Barbara Shelley Movies
After working as a model in her native London, brunette leading lady Barbara Shelley began her filmmaking activities in Italy in 1953. Though exuding such qualities as class and intelligence, Shelley's film career was by and large limited to screaming and cringing in an endless stream of horror films. Her better-known credits within this genre include The Cat Girl, Blood of the Vampire, Shadow of the Cat, Village of the Damned, The Gorgon, Rasputin the Mad Monk, Dracula Prince of Darkness, 5,000,000 Years to Earth, and her last theatrical feature, Ghost Story (1974). On television, Barbara Shelley has been seen in worthwhile character roles in such productions as the 1979 miniseries Pride and Prejudice (as Mrs. Gardiner) and the 1989 British TV movie Maigret. ~ Hal Erickson, All Movie Guide- 1959
In this crime drama, an American author living in London gets involved with the wicked wife of a well-known jewel fence. The trouble begins when she coerces the writer to rob her own husband. He pulls the job off admirably, but soon afterward, the fence is found dead. To make it worse, a blackmailer begins threatening to tell the authorities that the writer killed the victim. Not willing to take the extortion lying down, the brave author heads for the police to turn himself in. It is then that he learns the true identity of the killer. ~ Sandra Brennan, All Movie Guide
- 1959
A full thirty years before Look Who's Talking would hit the screens with its verbose little infant, Max Bygraves and Shirley Jones starred in this routine comedy about a talking baby. Little Bobbikins (Steven Stocker) is the 14-month-old son of Benjamin and Betty (Bygraves and Jones) who is perfectly normal until his father comes home from his stint in the Navy and decides to reprise a career in show business. When nothing seems to go right for him, little Bobbikins decides to give Dad a few helpful hints. He never talks to anyone else, and this leads others to think his father is hearing things. Soon the baby gives some hot tips when his Dad becomes friends with the Chancellor of the Exchequer, leading to a killing on the stock market. Now rich and definitely affected by it, this new Dad has baby wondering if there is something he could do to bring him back down to earth again. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Max Bygraves, Shirley Jones, (more)
- 1959
"Site Three" is a top-secret missile base in this British meller. Geoffrey Toone stars as Sexton Blake, the Sherlock Holmes clone created by committee for the "pulps" and comic books. With his faithful young assistant Tinker (Richard Burrell), the all-knowing, all-seeing Blake try to ferret out an espionage ring operating within Britain's space program. A key ingredient to the proceedings is the truth serum developed and utilized by Blake. Murder at Site Three was based on Crime is My Business, a novel by W. Howard Baker. ~ Hal Erickson, All Movie Guide
- 1959
Under his cloak of invisibility, Peter Brady quietly investigates the possibility that Uranium-235 is being smuggled into Great Britain for the purpose of triggering an atomic war. Making Brady's task difficult is the presence of famed pacifist leader Waring (William Squire), who has been duped into helping the villains booby-trap the major capitals of the world. Edward Hardwicke, the son of Sir Cedric Hardwicke and the later "Dr. Watson" to Jeremy Brett's Sherlock Holmes, appears in a featured role. This final episode of The Invisible Man was cowritten by The Avengers' Brian Clemens, pseudonymously billed as Tony O'Grady. ~ Hal Erickson, All Movie Guide
- 1958
A palatable combination of horror and science fiction, Blood of the Vampire takes place in 19th century Transylvania-and never mind that all the locals have cockney accents. British stage star Donald Wolfit, who never spoke when shouting would do, plays the vampiric Dr. Callistratus. Though we see Callistratus being dispatched in traditional stake-through-the-heart fashion during the opening credits, it isn't long before he returns to life, this time in the guise of a prison warden. Using his criminally insane charges as his guinea pigs, Callistratus drains their bodies of blood in order to stay alive. In the film's incredibly busy climax, Callistratus is prevented from carving up the toothsome Madeleine (Barbara Shelley) by his hunchbacked assistant Carl (Victor Maddern). We didn't see the kitchen sink, but we'll bet that that's in here somewhere too. Often mistaken for a Hammer film production (mainly because it was written by perennial Hammer scrivener Jimmy Sangster), Blood of the Vampire was actually produced by the short-lived Artistes Alliance Ltd. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald Wolfit, Vincent Ball, (more)
- 1958
In this mystery, a famous model marries an agrarian who had been acquitted for killing his first wife. After the nuptials, she begins to wonder if he is as innocent as he claims to be. She becomes doubly suspicious when her life seems endangered. Three other people are suspected of the threats: the man's daughter, his first wife's love, and the town veterinarian. ~ Sandra Brennan, All Movie Guide
- Starring:
- Phillip Friend, Barbara Shelley, (more)
- 1958
For some reason, this Hammer Studios war melodrama was singled out for constant ridicule by the Monty Python troupe. The story is set at a brutal Japanese POW camp, where sadism is a way of life (the first scene is of a hapless prisoner being forced to dig his own grave). The evil commandant (played by non-Japanese Ronald Radd) has sworn to wipe out all the inmates if Japan loses the war. The English prisoners know that this has already happened, thus they're forced to keep the news secret from their captors-at least until they can stage a daring escape. The portrayal of the Japanese race in Camp on Blood Island is hardly conducive to the cause of political correctness. ~ Hal Erickson, All Movie Guide
- Starring:
- Carl Möhner, Andre Morell, (more)
- 1957
This not-so-subtle variation on Val Lewton's classic Cat People (1942) is enlivened by the presence of exotic Barbara Shelley -- who would later grace many Hammer Studios productions (most notably Terence Fisher's Dracula -- Prince of Darkness) with her feline beauty. Shelley plays Leonora, a woman who believes she has inherited a curse which will transform her spirit into the body of a ferocious, man-eating leopard. Though her disbelieving psychiatrist (Robert Ayres) tries to persuade her that this belief is merely a by-product of her rage toward her unfaithful husband, the vengeful "phantom" cat she releases from her subconscious triggers the curse and spells doom not only for those who betrayed her, but perhaps for Leonora's own soul as well. Despite a superb performance by the smoldering Shelley and noir-ish direction from Alfred Shaughnessy (though nothing to compete with that of Jacques Tourneur), it's hard to overlook the obvious parallels to Lewton's film, which outclasses it in nearly every respect and makes the entire effort seem unnecessary. Produced by British Lion, this film was later distributed in the United States by the ubiquitous American International Pictures, sometimes under the title Cat Woman. ~ Cavett Binion, All Movie Guide
- Starring:
- Barbara Shelley, Robert Ayres, (more)
- 1956
Mio Figlio Nero boasts one of the most eccentrically diverse casts in motion picture history. Silent movie queen Gloria Swanson hams it up as Agrippina, the mother of infamous 1st-century Roman emperor Nero. Her little boy grows up to become Alberto Sordi, who plays the notorious lyre-plucker and firebug for laughs. Nero's milk-bathing paramour Poppea is portrayed as a doe-eyed nymphet by Brigitte Bardot, while Roman statesman Seneca is given a satirical slant by Vittorio de Sica. It goes without saying that historical accuracy is not the strong suit of Mio Figlio Nero, which was released in the US as Nero's Big Weekend. ~ Hal Erickson, All Movie Guide
- Starring:
- Alberto Sordi, Gloria Swanson, (more)
- 1953
In this thriller, an imprisoned psycho killer's wife tries to start a new life. She changes her name and marries again. Her true identity is known only by her employer. The trouble begins when the killer escapes from prison. A detective pursues him and discovers that the killer is perfectly sane and is only trying to find the man who framed him. He then discovers that the woman's employer is the real murderer, and fortunately, he is killed during the final chase. ~ Sandra Brennan, All Movie Guide
