Teru Shimada Movies

Jody (Johnnie Whitaker) receives a miniature bonsai tree as a gift from an elderly Japanese gentleman named Mr. Osaki (Teru Shimada). Hoping to impart a bit of oriental mythology to Jody, Osaki explains that the life of the tree has paralleled his own. Unfortunately, the information proves traumatic to Jody when the tree begins to die--just as Mr. Osaki, on the verge of returning to Japan, suddenly falls ill. ~ Hal Erickson, Rovi

Cary Grant made his last film appearance before retiring from the screen in this agreeable piece of fluff based on the 1943 comedy The More the Merrier, which dealt with the romantic complications inherent in the housing shortage in Washington D.C. during World War II. In Walk, Don't Run, the story is updated to a housing shortage in Tokyo during the Olympic Games of 1964. British industrialist Sir William Rutland (Cary Grant) arrives in Tokyo two days before the start of the games and cannot find any suitable accommodations. As a result, he answers an ad for an "apartment to share" and convinces the occupant, Christine Easton (Samantha Eggar), to rent a room to him. The next day he meets the handsome Steve Davis (Jim Hutton), a member of the United States Olympic walking team. Steve also needs a room and convinces Christine to take him on as a second tenant. After meeting Christine's pompous fiancé, Julius D. Haversack (John Standing), Rutland begins to ply his matchmaking skills in an effort to get Christine and Steve to fall in love with each other. ~ Paul Brenner, Rovi

Despite the efforts of detective Paul Drake (William Hopper) to protect a secret desalinization process developed by Tryon Labs, the formula is pirated by a rival company. Working undercover for Tryon's head man Dr. Malcolm Scranton (Gilbert Green), Horace Lehigh (Bryan O'Byrne) is on the verge of revealing the identity of the person responsible for the security leak when he is drowned in a chemical vat. Perry Mason (Raymond Burr) ends up defending Dr. Todd Meade (Grant Williams), who apparently had both motive and opportunity to murder Lehigh. ~ Hal Erickson, Rovi

Based on the novel by Irving Wallace, The Prize takes place in Stockholm, where several laureates gather to accept their Nobel Prizes. At first, the film concentrates on iconoclastic novelist Paul Newman, but he is temporarily shunted to the background when physics expert Edward G. Robinson is kidnaped and replaced by his wicked twin brother. The real Robinson is to be spirited behind the Iron Curtain, while the "fake" Robinson is to disrupt the awards ceremony with an anti-American tirade. Newman gets wind of the plot, and with the help of Swedish foreign office functionary Elke Sommer, he endeavors to rescue the real Robinson and expose the phony-who has yet another trick up his sleeve before the film is over. We'll go along with the fantastic plot convolutions of The Prize, provided we don't have to swallow the premise of another man's voice emanating from that familiar Eddie Robinson mug. ~ Hal Erickson, Rovi

Paladin's friend Takura (Teru Shimada) informs the gunslinger that there is a plan afoot to conquer the United States.The plan has been cooked up by a Japanese high priest (James Hong) and a ferocious Samurai warrior (Fuji), who intend to set up an insidious Japanese spy ring throughout the West Coast. Can Paladin (Richard Boone) foil these plans in a peaceful manner, or will he be forced to square off against the savage Samurai? (Three guesses!) ~ Hal Erickson, Rovi

The drama in this fact-based tale about the killing of a young Japanese man is undermined by trite characters and a transparent storyline. There is no doubt that American GI Sgt. Douglas (Richard Long) killed the youth with his own gun. The dispute lies in whether the gun discharged accidentally, as he claims, and in whether he should be tried by Japanese civil law instead of an American military court. Sgt. Douglas is portrayed as a good guy, in love with a Japanese woman and appreciative of Japanese life and culture. His dilemma is made all the worse by some ill-advised plans he concocts to determine how he should be tried. ~ Eleanor Mannikka, Rovi

Jerry Lewis' first solo effort was also his first headlong plunge into pathos. The Delicate Delinquent stars Jerry as mixed-up teenaged janitor Sidney Pythias, a nice kid on the verge of throwing in with a not-so-nice street gang. Sensing potential in Sidney, police officer Mike Damon (Darren McGavin, in role originally intended for Lewis' ex-partner Dean Martin) takes the boy under his wing. To prove that Sidney can be weaned away from bad influences, Mike arranges for the boy to become a rookie cop, with fitfully hilarious results (the best scene, involving a monolingual Japanese gentleman, is also the most politically incorrect). Martha Hyer costars as an idealistic social worker with whom Mike (and briefly, Sidney) falls in love. The film's tenuous balance between juvenile-delinquent drama and slapstick comedy is never more pronounced than in the opening scene, wherein the clumsy Sidney, carrying a bulky garbage can, stumbles into the middle of a gang rumble. Though not Jerry Lewis' best film, Delicate Delinquent was a hit, proving he could carry a picture himself; as a bonus, Jerry gets to sing the significantly titled ditty "By Myself". ~ Hal Erickson, Rovi

Battle Hymn was inspired by the true story of American minister Dean Hess, played here with rare sensitivity by Rock Hudson. A bomber pilot during World War II, Hess inadvertently releases a bomb which destroys a German orphanage. Tortured by guilt, Hess relocates in Korea after the war to offer his services as a missionary. Combining the best elements of Christianity and Eastern spiritualism, Hess establishes a large home for orphans. The preacher's efforts are threatened when the Korean "police action" breaks out in 1950. Battle Hymn was one of several collaborations between Rock Hudson and director Douglas Sirk--though Sirk felt that Robert Stack would have been better suited to the role of Rev. Hess. ~ Hal Erickson, Rovi

Based on the novel by James Michener, this film stars William Holden as Harry Brubaker, a former military pilot who served in World War II. When he's called back into duty during the Korean conflict, Brubaker is angry, believing he's already served his country and needs to devote himself to his wife Nancy (Grace Kelly) and their children. However, he accepts his commission and is sent back into action as a pilot, with a special assignment to blow up five strategically crucial bridges in Korean territory. This drama, which focuses on the danger and futility of war, also features Frederic March as an admiral who respects the tremendous danger of Brubaker's assignment, and Mickey Rooney as an ill-fated helicopter pilot. ~ Mark Deming, Rovi

H.G. Wells's War of the Worlds had been on the Paramount Pictures docket since the silent era, when it was optioned as a potential Cecil B. DeMille production. When Paramount finally got around to a filming the Wells novel, the property was firmly in the hands of special-effects maestro George Pal. Like Orson Welles's infamous 1938 radio adaptation, the film eschews Wells's original Victorian England setting for a contemporary American locale, in this case Southern California. A meteorlike object crash-lands near the small town of Linda Rosa. Among the crowd of curious onlookers is Pacific Tech scientist Gene Barry, who strikes up a friendship with Ann Robinson, the niece of local minister Lewis Martin. Because the meteor is too hot to approach at present, Barry decides to wait a few days to investigate, leaving three townsmen to guard the strange, glowing object. Left alone, the three men decide to approach the meterorite, and are evaporated for their trouble. It turns out that this is no meteorite, but an invading spaceship from the planet Mars. The hideous-looking Martians utilize huge, mushroomlike flying ships, equipped with heat rays, to pursue the helpless earthlings. When the military is called in, the Martians demonstrate their ruthlessness by "zapping" Ann's minister uncle, who'd hoped to negotiate a peaceful resolution to the standoff. As Barry and Ann seek shelter, the Martians go on a destructive rampage. Nothing-not even an atom-bomb blast-can halt the Martian death machines. The film's climax occurs in a besieged Los Angeles, where Barry fights through a crowd of refugees and looters so that he may be reunited with Ann in Earth's last moments of existence. In the end, the Martians are defeated not by science or the military, but by bacteria germs-or, to quote H.G. Wells, "the humblest things that God in his wisdom has put upon the earth." Forty years' worth of progressively improving special effects have not dimmed the brilliance of George Pal's War of the Worlds. Even on television, Pal's Oscar-winning camera trickery is awesome to behold. So indelible an impression has this film made on modern-day sci-fi mavens that, when a 1988 TV version of War of the Worlds was put together, it was conceived as a direct sequel to the 1953 film, rather than a derivation of the Wells novel or the Welles radio production. ~ Hal Erickson, Rovi

One of the less famous Humphrey Bogart films is this 1949 drama about post-war guilt and remembrance. Bogart plays U.S. airman and war hero Joe Barrett. During the war, he believes, his wife Trina (Florence Marly) died in a Japanese concentration camp. But when Barrett returns to Tokyo and the bar named Tokyo Joe that he used to own, he discovers that Trina is not only alive, but she has married Mark Landis (Alexander Knox), an attorney, and they have a seven-year-old daughter Anya (Lora Lee Michel), whom he suspects is really his child. Baron Kimura (Sessue Hayakawa) forces Barrett into running an airborne smuggling operation by threatening to reveal publicly that Trina made wartime radio propaganda broadcasts. The shipment Barrett must fly includes three Japanese war criminals being brought back into the country, and Kimura insures that Barrett will comply by kidnapping Anya and holding her hostage. But the war criminals hijack the plane and are arrested. Barrett then tracks down Kimura and both die in a shoot-out which saves the life of Anya. ~ Michael Betzold, Rovi

As the Panama Canal is under construction, a group of doctors try to find a cure for yellow fever, or "Yellow Jack," a deadly disease taking its toll on the canal workers. A pet monkey accidentally frees disease-bearing mosquitoes, resulting in the death of Dr. Fontaine (Ferdinand Gottschalk). However, this leads Dr. Murray (Ian Keith) to the belief that the disease can be carried by someone who shows no symptoms. ~ Bill Warren, Rovi

Designed as a follow-up to the Halperin Brothers' phenomenally successful White Zombie, Revolt of the Zombies unfortunately isn't nearly as good. The story is set in Cambodia in the years following WWI. Evil Count Mazovia (Roy D'Arcy) has come into possession of the secret methods by which dead men can be transformed into walking zombies and uses these unholy powers to create a race of slave laborers. An expedition is sent to the ruins of Angkor Wat, in hopes of ending Mazovia's activities once and for all. Unfortunately, Armand (Dean Jagger), one of the members of the expedition, has his own agenda. Stealing a set of secret tablets, he sets about to create his own army of zombies, targeting those whom he considers to be enemies. But Armand is hoist on his own petard when the zombies rebel and turn against him. The anachronistic moviemaking techniques which contributed so much to the atmosphere and entertainment value of White Zombie are totally out of place in Revolt of the Zombies; also, Dean Jagger's performance lacks the conviction necessary for this sort of horror fare. ~ Hal Erickson, Rovi