Cybill Shepherd

Unresolved romances and a long-simmering film project finally bear fruit in the fifth season. Dreams come true and new life paths are forged for many of the series’ characters this year, but not without the L Word’s trademark provocative storylines, sizzling sexuality, and heartrending emotion.

An infamous ex-con on the road to redemption finds his quest unexpectedly complicated by the police, the mafia, and two of the nation's most vicious serial killers in a high octane crime thriller starring and directed by Mario Van Peebles and featuring Wesley Snipes and Cybill Shepherd. ~ Jason Buchanan, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

The topic of teen pregnancy is covered in this made-for-Showtime melodrama directed by actress Helen Shaver. Clara Bryant stars as Mary Faith, a small-town good girl, and the last person that anyone in her community would expect to find herself with child. When news of the pregnancy gets out, Mary Faith is faced with judgment from the locals as well as her family. Due East also stars Cybill Shepherd, Kate Capshaw, and Robert Forster. ~ Matthew Tobey, All Movie Guide

Actor/writer/director Albert Brooks turns his satiric gaze on the film industry in this comedy about a screenwriter who has hit a rough patch. Steven Philips (played by Brooks) has enjoyed a celebrated career in Hollywood, but one day he has a meeting with his agent, who informs him his career is suddenly going nowhere. Steven quickly finds himself at the end of his rope and is unable to put a decent sentence on paper. Desperate, he hears that there's a bona fide muse in Hollywood, Sarah (played by Sharon Stone), who might be able to help with his problems. The writer contacts Sarah, hoping a good, stong dose of inspiration will get his career back on track. However, Sarah's late hours and endless demands don't do much to help Steven's relationship with his wife (Andie MacDowell). The Muse features an original musical score by Elton John, and cameos by several notable film figures, including Martin Scorsese, Rob Reiner, and James Cameron. ~ Mark Deming, All Movie Guide

The sneaky underworld of baby selling is the subject of this made-for-television movie. Cybill Shepard stars as a doctor who is trying to adopt a baby. She turns to a couple who claims to be willing to sell their child, only to be swindled out of her money and the child. ~ Bernadette McCallion, All Movie Guide

Cybill Shepherd stars in this heat-tugging drama as a mother whose baby was abducted out of his bed. Fifteen years pass and she is working as a middle-school teacher in a different town. One of her students is a defiant 15-year-old. Despite the trouble he gives, there is something about the boy that draws her to him. ~ Sandra Brennan, All Movie Guide

Cybill Shepherd takes a ride into the dark side in this two-part TV movie, purported based on a true story. Shepherd is cast as wealthy and seductive Phoenix socialite Faith Kelsey, who opts not to get mad but to get even when her husband, Terry (Christopher McDonald), enters into an affair with Stacey Eckhart (Denise Gentile), herself a married woman with children. When Stacey is brutally murdered, the police have great difficulty linking either of the Kelseys to the crime -- and no one has more difficulty than Detective Jay Jensen (Ken Olin), who, entranced by Faith's beauty and charm, concludes that she is as "much a victim" as the dead woman. But as the story unfolds, it becomes painfully clear that Faith has hatched an elaborate scheme to get away with murder, and to cover her tracks by persuading a number of people -- mostly male people -- to help her cover her tracks and leave the dots unconnected. But will Jensen finally wrest free of Faith's alluring spell and see to it that justice is done? And of more importance, can this be done before Faith makes her good her plan to leave the country and totally escape extradition? Telling Secrets was originally seen over NBC on January 17 and 18, 1993. ~ Hal Erickson, All Movie Guide

When a private detective takes on a missing person assignment trying to find an Italian aristocrat's uncle, she discovers a conspiracy of murder and drugs. ~ Tana Hobart, All Movie Guide

Based on Shelby Foote's novel September, September, this made-for-cable effort focuses on the exploits of a trio of white drifters who hatch a scheme to kidnap the young grandson of the wealthiest black industrialist in Memphis, Tennessee in 1957. ~ Jason Ankeny, All Movie Guide

Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide