Cybill Shepherd Movies

Patrick Wilson, Chloë Sevigny, Judy Greer, and Cybill Shepherd headline first-time writer/director Chris D'Arienzo's dark comedy concerning a die-hard womanizer who finds himself named as the defendant in a paternity suit after losing his testicles in a violent street attack. Adapted from author Frank Turner Hollan's novel of the same name, Barry Munday stars Wilson as the titular character -- a man known for having a special way with the ladies. One day, after waking up in a hospital room to discover that the family jewels have suddenly gone missing, Munday is shocked to find himself slapped with a paternity suit by a woman (Greer) he can't even remember sleeping with. ~ Jason Buchanan, Rovi

THE L WORD Season 4 picks up with the women wrestling with issues close to their hearts. As with previous seasons, old demons rear their ugly heads and a host of new characters are brought into their fold, offering them access to a broader community with diverse issues. The L Word stars Jennifer Beals, Leisha Hailey, Laurel Holloman, Mia Kirshner, Katherine Moennig, Dallas Roberts, Daniela Sea, Rachel Shelley, and Pam Grier. Newest additions to the cast include Cybill Shepherd, Marlee Matlin, Janina Gavankar and Rose Rollins. Special guest stars are Rosanna Arquette, Eric Roberts, Bruce Davison, Kristanna Loken and Jane Lynch. This season, the war in Iraq becomes an integral part of Alice's (Hailey) life as she struggles to move on after the death of Dana; Helena (Shelley) tries to find financial independence and come to terms with leaving behind a world of privilege; Phyllis Kroll (Shepherd) -- who takes the courageous plunge late in life to come out of the closet -- risking everything that has defined her life up to now; and, Bette (Beals) has to deal with Jodi Lerner (Matlin), a woman who confronts her head-on about her Type-A personality.

From master storyteller Arthur Haley comes this gripping tale of a man condemned to death, but determined to reveal the truth behind his crimes before his time expires. It's been a lifetime since former Catholic priest Malcolm Ainslie (Tom Beringer) walked away from the church to become a police investigator, and though he may have traded his collar for a badge the same man still exists deep inside despite the uniform change. It was Ainslie himself who played a key role in apprehending notorious serial killer Elroy Doil (Sean O'Bryan), and as the time draws near for Doil's execution, the convicted killer calls Ainslie to his cell for one final confession, and the promise of the truth. As Doil reveals to Ainslie the shocking details of the crimes he committed - and the terrifying truth behind one crime that not even Ainslie believed Doil capable of - the two men embark on a shocking journey into the past where no stone is left unturned, and the wrath of God weighs heavily on the shoulders of man. ~ Jason Buchanan, Rovi

Mia Goldman's psychological drama Open Window stars Joel Edgerton and Robbin Tunney as a husband and wife who have intense professional lives, but are able to rely on each other during their time together at home. One night the wife is raped, sending her into a depression that threatens to crumble the marriage. Elliott Gould and Cybil Shepherd portray the wife's parents. ~ Perry Seibert, Rovi

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, Rovi

June (Cybill Shepherd) is a twice-divorced, middle-aged lounge singer grappling with her dwindling career, fading looks, children from previous marriages, and Robert (Peter Outerbridge), her much younger and slightly confused lover. When Robert embarks on an affair with a woman his own age, June is thrown into something of a crisis that is seen through the eyes of her adolescent daughter Adele (Alexandra Purvis), a young woman struggling to find her own place in the world. Marine Life was shown at the 2000 Toronto Film Festival. ~ Rebecca Flint Marx, Rovi

Lifetime's Intimate Portrait: Cybill Shepherd profiles actress Cybill Shepherd, whose luminous beauty and talent pack a winning punch. The program describes the star's career ups and downs, from her early years as Miss Teenage Memphis and a highly successful model, to her difficult years without work, and her return to the spotlight with the 1980s television hit Moonlighting. After a four-year stint on the popular show, Shepherd starred in several movies, including Chances Are and Texasville. She has three children (her eldest daughter is actress Clementine Ford, continues to pursue film and television work, and tries to have a sense of humor about the business. ~ Betsy Boyd, Rovi

A reporter tries to balance his loyalty to friends with his personal integrity in this drama. Martin (Timothy Hutton) is a newspaperman from Detroit who has just published a book on organized crime. Doc (Joe Pantoliano), his close friend, has low-level connections to the Mob, and helped him get much of the information. While working on a story, Martin meets Sara (Michelle Burke), an exotic dancer with a complex story. He and Sara find themselves attracted to one another, and a romance grows between them, but Sara is angered when Martin uses deeply personal details of her story in one of his columns. After Martin promises Sara he'll never again betray her confidence, Doc approaches him with an offer -- a movie studio has expressed an interest in Martin's book, and Doc is having a cash-flow problem that's put him in debt to Mob loan sharks. Why not make Doc the producer on the movie so he can make some quick money and pay off the thugs? While Martin weighs the wisdom of this course of action, a studio chief tells Martin he's interested in his recent column about the stripper; if he can integrate the story into his book, they're certain to make a deal. The Last Word also stars Richard Dreyfuss, Chazz Palminteri, Cybill Shepherd, and Roma Downey. ~ Mark Deming, Rovi

The sneaky underworld of baby selling is the subject of this made-for-television movie. Cybill Shepard stars as a doctor who is trying to adopt a baby. She turns to a couple who claims to be willing to sell their child, only to be swindled out of her money and the child. ~ Bernadette McCallion, Rovi

Cybill Shepherd stars in this heart-tugging drama as a mother whose baby was abducted out of his bed. Fifteen years pass and she is working as a middle-school teacher in a different town. One of her students is a defiant 15-year-old. Despite the trouble he gives, there is something about the boy that draws her to him. ~ Sandra Brennan, Rovi

The murder of a millionaire has unexpectedly humorous results in this farcical comedy. When Phoebe (Sean Young) and Julian (Richard Lewis), two Americans on a tour of Europe, discover a lost dachshund, they learn that a $5,000 reward has been posted for the dog's return. Phoebe and Julian head to Monte Carlo to return the pet and claim the money, but they find that the dog's owner has been murdered -- and suddenly, they're suspects in the killing. As hapless detective Inspector Bonnard (Giancarlo Giannini) investigates the crime (imagining that the maid and butler must somehow be involved), he grills several other American tourists he believes are likely suspects, including gambling addict Augie Morosco (John Candy) and loud-mouthed suburbanites Neil and Marilyn Schwary (James Belushi and Cybil Shepherd). George Hamilton appears as an unusually opportunistic gigolo; former SCTV star Eugene Levy directed. ~ Mark Deming, Rovi