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Diane Sherry Movies

1989  
 
Fact-based, made-for-television account of the hunt for a pair of serial killers who slaughtered ten women in the hillsides of Los Angeles between October 1977 and February 1978. (Alternate title: The Case Of The Hillside Stranglers) ~ Nicole Gagne, Rovi

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Starring:
Richard Crenna
 
1988  
R  
An archaeologist has come back home with a priceless gem in his possession. However, it was ill-gotten and his life is in extreme danger. After he's killed, his widow becomes the mark of several treasure-seekers. ~ John Bush, Rovi

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Starring:
Lisa EilbacherSteve Railsback, (more)
 
1986  
 
Based on a true story, the made-for-television Samaritan: The Mitch Snyder Story is the tale of a Washington, DC-based Vietnam veteran (Martin Sheen) who fights for America's homeless by staging hunger strikes and battling with various government agencies, eventually winning the attention of several city officials. ~ Stephen Thomas Erlewine, Rovi

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1985  
 
James Coburn stars in this TV movie as the powerful head of a major law firm. Glynnis O'Connor is the firm's prize attorney--and also the lover of Coburn's son Ted Wass, a blue-collar worker long estranged from his father. Coburn stages a reconciliation with his son, but it's only so he can enjoy Glynnis' sexual favors himself. After only token resistance, Glynnis defers to Coburn's desires. The question raised by Sins of the Father: which of the two lawyers is the most opportunistic? ~ Hal Erickson, Rovi

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1978  
PG  
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Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Marlon BrandoGene Hackman, (more)
 
1974  
 
Series star Telly Savalas makes his directorial debut in this episode, which features a surprising characterization by the multitalented Paul Anka. Eschewing his established "nice guy" image, Anka is cast as Buddy Maus, a slimy police informer with mob aspirations. Throughout the episode, Maus callously exploits his main police contact, detective Sam Colucci (Richard Romanus), to climb ever upward in the criminal world. ~ Hal Erickson, Rovi

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1972  
 
In this crossover episode with Adam-12's "sister" series Emergency!, mobile officers Jim Reed (Kent McCord and Pete Malloy (Martin Milner) join forces with doctors of Rampart Hospital and the paramedics of Emergency Squad 51. Their most urgent assignment consists of locating two runaways: a dangerously diabetic 8-year-old boy (Kirby Furlong) and a suicidal teenage drug addict (Diane Sherry. In addition to guest appearances by Emergency! regulars Robert Fuller, Julie London, Bobby Troup, Kevin Tighe and Randolph Mantooth, this episode features Elaine Giftos as Malloy's latest girlfriend Kathy, and future Days of Our Lives leading lady Dierdre Hall as a nurse. ~ Hal Erickson, Rovi

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1971  
R  
Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.

If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, Rovi

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Starring:
Rock HudsonAngie Dickinson, (more)
 
1966  
 
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Hawaii hadn't even begun filming when director Fred Zinnemann was replaced by George Roy Hill; similarly, the role intended for Charlton Heston ended up being played by Richard Harris (though Heston would eventually star in the 1970 sequel, The Hawaiians). Based on James A. Michener's best-selling novel, the time frame of which was spread out over several centuries, the film concentrates only on the years 1820 to 1841. Still, Michener's basic point, that the virginal sanctity of the Hawaiian islands was forever shattered by the incursion of the white man, remains intact. Max Von Sydow stars as Abner Hale, an imperious minister who settles in Hawaii with his wife, Jerusha Bromley Hale (Julie Andrews). While Abner expects the islanders to adapt to him rather than the other way around, Jerusha goes out of her way to understand and appreciate her new neighbors. She eventually seeks comfort in the arms of her former lover Rafer Hoxworth (Richard Harris). Despite the lush location footage and such spectacular highlights as pagan ceremonies and an outsized typhoon, the scene most filmgoers remember is Julie Andrews' agonizingly convincing childbirth sequence. All told, it took seven years to translate Hawaii from script to screen -- and almost that long to make back its 15-million-dollar cost. In the early scenes of Hawaii (the 171-minute version, rather than the 151-minute reissue), Bette Midler plays a bit part as a ship passenger. ~ Hal Erickson, Rovi

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Starring:
Julie AndrewsMax von Sydow, (more)
 
1965  
 
The FBI swoops down when saboteur Maury Maddock (Mark Richman) attempts to blow up a Government warehouse full of supplies headed for Vietnam. Complicating the Feds' efforts is the curious behavior of Maury's fiercely loyal Japanese-born wife Akiko (Miiko Taka), who is totally unaware of her husband's criminal activities. Jason Evers appears as Special Agent Allen Bennett, a role later played on a recurring basis by Lew Brown. ~ Hal Erickson, Rovi

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1964  
 
This short-lived 1964 series ran on ABC, and marked crooner Bing Crosby's second foray into network television after a 1954 variety show. Unlike its predecessor, this one was a conventional sitcom; it starred Crosby as Bing Collins, a onetime singer who had years ago left show business to live a quiet life as an electrical engineer, supporting his wife Ellie (Beverly Garland) and children. Bing could never quite escape from the limelight, however, as Ellie herself nurtured showbiz aspirations and thus brought about continual reminders of the life her husband had left behind. The couple had two very different daughters: 10-year-old Janice (Carol Faylen), a brainiac little girl with an intellect which suggested that she might be better suited for university life; and Joyce (Diane Sherry), a 15-year-old adolescent very much into boys. Willie Walters (Frank McHugh) was the handyman who, oddly enough, lived full time with the Collins family. Bing typically sang at least one number on each episode. ~ Nathan Southern, Rovi

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Starring:
Bing CrosbyBeverly Garland, (more)