship is now quarantined and prohibited from docking at any port. Thus Quincy must not only stem the epidemic, but also track down those on dry land who may still be spreading it--and worse yet, his own girlfriend Janet (Diana Muldaur) is now gravely ill. Originally telecast over a two-week period, Slow Boat to Madness has since been syndicated as a single two-hour "TV movie." ~ Hal Erickson, Rovi