Paul Shenar Movies

An agent newly retired from the CIA (Scott Glenn) agrees to become an Italian businessman's bodyguard in this adventure film. Things fall apart though, when terrorists kidnap the Italian's daughter and the agent must rescue her. ~ John Bush, All Movie Guide

In director/writer Curtis Hanson's 1987 chiller The Bedroom Window, architect Terry Lambert (Steve Guttenberg) experiences a most disorienting turn of events when his French lover, Sylvia (Isabelle Huppert) - the wife of his boss - walks over to the titular window in-between lovemaking sessions and witnesses a mysterious man strangling a helpless victim (Elizabeth McGovern). By the time Guttenberg comes to the window, he can see only a crowd of spectators. Because Sylvia wants to avoid a messy involvement in the case (which would soil her reputation, ruin her marriage and cost Lambert his job), Guttenberg agrees to pretend that he witnessed the attack. The ruse, of course, leads to a myriad of complications. And meanwhile, with the psycho still on the loose, Lambert sets out to find him. ~ Hal Erickson, All Movie Guide

Director Alan J. Pakula does the best anyone can with this complicated tale of what happens when the dream state and the waking state are confused and intermingled. While at home alone one day, Kathy Gardner (Kristy McNichol) defends herself against an intruder by stabbing him in the back. Now when she tries to sleep she keeps on having nightmares about the incident. Enter Michael Hansen (Ben Masters) a dream researcher who postulates that the actions in a dream state can be channeled into real but controlled actions. These real actions then harmlessly release tension or anger or whatever is at issue. The problem is that his research is not thoroughly tested, and Kathy may not be the best subject to use as a guinea pig. ~ Eleanor Mannikka, All Movie Guide

This two-part TV movie was the sequel to the ratings-grabbing 1983 miniseries Rage of Angels; both were based on the best-seller by Sidney Sheldon. Jaclyn Smith returns as dynamic New York trial lawyer Jennifer Parker, while Ken Howard likewise reprises his role as Jennifer's married lover, politician Adam Warner. Since villain Michael Moretti (Armand Assante) was killed off in Rage of Angels, we are left with Moretti's vengeful brother James (Michael Nouri) in the sequel. Part One, which aired November 2, 1986, recaps the events of the past six years and introduces mobster Moretti. Part Two, telecast November 3, reunites Jennifer with her long-lost mother (Angela Lansbury), while Moretti blackmails Senate-bound Adam Warner. ~ Hal Erickson, All Movie Guide

In this drama, an angry, bereaved husband decides to get his own kind of justice after the man who killed his wife and son is freed on a legal technicality. ~ Sandra Brennan, All Movie Guide

After being kicked off the force, Stoney Cooper (Wings Hauser) turns private detective for special cases; one involves tracking down a serial killer noted for carving X's into the forehead of each woman he kills. While Cooper is on the case, he's harassed by an old job partner (Lincoln Kilpatrick) and his ex-wife (Joyce Ingalls). ~ John Bush, All Movie Guide

Originally produced for television, this adaptation of William Shakespeare's historical tragedy stars David Birney as Richard II, who gains a fearsome enemy in his cousin Bolingbroke (Paul Shenar) when he seizes his land. Outraged Britons and rebellious Irishmen eventually turn against the king, and in time, Henry is forced to step down from the throne, with his rival Bolingbroke seizing power and taking revenge. The cast also includes Peter McIean as York and Mary Joan Negro as Anne. ~ Mark Deming, All Movie Guide

Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, All Movie Guide

When it was first made available to television in 1978, the three-hour Ziegfeld: The Man and His Women was previewed to only a few carefully selected TV critics. Barred from the preview were those older columnists who would have most likely harbored pleasant memories of the Oscar-winning 1936 theatrical feature The Great Ziegfeld, which is approximately ten times the better film. The TV movie version stars Paul Shenar as Broadway showman Flo Ziegfeld, looking for all the world like a spoiled prep-schooler dressed up in his daddy's tuxedo. While the film admirably attempts to encompass every aspect of Ziegfeld's public and private life, the sense of beauty and grandeur, so vital to the success of the 21 "Follies" stage shows mounted between 1908 and 1931, is totally missing. The film's structure is curiously aloof: The four most important women in Ziegfeld's life dispassionately narrate the story, a couple of them "from beyond the grave." Valerine Perrine comes off best as actress Lillian Lorraine; Barbara Parkins struggles with a wavering foreign accent as Ziegfeld's first wife Anna Held (she even gets a "telephone scene" ripped off from The Great Ziegfeld's Luise Rainer); Pamela Peardon is shrill and unlikeable as dancer Marilyn Miller; and Samantha Eggar is saintly to the point of tedium as Billie Burke, the second Mrs. Ziegfeld. Those expecting to see an unending stream of Ziegfeld headliners will have to settle for fleeting cameos by "celebrity look-alike" actors playing Fanny Brice, Will Rogers and W. C. Fields. This is the sort of clichefest in which Ziegfeld announces that his greatest days are yet to come--just before we cut to a title reading "1929." Ziegfeld: The Man and His Women serves only one positive purpose--to whet the viewer's appetite for a cable-TV revival of The Great Ziegfeld. ~ Hal Erickson, All Movie Guide

This film is a failed TV pilot. The action drama chronicles the lives and exploits of Air Force test pilots. ~ Sandra Brennan, All Movie Guide

Everyone is after an international criminal in this crime drama. ~ All Movie Guide

The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide