Cybill Shepherd Movies
American actress Cybill Shepherd's pre-acting career included a runner-up stint in the Miss Teenage America pageant and seemingly thousands of modelling gigs, most prominently for Cover Girl makeup. She was spotted adorning a magazine cover by film director Peter Bogdanovich, who selected her to play a small town heartbreaker in his prestigious 1971 film The Last Picture Show. Shepherd was praised for her cinematic debut, though the reviews devoted more space to her diving-board striptease than her delivery of lines. Except for a part as Charles Grodin's dream girl in The Heartbreak Kid (1972), Shepherd did most of her subsequent early film work for Bogdanovich, once her lover as well as her mentor. Reviewers were barely tolerant of her performance in Daisy Miller (1974) -- and with the next Bogdanovich-directed appearance in At Long Last Love (1975) the gloves were off, her career had hit a hard spot. But she recovered, at least professionally, and did quite well for herself in Martin Scorsese's Taxi Driver (1975). The "Peter Bogdanovich's Girlfriend" onus took years to suppress; it was still being bandied about when she appeared in her first (short-lived) TV series "The Yellow Rose" (1983). But with her starring role in the popular detective/comedy weekly "Moonlighting" (1985), Shepherd made up for lost time and attained star status without any association with her onetime "Svengali." Shepherd and co-star Bruce Willis played the reluctant partners in a failing detective agency, but the plotlines were secondary to the banter and witticisms between the stars -- not to mention the winks at the audience and "in" jokes that let the folks at home know that the characters knew that they were just acting on TV. An instant success, "Moonlighting" was plagued with production problems almost from the outset. Shepherd and Willis made no secret of their distaste for one another, and both behaved rather boorishly to those around them. Firings and tantrums were almost everyday occurences on the set, and this, plus the problem of turning out a quality script each week, caused the series to fall woefully behind in schedule. Soon it became a media event if "Moonlighting" ran something other than a repeat. In 1987, Shepherd became pregnant with twins, which forced a speedup in production and some wildly convoluted (and often tasteless) scripts to accomodate the actress' condition. Power struggles continued between Shepherd and producer Glenn Caron (and the people who replaced Caron); "Moonlighting" was cancelled in 1989. Since that time, Shepherd has signed an endorsement contract with L'Oreal cosmetics, while continuing to appear in films and TV movies of variable quality (including Texasville, the best-forgotten sequel to The Last Picture Show). Besides becoming a favored and most entertaining guest on the talk-show circuit, Shepherd is currently involved in another TV series titled Cybill. ~ Hal Erickson, All Movie Guide
Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Timothy Bottoms, Jeff Bridges, (more)
- 1972
- PG
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In Elaine May's second directorial outing, Charles Grodin stars as Lenny, a slick salesman who, while honeymooning with his new bride, Lila (Jeannie Berlin, May's daughter), begins to have second thoughts about his marriage. Once Lenny spots the gorgeous Kelly (Cybill Shepherd), he is lost forever. Legally divesting himself of poor Lila, he follows Kelly to her upper-middle-class home, where he runs into the formidable opposition of her father (Eddie Albert), who states bluntly that he'd rather be dragged from a horse by his tongue than allow Lenny to become his son-in-law. The picture received critical kudos for Neil Simon's adroit screenplay, May's knowing direction, and Grodin's on-target performance. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Grodin, Cybill Shepherd, (more)
Continuing his 1970s recreations of classical Hollywood genres and styles, Peter Bogdanovich turned to the literary costume drama with an adaptation of the Henry James novella Daisy Miller. At a Swiss spa, upper-class expatriate American Frederick Winterbourne (Barry Brown) meets pretty, nouveau riche flirt Daisy Miller (Cybill Shepherd); her bratty, xenophobic little brother Randolph (James McMurtry); and her tremulous, nattering mother (Cloris Leachman). Despite warnings from his dowager aunt (Mildred Natwick) about Daisy's recklessness with men, Winterbourne finds himself drawn to her. When he encounters her again in Rome, he tries to convince her that her liberated behavior with an Italian admirer (Duilio Del Prete) may sully her reputation in aristocratic circles. But Winterbourne cannot reconcile his own feelings for Daisy with the manners that he is used to following, nor can he fathom how she may feel about him beneath her veneer of willful coquetry. After society matron Mrs. Walker (Eileen Brennan) ostracizes her, Daisy's final rash action reveals to Winterbourne how his old-fashioned mores may have sealed her fate. With a screenplay by Frederic Raphael and location shooting in Rome and Switzerland, Bogdanovich carefully recreated the rich surroundings and stultifying social strictures of James' story. Despite this well-executed atmosphere, Daisy Miller suffered critically, as Bogdanovich was especially taken to task for casting the amateurish Shepherd in the complex and pivotal role of Daisy. After three consecutive hits with The Last Picture Show (1971), What's Up, Doc? (1972), and Paper Moon (1973), Daisy Miller flopped, beginning Bogdanovich's mid-'70s slide into box-office and critical ignominy. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Cybill Shepherd, Barry Brown, (more)
- 1975
- G
Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Reynolds, Cybill Shepherd, (more)
- 1976
- PG
A botched robbery provides the basis of this romantic comedy. The caper was performed by three unemployed Vietnam vets desperate for cash. Unfortunately, two of them are captured during the getaway. The third vet continues to flee and stuffs the loot in a convenient mailbox. A dishonest barkeeper and a crazed artist witness this and try to get the money for themselves. The barman needs it to pay back some Mafiosi. The artists find herself attracted to the veteran and so decides to help him get it back from the bartender. The two succeed and then board an ocean liner, where they bump into the president of the bank the veteran robbed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bo Svenson, Cybill Shepherd, (more)
"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind?
Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, All Movie Guide
Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert De Niro, Cybill Shepherd, (more)
- 1977
- PG
Director Ivan Passer and screenwriter Peter Stone adapted Paul Erdman's novel concerning a group of con men who arrive in Switzerland and end up conning each other. Michael Caine stars as Doc Fletcher, a lackey for gangster Joe Fiore (Martin Balsam), who is sent to Switzerland to purchase a bank for his boss. Prince di Siracusa (Louis Jourdan) is aiding Doc in his purchase but is working on his own scam. They both meet Shireen Firdausi (Stephane Audran) and Agha Firdausi (David Warner), who are working on their own deal concerning an Iranian silver mine. Also arriving in town is Donald Luckman (Tom Smothers) and his wife Debbie (Cybil Shepherd), sent by banker Henry Foreman (Joss Ackland) to buy a bank as a front for Charles Cook (Charles D. Gray), a billionaire who is looking for a way to disguise his profits. With all these schemers in tow, various confidence games play out and characters switch alliances and obligations, while some wind up in jail. ~ Paul Brenner, All Movie Guide
- Starring:
- Michael Caine, Cybill Shepherd, (more)
Aliens from Spaceship Earth is a "four-waller" documentary from the Chariot of the Gods? school of speculative filmmaking. Are there, or have their ever been, extraterrestrials in our midst? This program speculates that there are, and that such aliens have taken distinctly human form - that of Indian yogis and gurus, including Guru Maharaj Ji, Sri Sathya, Yoga Bhahan and Father Yod. The "aliens" in question, in other words, are spiritual guides on a long, introspective trek into the self, prompted and encouraged by the counterculture and drug-fueled experimentation of the late '60s. Folk-rock singer Donovan provides the soundtrack.
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- 1978
The made-for-TV Guide for the Married Woman was conceived by screenwriter Frank Tarloff as an "answer" to his frolicsome 1968 theatrical feature Guide for the Married Man. If the sequel isn't quite as much fun as the original, it may be because what was deemed "risque" in 1968 was kid's stuff in 1978. In her TV-movie debut, Cybill Shepherd plays a bored housewife who yearns for romance and excitement. With the help of a steady stream of celebrity guest stars, Shepherd is able to fantasize about extramarital hijinks to her heart's content. The supporting cast includes such luminaries as Peter Marshall, Eve Arden, John Beradino, John Byner, Bill Dana, Bonnie Franklin, George Gobel, Tom Poston, Barbara Feldon and Chuck Woolery (the guest-star list of the original Guide for the Married Man included Art Carney, Jack Benny, Lucille Ball, Carl Reiner, Terry-Thomas, Joey Bishop and Jayne Mansfield: guess which film had the bigger budget?) Guide for the Married Woman originally aired October 13, 1978. ~ Hal Erickson, All Movie Guide
Screenwriter George Axelrod turns Alfred Hitchcock's classic comedy-thriller into a capering screwball comedy showcase for Cybill Shepherd and Elliot Gould in this style-less remake of The Lady Vanishes. On an express train traveling through pre-World War II Germany, Amanda Kelly (Cybill Shepherd) befriends a cute old nanny, Miss Froy (Angela Lansbury). But when Miss Froy disappears and the rest of the passengers profess no knowledge of the old woman, Amanda and Robert Condon (Elliot Gould -- the only person aboard who will believe her story about the missing woman -- search the train trying to find out what happened to Miss Froy. In the meantime, they uncover an insidious German plot and fall in love. ~ Paul Brenner, All Movie Guide
- Starring:
- Elliott Gould, Cybill Shepherd, (more)
The bottom-drawer science fiction cheapie was originally released as The Return. In a dusty New Mexico town, two children and an old man witness the arrival (via poor special effects) of an alien spacecraft. The phenomenon has such a profound effect on the lives of the witnesses that they anxiously await the return of the extraterrestrials--whom, it is suggested, have visited here several times before. When the big-name cast (Jan-Michael Vincent, Cybill Shepherd, Martin Landau, Raymond Burr and Neville Brand) failed to sucker customers into seeing The Return, the film was repackaged as The Alien's Return. If we are indeed visited by aliens someday, one hopes they aren't as dull as the creatures in this sorry little film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jan-Michael Vincent, Cybill Shepherd, (more)
Previously titled Trick Eyes and Portrait of a John, this lurid made-for-TV movie is the story of Christopher Jordan (William Shatner), an aeronautical engineer who has been happily married for 12 years. Despite his domestic tranquility, Jordan is unable to forsake his kinky sexual compulsions. Unwilling to take a mistress, he begins frequenting prostitutes, then falls under the spell of an extremely expensive call girl (Cybill Shepherd). His insatiable desires ultimately ruin his life and his career, and very nearly land him in prison on a murder charge. An Anglo-Italian production filmed in Vancouver, Secrets of a Married Man debuted September 24, 1984 on NBC. ~ Hal Erickson, All Movie Guide
- 1985
The made-for-TV The Long Hot Summer was based on the 1958 theatrical film of the same name-which, in turn, was based on two William Faulkner short stories. Don Johnson plays Ben Quick, a Southern drifter who is under suspicion as a "barn burner." Ben secures a job at the Mississippi mansion of town-boss Will Varner (Jason Robards). Varner's daughter Noel (Judith Ivey) and daughter-in-law Eula (Cybill Shepherd) vie for the handsome Ben's attention, while the patriarch's weakling son Jody (William Russ) seethes. When a few local barns are burned, Ben is the primary suspect-and no one is more suspicious than Noel. A murder trial and lynch mob both figure into the second half of the two-part The Long Hot Summer; the film originally aired October 6 and 7, 1985. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Johnson, Jason Robards, Jr., (more)
- 1985
Establishing its premise with a two-hour "TV movie" opener, Moonlighting segues swiftly into its first season, which though short (only seven episodes) is very, very sweet, especially whenever stars Cybill Shepherd and Bruce Willis take the viewers into their confidence to assure them that "it's only a TV show" -- and that their characters, fashion model Maddie Hayes and private eye David Addison, are fully aware that they're not real. Business at the Blue Moon Detective Agency is quite brisk if not terribly profitable during season one, beginning with David and Maddie trying to figure out how to tell their client that his long-lost son is a hired killer. In later episodes, Maddie suspects that a designer's secrets are being "telepathically" stolen; a popular talk-show host is apparently murdered in mid-broadcast; and David and Maddie dutifully notify the police that they've stumbled across a dead body, only to have the corpse disappear right under their noses. Perhaps the highlight of the season is an elaborate, inside-joke-laden spoof of Agatha Christie's Murder on the Orient Express, in which David and Maddie find themselves on a train populated exclusively by suspicious-looking detective fiction stereotypes. ~ All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
The irrepressibly hip detective series Moonlighting really shifts into high gear for its second season, which offers 18 delightfully intriguing episodes, chock-full of knowledgeable inside jokes and eccentric deviations from the plotlines. In the opener, reluctantly teamed private eyes Maddie Hayes (Cybill Shepherd) and David Addison (Bruce Willis) find themselves in hot water thanks to David's charming but thoroughly untrustworthy older brother (Charles Rocket). In later episodes, the couple is hired by a self-proclaimed lady leprechaun to find her missing pot o' gold; Christmas Eve finds the Blue Moon Detective Agency being used as a combination nursery and "Santa Hot Line"; the agency's ditsy secretary, Agnes DiPesto (Allyce Beasley), gets the thrill of her life when she subs for her bosses at a fancy ball; a Hitchcock-style plotline, replete with Bernard Herrmannesque music, finds Maddie probing the mysterious suicide of the artist who pained her portrait; an elderly client insists that David and Maddie serve as "expert witnesses" -- to his own murder; and Whoopi Goldberg guest stars as a con artist who becomes a target for assassination after inadvertently emerging as a national hero. Other highlights include the first appearance of Maddie's well-heeled parents (played by Eva Marie Saint and Robert Webber) and a lavish film noir black-and-white episode in which Dave and Maddie solve a cold case from 1946 -- and which is dedicated to narrator Orson Welles, who died five days before the episode was telecast. ~ All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
Just who is seduced in the made-for-TV Seduced? Technically, it is Vicki Orloff (Cybill Shepherd), who once had a torrid affair with attorney Mike Riordan (Gregory Harrison). But when Vicki meets Mike again after several years, it is Riordan who is seduced into a most dangerous situation. Vicki, you see, is now the mistress of multimillionaire James Killian (Jose Ferrer). And when Killian is murdered-well, Mr. Riordan was seen hanging around the murder site. Gregory Harrison both produced and starred in Seduced, which had its world premiere March 12, 1985. ~ Hal Erickson, All Movie Guide
- 1985
First telecast in early 1985, the 2-hour pilot film for the lighthearted TV detective series Moonlighting opens with fashion model Maddie Hayes (Cybill Shepard) discovering that her business manager has skipped with her fortune. The only asset she has left is the ramshackle Blue Moon Detective Agency, manned by acerbic David Addison (Bruce Willis). Maddie takes an immediate dislike to David, while he considers her a sexual conquest-to-be. The twosome continues to bicker their way through their first case, pausing for amenities only when it appears that both of them are about to be bumped off. Once safely back in the office, their verbal guerilla warfare resumes, leading the viewer to expect marvelous things from the subsequent Moonlighting TV series. Little of the series' fabled self-consciousness (talking directly to the audience, making references to the quality of the scriptwriting, etc.) surfaces in the Moonlighting pilot, but the film works well despite this "drawback." The series itself ran (or, as it turned out, limped) until May of 1989. ~ Hal Erickson, All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
Only 15 episodes of Moonlighting were produced during season three, down from the previous season's 18. The series' producers and stars made no secret of the fact that the production delays were being caused by backstage personality clashes; indeed, beginning in mid-season, each episode opened with an amusing "explanation" as to why the series was yielding so few new episodes. However, those episodes that were completed remain among the series' best. Highlights include the season opener, in which private eye David Addison (Bruce Willis, who won an Emmy for his work during season three) is uncomfortably reunited with his scapegrace father (Paul Sorvino); an elaborate It's a Wonderful Life takeoff spotlighting David's partner and erstwhile girlfriend Maddie Hayes (Cybill Shepherd), featuring Lionel Stander reprising his role as Max from the earlier detective series Hart to Hart; a hastily assembled "clip" show, produced to fill a huge production gap, in which Pierce Brosnan recreates his earlier TV character Remington Steele, and which also features "commentary" by Cybill Shepherd's former mentor (and lover) Peter Bogdanovich; the increasing prominence of Curtis Armstrong in the role of Herbert Viola, David and Maddie's nebbishy junior partner at the Blue Moon Detective Agency; another thrilling solo "caper" for the agency's flighty receptionist Agnes DiPesto (Allyce Beasley), this one set in a supposedly haunted house; and a four-part story arc in which Maddie is torn between her growing affection for David and the romantic overtures of her new suitor, yuppie Sam Crawford (Mark Harmon). The most memorable of the season's episodes is a riotous spoof of Shakespeare's The Taming of the Shrew, replete with faux Elizabethan dialogue. But the biggest event of the entire season occurs at the very end, when after three years of verbal and physical fencing, David and Maddie finally consummate their relationship. ~ All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
Although fans were still addicted to the hip, kidding-on-the-square detective series Moonlighting, the series was being eroded from within by profound production problems and internal squabbles. As a result, only 13 new episodes were produced for the series' fourth season, forcing ABC to fill out the rest of the schedule with reruns. Also, tensions between series star Bruce Willis and Cybill Shepherd, coupled with ongoing arguments between the two leads and the series' producers, culminated with extended absences from the set and lengthy production shutdowns. In one episode, "Here's Living With You, Kid," Willis and Shepherd didn't appear at all, forcing supporting actor Curtis Armstrong, cast as junior detective Herbert Viola (a character who graduated this season from recurring to regular status), to carry the plotline by himself. Fortunately, the old spark roared into flame long enough for some top-rank episodes to be produced during season four. The opener, which occurs shortly after detective-agency partners Maddie Hayes (Shepherd) and David Addison (Willis) have finally slept together, finds the duo separately seeking out advice on their relationship from psychologist Dr. Joyce Brothers and singer Ray Charles (this installment also finds time for an elaborate takeoff of The Honeymooners). In later episodes, it is revealed that Maddie is pregnant with David's baby, whereupon she gets married -- not to David, but to a total stranger named Walter Bishop (Dennis Dugan). With the two stars spending so much time on affairs of the heart, it is up to the supporting characters, notably the aforementioned Herbert Viola and detective-agency receptionist Agnes DiPesto (Allyce Beasley), to take care of the "mystery" angle; especially memorable is the episode in which Agnes' mother is inexplicably targeted for elimination after returning from a vacation. ~ All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
The fifth season of Moonlighting is the shortest since season one, with only 12 new episodes produced; it is also the final season, thanks to the ever-increasing backstage squabbles involving stars Cybill Shepherd and Bruce Willis, and virtually the entire production staff. The opening episode is one of the strangest ever conceived, beginning with an appearance by practically every member of the cast and the production team, assuring viewers that their professional problems are behind them, and promising that season five will be the best ever. The plot proper finds Maddie Hayes (Cybill Shepherd), impregnated the previous season by her detective-agency partner David Addison (Bruce Willis), going into labor -- whereupon the action shifts to Heaven, where Maddie's baby (also played by Bruce Willis) nervously awaits to be born. Alas, it is not to be; Maddie miscarries, and subsequently buries herself in her work as a detective, neglecting not only David but also her nebbishy husband, Walter (Dennis Dugan). As for David, he philosophically moves on in his life, enjoying a brief fling with Maddie's sister Annie (Virginia Madsen). Thereafter, Moonlighting ceases to be about the Maddie-David relationship and devolves into a standard detective show, albeit punctuated every so often by the series' trademarked inside jokes and eccentric deviations from the plotlines. Inevitably, given the fact that everyone knew that this was the series' final season, Moonlighting comes to a halt as the doors of the Blue Moon Detective Agency are permanently closed. ~ All Movie Guide
- Starring:
- Cybill Shepherd, Bruce Willis, (more)
Handsome young Washington attorney Louie Jeffries (Chris McDonald) has it all: a promising career, a beautiful wife, and a baby on the way. But after discovering a local judge is in cahoots with the Mob, Louie bites it in a car crash and finds himself in Heaven. Unsatisfied with the customer service he's receiving, Louie jumps the gun and gets himself reincarnated -- before being administered the magic injection that will remove his memories of his former life. For the next quarter-century, Louie's museum curator wife, Corinne (Cybill Shepherd), remains true to her husband's memory, ignoring the frustrated devotion of Louie's best friend, Philip Train (Ryan O'Neal). Meanwhile, Louie's soul grows up in the body of Alex Finch (Robert Downey Jr.), an aspiring journalist. Alex's memories of his life as Louie return after he becomes romantically involved with Miranda (Mary Stuart Masterson) -- the daughter he never got to meet. Soon, Alex/Louie is romancing his wife, spurning his daughter's advances, and frustrating Philip's attempts finally to woo Corinne. Written by Mystic Pizza scribes Perry and Randy Howze and directed by Emile Ardolino of Dirty Dancing fame, Chances Are didn't score as well at the box office as those earlier comedies. Its soundtrack, however, generated the hit Peter Cetera and Cher ballad "After All." ~ Brian J. Dillard, All Movie Guide
- Starring:
- Cybill Shepherd, Robert Downey, Jr., (more)
Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide
- Starring:
- Mia Farrow, Joe Mantegna, (more)
- 1990
The made-for-cable film Which Way Home is the story of a Red Cross nurse trying to escape from war-torn Cambodia in the late '70s with a group of orphans. An Australian smuggler assists her in her valiant attempt to save the children and leave Asia. ~ Stephen Thomas Erlewine, All Movie Guide
Texasville is Peter Bogdanovich's much-delayed sequel to The Last Picture Show. Adapted from Larry McMurtry's novel and told as a series of episodes, Texasville follows the characters from The Last Picture Show as they reunite in a small Texas town nearly 30 years after the end of the last movie, and face a number of adult problems, as well as confronting lingering emotions and memories from adolescence. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Jeff Bridges, Cybill Shepherd, (more)
