Jamey Sheridan Movies

A man seeking to escape the past realizes that he'll first have to confront the present after receiving a desperate call from a friend on his deathbed. Harry Sweeny (Jamey Sheridan) is an aged but handsome divorcée with a grown son and a small business. He lives a comfortable life in a small town, where his main source of entertainment is stopping by the local diner to flirt with pretty waitress Muriel (Karen Young). But Harry's life hasn't always been this easy, and after getting a call from Tom Kelly (Steve Buscemi) he starts to remember why. Tom isn't long for this earth, and before he goes he seeks forgiveness from David Kagan, a fellow crewman that he and Harry knew from their Navy days. Unable to say no to an old friend, Harry sets out on a reluctant search for David, visiting old friends and drudging up painful memories in the process. Why does Tom feel like he needs David's forgiveness to pass on, and whose redemption is Harry searching for anyway? ~ Jason Buchanan, Rovi

Love, death, and troubling secrets lurk beneath the surface of a quiet Iowa farming community in this independent drama. Ellen Biddle (Melora Walters) is a Iowa housewife who has reached the breaking point -- a drought is devastating the family farm, creditors threaten to foreclose on the property, and Ellen learns her husband, Paul (Tahmus Rounds), has been sleeping with Patsy (Jo Anderson), the unsatisfied wife of the town sheriff, Tom Gibson (Jamey Sheridan). One night, Paul comes home late from spending the evening with Patsy, and Ellen murders him with a shotgun. After cleaning up the scene of the crime and disposing of Paul's body, Ellen tries to go on with her life, but Tom -- with whom Ellen had a fling many years before -- begins poking around, seemingly interested in starting up with her again, though Ellen's mother (Diane Ladd) warns her daughter to keep her distance. Meanwhile, Tom is also running for mayor, but the behavior of his loose-cannon son, Richard (Kris Park), is quickly becoming a liability, while Richard finds an unlikely ally in his private war against his father in Ellen. Katherine Lindberg's debut feature was one of two films called Rain which was screened at the 2002 Sundance Film Festival. ~ Mark Deming, Rovi

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, Rovi

Director Linda Yellen spins this study of four couples as they struggle to maintain their relationships. Middle-aged divorcée and landlord Katharine (Lynn Redgrave) is completely smitten with her live-in lover Rick (Harry Connick, Jr.). She loves throwing parties, and on one Halloween she hosts a dinner for some wildly dissimilar guests: her tenets Sandra (Cindy Crawford) and Paul (Jamey Sheridan) are conservative professionals, while fellow building dwellers Marta (Monica Keena) and Billy (Dylan Bruno) are rock musicians. Also at the party is wacky psychic Arnita (Tyne Daly). During dinner, Arnita sees the spirits of another couple: Mae (Samantha Mathis), a flapper from the 1920s, and Katharine's great-grandfather Edward (William Hurt). Unnerved, Arnita predicts that one couple will split up by year's end. Though initially shaken, the guests brush her off as a nut. Yet toward the year's end, Katharine grows increasingly jealousy of Rick's flirtation with Sandra. ~ Jonathan Crow, Rovi

The life and career of Ricky Nelson--from awkward kiddie TV star to teenaged singing idol to "young hasbeen"--is adequately encapsulated in this made-for-cable movie, one of several celebrity biopics produced for VH-1. Told in flashback as Ricky Nelson (Gregory Calpakis) recounts his experiences to a worshiping fan in the last hours before the 1985 air crash that would take his life, the story begins around 1952, as the adolescent Ricky is recruited by his bandleader-producer father Ozzie Nelson (Jamey Sheridan) to play "himself" on the movie and TV version of the popular radio series The Adventures of Ozzie and Harriet. Anxious to crawl out from under the shadow of his dictatorial father Ozzie, his vocalist mom Harriet (Sara Botsford) and his marginally more talented older brother David (Anthony Lemke), the 16-year-old Ricky begs for a chance to sing on the family's series. The wildly enthusiastic audience response to Ricky's warblings prompt Ozzie to aggressive promote Ricky's musical career, but ultimately Ricky breaks loose from the family's influence to strike out on his own. Alas, after several years at the top, Ricky's career and fan following plummets, before he has reached his 30th birthday he is grasping at straws by performing at county fairs and trade shows. Making matters worse is his unhappy marriage to Kris Harmon (depicted as something of a conniving opportunist by Anne Openshaw) and his ever-increasing dependence upon drugs. Astonishingly, the film never allows us to hear Ricky perform "Garden Party", the song that enabled him to make a spectacular comeback. Ricky Nelson: Original Teen Idol first aired on August 22, 1999. ~ Hal Erickson, Rovi

The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-drama Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

When her husband's adolescent daughter arrives to live with them, an Australian farmer's wife is less than pleased. Her reaction creates considerable domestic disharmony. ~ Sandra Brennan, Rovi