Ann Sheridan Movies

Because of its heavy reliance on slapstick (a no-no for features in the late '20s), this picture, very loosely based on the Ernest Thayer poem, got mixed reviews. But with comedians like Wallace Beery, Ford Sterling, ZaSu Pitts, and Sterling Holloway in the cast, it's a surprise that anyone wouldn't expect slapstick! Casey (Beery) is a junk dealer whose helper is the 13-year-old Spec (the very freckled Spec O'Donnell). He's in love with Camille, who runs a millinery stop (Pitts), but he is taken away from the small town where he lives when he is signed up by the New York Giants. Casey seems to be more interested in beer drinking than he is in playing baseball, so he is introduced to Trixie, a Floradora girl (Iris Stuart), in the hopes that this will distract him from the brew. Casey's rival for Camille attempts to get him drunk so he will miss the Big Game. Spec shows up in time to get him up to bat. Unfortunately, Casey strikes out and all his friends and fans leave him -- except for Spec. And when he arrives home, Casey finds that Camille is waiting for him. ~ Janiss Garza, All Movie Guide

Adapted from a Zane Grey story, Wagon Wheels is a remake of the 1931 Gary Cooper starrer Fighting Caravans. Randolph Scott assumes Cooper's role, playing a trail guide named Clint Belmet. The plot follows the progress of a typical wagon train journey from Missouri to Oregon, with the usual quote of Indian attacks and outlaw treachery. Murdock (Monte Blue), the main villain, foments trouble between the whites and Indians on behalf of a carter of foreign fur traders, adding a bit of international intrigue to the proceeding. Gail Patrick, still in her "ingenue" period, portrays the heroine along more intelligent and self-reliant lines than usual. Generous amounts of stock footage from Fighting Caravans were liberally sprinkled throughout the 57-minute time span of Wagon Wheels. ~ Hal Erickson, All Movie Guide

The Earl Carroll Vanities, a popular Broadway revue of the 1930s and '40s, is the setting for this murder mystery interspersed with an assortment of variety acts, including Duke Ellington performing "Ebony Rhapsody" and a novelty number called "Marijuana." Victor McLaglen stars as Bill Murdock, a detective investigating a series of murders during the opening night of a new edition of the Vanities. When private detective Sadie Evans (Gail Patrick) is found murdered, Murdock must investigate between musical numbers to find the killer. When Rita Rose (Gertrude Michael) next turns up dead, Murdock concludes young ingenue Ann Ware (Kitty Carlisle) is the next person marked for death. Murdock has to find the murderer before the ending of the show or else he or she could disappear in the departing crowd of theatergoers. ~ Paul Brenner, All Movie Guide

It's "Never the twain shall meet" time again, this time in London's Limehouse district. George Raft stars as Harry Young, a half-caste saloonkeeper who shelters beleaguered white girl Toni (Jean Parker) from her tormentors (shades of Broken Blossoms). Harry falls in love with the girl, but mixing of the races was still a Hollywood no-no in 1934, so tragedy results -- except for Toni, who finds happiness in the arms of Eric Benton (Kent Taylor), a man of "her own kind." The highly eclectic cast includes Anna May Wong as Raft's obligatory cast-off sweetheart Tu Tuan, former 2-reel comic Billy Bevan, and in a tiny uncredited role, Ann Sheridan. To avoid confusion with another Limehouse Blues, this one was retitled East End Chant for television. ~ Hal Erickson, All Movie Guide

Back in the 1930s, the "Search for Beauty" contests were designed to scout the hinterlands of America and England for beautiful girls and handsome men who might qualify as movie contractees -- though most the winners were drawn from the ranks of Hollywood residents. These contests, coupled with a play by Schuyler E. Gray and Paul R. Milton, formed the basis for this 1934 comedy. Real-life "Search for Beauty" winners Larry "Buster" Crabbe and Ida Lupino (both of whom had already appeared in a few films) head the cast in this story of a contest staged by a two-bit "physical culture" magazine. When the winners, Don Jackson (Crabbe) and Barbara Hilton (Lupino), realize that they've been hired exclusively to pose in bathing suits for the pin-up trade, they leave for the greener pastures of a legitimate health farm. The magazine's crooked publishers try to extort money from Don and Barbara, but they're foiled by a local justice of the peace (Frank McGlynn Sr.) who turns out to be an agent of the U.S. Department of Justice! ~ Hal Erickson, All Movie Guide

In this romantic comedy, a Parisian businessman heads for South American for a busman's holiday. There he hopes to have some fun and negotiate a deal concerning the mining of valuable nitrate deposits. Naturally, he carries the necessary contract with him. Knowing this, two con-artists conspire to steal it from him. The unwitting businessman is also pursued by a man-hungry spinster and a love-struck, nosy switchboard operator who taps his phone and ultimately saves his bacon. ~ Sandra Brennan, All Movie Guide

Paramount Pictures' annual college musical of 1934 is a pip, as they used to say. Jack Oakie plays Finnegan, a conceited gridiron hero whose prowess on the football field is exceeded only by his appreciation of the ladies. But his strutting manner and accompanying overbearing ego have alienated his one-time best friend Larry Stacey (Lanny Ross), a serious, more scholarly type who deeply resents the adulation heaped on Finnegan. Things go wrong for Finnegan after he graduates, as he pins his hopes on a job offer from a business firm that folds soon after. He finally shows up at Stacey's department store, where Larry -- the owner's son -- has taken over as general manager; and Larry, finally having the advantage over Finnegan, seeks to humiliate him in the course of helping him out with a menial job. But as it turns out, Larry is no sterling success either -- he's turned his father's once-thriving department store into a haven catering only to the very rich, of whom there were precious few in the midst of the Great Depression; Larry is also such a self-involved prig in his own way, wallowing in self-pity where Finnegan wallows in self-adulation, that he scarcely notices that his own secretary (Helen Mack) is almost dying in her unrequited love for him. In order to save his business, Larry's father, J. P. Stacey (eorge Barbier), turns to Finnegan, the football hero who used to sell 60,000 tickets a week on the playing field -- Finnegan understands ballyhoo, and what the public wants, and is put in charge of the store, and also becomes captain of a football team fielded by the store. Soon the place is jumping, especially when Finnegan brings back his old college team waterboy Joe (Joe Penner) and his duck mascot Goo-Goo, and fetching blonde cheerleader/singer Mimi (Lyda Roberti). Larry is reduced to running a department in the store and finally decides its time to step up and take on Finnegan head-to-head, joining the store's football team. But there's treachery and dirty tricks afoot -- in between a bright score by Mack Gordon and Harry Revel -- when Stacey's takes on a team fielded by their arch-rival store, Whimple's, in a bitter grudge-match fueled by the two owners' mutual dislike for each other. ~ Bruce Eder, All Movie Guide

Adapted from one of Dashiell Hammett's best novels, The Glass Key is a lively and straightforward melodrama of political corruption and urban intrigue. George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out. Intimately involved in the case is Janet Henry (Claire Dodd), the sister of the murdered man and the daughter of "above reproach" Senator Henry (Charles Richman). Though no babe-in-the-woods, Beaumont is in for quite a few disillusionments as he pursues his investigation, though he does rather better romantically than the redoubtable Madvig. The Glass Key was remade (and improved) in 1942, with Alan Ladd, Veronica Lake and Brian Donlevy; neither version, however, has as much bite and vitriol as the Hammett original. ~ Hal Erickson, All Movie Guide

The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A holy man known as The Hermit (C. Aubrey Smith) rallies the rulers of England and Europe to launch a Crusade to reclaim Jerusalem in the name of Christianity. Among those embarking upon this massive undertaking is England's King Richard the Lion-Hearted (played as a swaggering roughneck by Henry Wilcoxon), who finances his knights by marrying wealthy French princess Berengaria (Loretta Young) sight unseen. Saladin (Ian Keith), the elegant and well-spoken ruler of the Saracens, attempts to stave off the crusaders by kidnapping Berengaria and holding her hostage. Sensing that he can never win against so formidable a collection of foes, Saladin eventually opens the gates of Jerusalem to all but Richard the Lion-Hearted, with whom he has a personal score to settle. In the film's most memorable scene, the fundamental difference between the boorish Richard and the cultured Saladin is demonstrated when the Saracen ruler delicately cleaves Berengaria's silk scarf in twain with his gleaming sword. It took a great deal of nerve to depict the film's hero as a thuggish brute and the nominal villain as the most sympathetic character in the story, but DeMille gets away with it in The Crusades, and still has time left over to deliver his usual quota of thrills, pageantry, convoluted history and campy dialogue. And yes, that is Ann Sheridan as a Christian captive in the opening scenes. ~ Hal Erickson, All Movie Guide

Former child star Jackie Coogan made a somewhat awkward transition to adulthood in Home on the Range. Based on Zane Grey's novel Code of the West, the film casts Coogan and Randolph Scott as the Hatfield brothers, Tom and Jack. Owners of a racing stable, the boys figure that one of their ponies, a magnificent animal named Midnight is a sure winner. Before they're able to prove this, however, Tom and Jack fall victim to a gang of race-fixers who use high-powered rifles to ensure that their horses will win. This doesn't stop Tom from risking his life to ride Midnight to victory. Radio crooner Joe Morrison, whose chief claim to fame was the western ballad "Last Roundup", shows up in Home on the Range long enough to sing the title tune. ~ Hal Erickson, All Movie Guide

Kermit Maynard once again dons a Mountie uniform in Ambassador Films' Red Blood of Courage. The plot gets underway when Mark Henry (Reginald Barlow), the owner of a valuable oil deposit, is kidnapped and replaced by an outlaw look-alike (also Barlow). The masquerade fools everyone, even his niece Beth (Ann Sheridan, in one of her first leading roles). But RCMP officer Jim Sullivan (Maynard), himself travelling incognito to track down the murderer of his best friend, isn't so easily taken in by the phony landowner. Things get hairy when the false Mark Henry is murdered by his henchmen and blame for the killing is placed on Sullivan. But the real Henry shows up in time to help our hero track down the heavies and rescue the heroine. ~ Hal Erickson, All Movie Guide

In his first starring role (after being second-billed to Claudette Colbert in The Gilded Lily), Fred MacMurray plays officer Ross Martin of the Michigan State Police. After completing his training, Martin is pitted against dignified Professor Anthony (Sir Guy Standing), who uses his academic status as a cover for his bank-robbery activities. Keeping himself abreast of police maneuvers by listening to car radios and unobtrusively hanging around headquarters, Anthony ultimately uses his technological know-how to paralyze the police communications systems. But with the cooperation of the Massachusetts police department, whose radios are in full working order, rookie Martin and rustic sheriff Pete Arnot (Frank Craven) combine forces for a final assault upon Anthony's hideout. Its sometimes illogical plot twists notwithstanding, the screenplay is based on a series of factual articles, first published in Saturday Evening Post. Also given a career boost in Car 99 is another new Paramount contractee, Ann Sheridan. ~ Hal Erickson, All Movie Guide