Michael Shepley Movies

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide

Joe is played by Leslie Randall in this lean British programmer. Working at a detergent company, Joe is ignored by his bosses and co-workers alike. But when the opportunity arises for Joe to become a hero, well, watch out! Motivating the plot is a bit of industrial espionage involving the theft of a secret detergent formula. Of interest in Just Joe is the supporting-cast presence of veteran film star Anna May Wong and future Doctor Who Jon Pertwee. ~ Hal Erickson, All Movie Guide

Director John Ford traveled to England to film this adaptation of the novel by J.J. Maraca, which details a typical day in the busy life of a detective for Scotland Yard. Inspector George Gideon (Jack Hawkins) begins his working day by confronting one of his fellow officers who is believed to be accepting graft. The sergeant stubbornly denies the charge, but he dies later the same day in a mysterious hit-and-run accident that piques Gideon's curiosity. While confronting internal strife within Scotland Yard, Gideon also has more typical crimes to investigate, including a murder in Manchester and a burglary in London, both of which were performed by the same vicious criminal. Gideon himself becomes the victim of a holdup and is forced to take a bullet for his troubles, while on the home front he finds himself in disfavor with his family when he forgets to bring home salmon for dinner and lets his daughter's recital slip his mind. Along with Jack Hawkins, Gideon's Day features a stellar cast of British actors, including Cyril Cusack, Anna Massey, Laurence Naismith, Dianne Foster, and Billie Whitelaw. For its initial American release, Gideon's Day (also shown as Gideon of Scotland Yard) was cut from 91 minutes to a mere 54, and distributed in black and white prints instead of the original Technicolor. Fortunately, nearly all the prints currently in circulation are of the uncut, color edition. ~ Mark Deming, All Movie Guide

Margaret Leighton stars as a novelist who draws inspiration for her characters from the people around her. While working on a romance novel, she bases the sexy central male character upon her chauffeur (Carlo Justini). He can't understand that Margaret's interest in him is purely professional, and assumes that the woman is crazy about him. Everybody in Leighton's "real" life portrays his or her literary counterpart in a film-within-a-film, few more amusingly than the lady's wheelchair-bound husband (Ralph Richardson). Something of a comic precursor to The French Lieutenant's Woman (81), Passionate Stranger was also released as A Novel Affair. ~ Hal Erickson, All Movie Guide

This second entry in the British "Doctor" series once more stars Dirk Bogarde as young medico Simon Sparrow. Securing his first job as ship's doctor on a freighter, Simon again runs afoul of James Robertson Justice, here cast not as the irascible Sir Lancelot Sprat but as ship's captain Hogg. Unexpectedly, the freighter is obliged to take on passengers--specifically, the man-hungry daughter (Brenda DeBanzie) of the shipping magnate who owns the vessel, and toothsome French chanteuse Helene Colbert (Brigitte Bardot, in her first English-language film). As the older woman makes a play for the crusty captain, Helene sets her sights on the nonplussed Dr. Sparrow. Often funnier than its predecessor, Doctor at Sea proved the viability of the "Doctor" series, prompting several chucklesome sequels. ~ Hal Erickson, All Movie Guide

In this corny British comedy, a Cockney family inherits a rundown Devon farm. Not everyone is pleased by the prospect of leaving the city, but the father insists and off they go. With the help of a savvy housekeeper, the family puts the ramshackle farm in order. ~ Sandra Brennan, All Movie Guide

David Niven plays the new squire in a small Irish community. As snooty and restrictive as the old squire was warmhearted and generous, Niven quickly earns the animosity of the locals. Eventually they draw lots for the privilege of bumping Niven off. Before the cad is humanized by the love of Yvonne DeCarlo, the villagers contrive to scare him off the premises by faking a local ghost--which rouses the fury of the town's genuine wraith. Tonight's the Night was originally released in Great Britain as Happy Ever After. ~ Hal Erickson, All Movie Guide

While off on a drunken toot, three British naval officers attach an old baby carriage and a pawnbroker's sign to the stern of a foreign naval vessel. The next morning, a zealous officer spots the curious appendage and comes to the conclusion that the "pram" and sign are actually part of a sophisticated, top-secret radar device. Instantly, the British navy brass demands that their ships be outfitted with the same device -- and so it goes, with one bureaucratic misunderstanding after another snowballing into a major "international incident." You Know What Sailors Are top-bills Akim Tamiroff as the president of a mythical Foreign country, but the film belongs to Donald Sinden as the well-meaning young officer who precipitates the whole affair. ~ Hal Erickson, All Movie Guide

British stage and film star Ralph Richardson stepped behind the cameras for the first and last time to direct Murder on Monday. Richardson also starred in the film, portraying a clerk who suffers a blackout after a blow on the head. Upon recovering, Richardson is led to believe that he has committed murder during the past 24 hours. Originally released in Great Britain as Home at Seven, Murder on Monday was based on a play by R. C. Sheriff. No Orson Welles he, Ralph Richardson invited Sheriff to the set to help him properly interpret the original material; with the input of the author, and with the technical advice of producer Alexander Korda, was able to shoot the film in less than 14 days. ~ Hal Erickson, All Movie Guide

Maytime in Mayfair is concerned with England's high-fashion set, especially those creatures whose designs set the tone for London's upper crust. Two of the leading emporia are located directly across the street from each other, one run by the lovely Eileen Grahame (Anna Neagle) and the other by the charming but scheming D'Arcy Davenport (Peter Graves). Davenport feels threatened by Eileen and would like nothing more than for her to close up her shop. One day, a young man by the name of Michael Gore-Brown (Michael Wilding) appears. As appealing as he is in debt, it turns out that he has fortuitously inherited the shop for which Eileen designs. Although encouraged to sell it immediately and get some desperately needed ready cash, he becomes quite taken with Eileen and decides to hold on to the salon. At the same time, D'Arcy manages to get his hands on Eileen's latest, top-secret designs and disseminates them to the press, which will ruin Eileen. Thinking that it is Michael that has done this terrible deed, Eileen leaves and goes to Paris. Depressed that his true love has spurned him, Michael is all set to sell the business to two buyers (who are secretly acting on D'Arcy's behalf) when Eileen returns, having discovered the truth. ~ Craig Butler, All Movie Guide

London psychiatrist Burgess Meredith takes on the case of schizophrenic ex-POW Kieron Moore. So long as Meredith is diligent in his approach, Moore shows signs of improvement, and a lessening of his more violent tendencies. But the moment Meredith takes too much for granted, Moore goes off the deep end, murdering his wife and committing suicide. Brought up on malpractice charges, Meredith is saved by the testimony of his loyal physician-friend John Laurie, though for a time the psychiatrist's own mental condition is as fragile as that of his late patient. While Burgess Meredith was fond of noting that he had to leave Hollywood for England to find a worthwhile film role, Mine Own Executioner suffered from a bout of Hollywood-style interference in delineating the shady background of its protagonist, which might have clarified several confusing plot points. Still, the film has a lot of "guts," especially for a late-1940s effort. ~ Hal Erickson, All Movie Guide

Adapted from a novel by Osbert Sitwell, A Place of One's Own has a double-edged title: It refers to a physical place as well as a spiritual one. An elderly couple (played with a surplus of age makeup by Barbara Mullen and James Mason) purchase an old house. They've been warned that it's haunted by the spirit of a murdered girl, but decide to set up housekeeping anyway. The restless ghost responds to this intrusion by possessing the soul of Annette (Margaret Lockwood), the old couple's young live-in companion. Leading man Dennis Price is on hand as Dr. Selbie to attempt an emergency exorcism on the vulnerable Annette. A Place of One's Own is a serviceable "spook show" which might have even been better with a little more emotional involvement on the part of the principals. ~ Hal Erickson, All Movie Guide

Laurence Olivier's adaptation of Henry V is one of the finest Shakespeare films ever made, full of rousing action, beautiful colors and passionate performances. Henry V is the story of the newly crowned king of England who fights the French for possession of Normandy. Olivier's direction is inventive, beginning the film as if it were a performance at the Globe Theatre, and having it slowly expand so the final battle scenes take place in realistic settings. Released in 1944 during the height of World War II, Henry V didn't receive an American release until 1946, upon which Olivier won a special Academy Award for "his outstanding achievement as actor, producer and director in bringing Henry V to the screen." ~ Stephen Thomas Erlewine, All Movie Guide