Ransom Sherman Movies

Best known to posterity as the third wife of Cary Grant, Betsy Drake enjoyed a substantial film career during the postwar era. In Pretty Baby, Drake plays Patsy Douglas, an enterprising young lady who always assures herself a seat on the subway by carrying a doll wrapped in baby bunting. Through a series of complications that could only happen in a movie, it is eventually assumed that the "baby" is genuine. Patsy's bosses, advertising executives Sam Morley (Dennis Morgan) and Barry Holmes (Zachary Scott), hope to use Patsy's bundle of joy to land an important client, grouchy baby-food tycoon Cyrus Baxter (Edmund Gwenn). Most of the film is a not-so-subtle swipe at radio and TV advertising, considered a rich source of humor back in 1950. Cast in a tiny role as a receptionist is future "June Cleaver" Barbara Billingsley. ~ Hal Erickson, All Movie Guide

Farley Granger plays a casually larcenous New York City mailman who steals a shipment of money. Granger's excitement over this windfall turns to terror when he discovers that the money was part of a transaction between gangsters. Harassed by both crooks and cops, Granger lives to regret his impulsive theft--especially when it is tied in with a murder. The story is wrapped up in spectacular fashion with a climactic car chase. Farley Granger's costar in Side Street is Cathy O'Donnell; both were on loan to MGM from Samuel Goldwyn, and both were banking on their previous successful teaming in RKO's They Live By Night. ~ Hal Erickson, All Movie Guide

Zachary Scott uncharacteristically plays for laughs in Warner Bros.' One Last Fling. Scott plays Larry Pearce, the dullish husband of Olivia Pearce (Alexis Smith). When Larry enters into a perfectly innocent business arrangement with gorgeous Gay Winston (Veda Ann Borg), Olivia misunderstands, as does Gay's pugnacious husband Victor (Douglas Kennedy). The ensuing complications are fairly predictable, indicating perhaps that the screwball-comedy format was wearing thin in 1949. Some of the best moments are provided by stalwart supporting players Ann Doran and Jim Backus. Also featured in the cast is legendary radio humorist Ransom Sherman, who never did find a suitable screen vehicle. ~ Hal Erickson, All Movie Guide

This musical tells the tales of two movie extras who abscond to an expensive resort with their costumes and pretend to be aristocrats. Included in the film are ice skating numbers and songs. Songs include: "The Friendly Polka," "Count Your Blessings," and "Who Believes in Santa Claus." ~ Sandra Brennan, All Movie Guide

Are You with It? is a Universal vehicle for Donald O'Connor, who in 1948 was just making the transition from juvenile parts to romantic leads. O'Connor plays an uptight insurance executive, Milton Haskins, and mathematics genius who is constitutionally incapable of having fun. He attends a carnival, and for the first time in his life enjoys himself. Falling in love with one of the performers (Olga San Juan), Milton joins the carnival, and ultimately saves it from ruin through his wizardlike math skills. Are You With It? was adapted from the Broadway musical by Sam Perrin and George Balzer -- both stalwart members of Jack Benny's writing staff. ~ Hal Erickson, All Movie Guide

In this drama, Madeleine Damien (Hedy Lamarr) is a successful magazine editor with a free-spirited private life, but a number of failed relationships and years of burning the candle at both ends have taken their toll and Madeleine is suicidal and on the verge of a nervous breakdown. Her psychiatrist, Dr. Caieb (Morris Carnovsky), advises her to find a less stressful and more personally satisfying line of work, so Madeleine leaves the publishing industry and moves to a flat in Greenwich Village, where she pursues a long-standing dream of becoming an artist. Madeleine falls in love with a scientist living in her building, Dr. David Cousins (Dennis O'Keefe), and they plan to marry. However, shortly before they are to wed, David is called out of town and Madeleine decides to visit a nightclub, where she runs into Felix Courtland (John Loder), a jeweler with whom she once had an affair. Felix invites Madeleine back to his apartment, but before long she begins to think better of it and tries to slip out the back before he gets the wrong idea; however, at the same time Jack Garet (William Lundigan), a former employee of Felix, arrives at the front door. Jack stole some jewels from Felix but begs him not to turn him in to the police; a fight breaks out, and Jack kills Felix. Since Madeleine was the last person to be seen with Felix, she is accused of murdering him, and David, not knowing of her stormy personal life before he met her, refuses to have anything to do with her. Hedy Lamarr and John Loder were married when they made this film, though perhaps appropriately given their contentious relationship in Dishonored Lady, they divorced before the year was out. ~ Mark Deming, All Movie Guide

Judge Myrna Loy decides that the best way to curb the excesses of playboyish art teacher Cary Grant is to force him to do what he does best--romance a willing young lady. In this instance, the girl is Loy's own sister, played by a blossoming Shirley Temple. Aware that Temple has a serious crush on Grant, Loy orders him to date the teen-aged Temple until the girl gets him out of her system; he is also ordered to keep his hands to himself lest he wind up in the pokey. Grant finds the irrepressible Temple rather wearisome, but he throws himself into his sentence full-force, donning teenaged clothes, speaking in nonsense slang ("Voodoo! Who Do? You Do!" etc.) and participating in the athletic events at a high school picnic. Grant eventually divests himself of Temple by arranging for her to fall for a boy her own age; meanwhile, Loy realizes what we've realized all along--that it is she who is truly smitten by Grant. Adding to the frothy fun of Bachelor and the Bobby-Soxer are the supporting performances of Ray Collins as a sagacious psychologist and Rudy Vallee as a stuffy district attorney. The film's screenplay won an Academy Award for Sidney Sheldon, who went on to create I Dream of Jeannie and to matriculate into a best-selling novelist. ~ Hal Erickson, All Movie Guide

When he was first offered the film version of the best-selling Frederick Wakeman novel The Hucksters, Clark Gable turned it down, characterizing the book as "filthy and not entertainment." He finally agreed to star in the film after screenwriter Luther Davis' extensive laundering job. Gable plays Vic Norman, a radio advertising executive just returned from World War II. His wartime experiences have soured him on the phony aspects of his profession; nonetheless, he takes a job with the biggest and phoniest agency in town, headed by the glad-handing Kimberly (Adolphe Menjou). At Kimberly's recommendation, Vic takes over the Beautee Soap account, which brings him in close quarter's with Beautee's boorish head man Evans (Sidney Greenstreet). At their first meeting, Evans unexpectedly spits on his highly polished conference table. "Gentlemen," he growls, summing up his philosophy on advertising, "You have just seen me do a disgusting thing. But you will always remember it!" (Evans was based on George Washington Hill, the colorfully crude president of the American Tobacco Company). Vic's first assignment for Evans is to round up 25 high society women to sign testimonials for Beautee Soap. The least cooperative of the bunch is young widow Mrs. Dorrance (Deborah Kerr, in her American film debut), the stepdaughter of an American war hero. Attracted to Vic, Mrs. Dorrance signs the agreement, but breaks off her personal relationship with Vic when it appears as though he's making unsolicited advances towards her. The ever-demanding Evans then insists that Vic sign up two-bit comedian Buddy Hare (Keenan Wynn) for a radio program. Becoming more and more corrupt with each passing day, Vic obtains Hare's service at a rock-bottom price by blackmailing the comedian's agent (Edward Arnold), Vic's onetime close friend. A demo record is made of Hare and of nightclub singer Jean Ogilvie (Ava Gardner), who is in love with Vic but who eventually gives him up because of his apparent lack of scruples. Returning to the Beautee Soap headquarters, Vic watches dumbstruck as Evans smashes the demo record--then laughs uproariously, telling Vic that the contract is his, along with a $25,000 bonus. By this time, Vic is so disgusted with himself and with Evans' childish baiting tactics that he tells off the soap mogul in no uncertain terms, ending his tirade by dousing Evans with a pitcher of water. Having regained his integrity, Vic is now worthy of the love of Mrs. Dorrance, who has forgiven him his earlier misdeeds. As the film ends, she encourages Vic to use his advertising talents for something clean and honest (and, undoubtedly, starve to death in the process!) To mollify Madison Avenue, screenwriter Davis narrowed the attack on advertisers to one single radio sponsor; to please Gable, Mrs. Dorrance was changed from a still-married woman to a widow, while Vic Rodman is transformed from a "huckster" to an idealist who Does the Right Thing at the end. The Hucksters is one of Clark Gable's best postwar films, as well as one of the finest Hollywood satires of the rarefied world of advertising. ~ Hal Erickson, All Movie Guide

In this frothy, star-studded Warner Brothers outing, tightwad tycoon Jonathan Turner, believing himself at death's door, gives star-struck movie buff Jane Barker a million bucks. Problems begin when Jane's hubby, an aspiring writer, finds out about her new fortune. Marital turmoil ensues causing Jane to launch divorce proceedings. He in turn begins demanding alimony. The situation seems at a permanent impasse until the Turner miraculously recovers and decides he wants the money back. ~ All Movie Guide