Norma Shearer Movies

No one will ever know what possessed MGM's reigning screen queen Norma Shearer to select the tired old stage farce Her Cardboard Lover as her final film. Set in Florida, the creaky plotline finds Consuelo Croyden (Shearer) attempting to make her disinterested sweetheart Tony Barling (George Sanders) jealous. To this end, Consuelo orders her personal secretary, Terry Trindale (Robert Taylor) to pretend to be her lover. This suits Terry fine, since he's always been crazy about Consuelo. And on and on it goes, with the three stars trying to make this wearisome old yarn worth watching. Of the three film versions of Her Cardboard Lover, this one isn't anywhere near as entertaining as the 1932 Buster Keaton vehicle The Passionate Plumber (which was no great shakes itself!) ~ Hal Erickson, Rovi

Robert E. Sherwood's Pulitzer Prize-winning play Idiot's Delight starred Alfred Lunt and Lynn Fontanne on Broadway. Set in a lavish alpine hotel bordering an Italian air base, the story throws together several disparate people, each in his or her own way affected by the World War that threatens to erupt at a moment's notice. The only person who doesn't seem to have a political or economic stake in world affairs is Harry Van, a two-bit American entertainer who is stranded in the hotel with his travelling all-girl troupe, "Les Blondes." Harry is convinced that the alluring Irene, the foreign-accented "travelling companion" of munitions tycoon Achille Weber, is actually an American girl with whom he'd had a one-night stand years earlier, but Irene laughs off his insinuations. Eventually, Irene turns to Harry for comfort when Weber proves too disgustingly warmongering for her tastes. When war breaks out and the hotel is targeted for bombing, Harry makes sure that everyone gets to safety; he himself stays behind with Irene, with whom he has fallen in love. The two sing a hymn as the hotel is blown to oblivion. When Idiot's Delight was filmed in 1939, Norma Shearer did her best Lynn Fontanne imitation as Irene, while Clark Gable remained Clark Gable in his interpretation of Harry Van (his song-and-dance rendition of "Puttin' on the Ritz" is a classic of sneering insouciance). The film underwent an extensive "MGM-izing": while the pre-European affair between Harry and Irene is never dramatized in the play, the film shows Harry and Irene commiserating in a long prologue set in a seedy vaudeville house--and, in keeping with censorship restrictions, it is made abundantly clear that, while Harry befriends Irene, he does not sleep with her. The munitions manufacturer, here played by Edward Arnold, is depicted as an aberration, and not representative of "honest" business moguls (many of whom were close personal chums of MGM head Louis B. Mayer). And, while the ending of the play does not tell us whether or not Harry and Irene survive the bombing, the film permits the lovers a sun-streamed happy ending. ~ Hal Erickson, Rovi

M.G.M.'s opulent costume drama Marie Antoinette marked a return to the screen after a two-year absence for reigning Queen of M.G.M. Norma Shearer. Shearer plays the title role of an Austrian princess who is married off to Louis Auguste (Robert Morley), the Dauphin of France. Marie, by becoming the Dauphine, finds herself plopped smack in the middle of French palace intrigue between Louis's father King Louis XV (John Barrymore) and his scheming cousin, the Duke of Orleans (Joseph Schildkraut). With Louis unable to consummate his marriage to Marie, she takes to holding elaborate parties and gambling her fortune away. In a casino, she meets the handsome Count Axel de Fersen (Tyrone Power) and they have an affair. But when Louis XV dies and Louis becomes King Louis XVI, Fersen takes his leave, telling her that he could carry on an affair with a dauphine but not the Queen of France. Marie vows to be a great queen and remain loyal to her king. But the Duke of Orleans is plotting against Louis XVI, financing the revolutionary radicals. When the monarchy is overthrown, Louis and Marie are thrown into prison, awaiting execution. But when word gets back to Fersen, he travels back to France in an attempt to rescue Marie. ~ Paul Brenner, Rovi

A few unique touches aside -- notably the opening costume-party scene, in which the revellers are dressed as insects -- Rip Tide is a standard-issue Norma Shearer soap opera. Shearer plays Mary, a footloose and fancy-free American heiress who weds British nobleman Lord Rexford (Herbert Marshall). Five years later, Rexford embarks upon a business trip to New York, while Mary, urged on by her fun-loving aunt, vacations on the Riviera. Here she is reacquainted with her ex-boyfriend Tommie (Robert Montgomery), whose drunken misbehavior causes scandal to befall them both. Refusing to hear Mary's side of the story, Rexford begins divorce proceedings, but a happy ending finally manifests itself after reels and reels of endless high-toned dialogue. Legendary stage star Mrs. Patrick Campbell makes her Hollywood film debut in Rip Tide as Shearer's all-knowing Aunt Hetty, while Walter Brennan and Bruce Bennett show up in microscopic bit roles. ~ Hal Erickson, Rovi

A remarkably smooth 110-minute adaptation of Eugene O'Neill's marathon eight-hour play, Strange Interlude was advertised as "the picture in which you hear the characters think," a nod to O'Neill's technique of having the characters speak their innermost thoughts out loud between dialogue passages (on-stage, the actors stood stock still while delivering their soliloquies; in the film, their thoughts are heard on the soundtrack). Norma Shearer plays Nina Leeds, who during WWI is talked out of marrying her soldier sweetheart, Gordon Shaw (Robert Young), by her professor father (Henry B. Walthall). When Gordon dies two days before the Armistice, the embittered Nina rebels against her father, escaping his dominance by marrying faithful Sam Evans (Alexander Kirkland). Upon discovering that there is a strain of insanity in the Evans family, Nina, desperate to have children, enters into a romance with Dr. Ned Darrell (Clark Gable). She bears his child, a son named Gordon (Tad Alexander as a child, Robert Young as an adult), assuring Evans that the baby is his. Gordon grows up idolizing Evans and despising Darrell, even though the boy is unaware of the circumstances of his birth or his true parentage. Her love for her son bordering on the obsessive, Nina does everything she can to dominate the boy even into adulthood, trying to scare away her son's fiancée, Madeline (Maureen O'Sullivan), by bringing up the insanity issue. Hoping to make up for past misdeeds, Darrell orders Nina to stop poisoning Madeline's mind against Gordon. By the time Evans suffers a fatal heart attack, Nina and Darrell have lost whatever love they shared between them. Through it all, Charlie Marsden (Ralph Morgan), a family friend who has long harbored an unrequited love for Nina, stands on the sidelines vicariously living his life through Nina and Darrell. Of necessity severely cut due to time and censorial constrictions, Strange Interlude still manages to distill the essence of the O'Neill play in its comparatively brief running time. The film's major flaw can also be found in the original play: though the characters age only 25 years or so in the course of the story, by the film's end they are seen doddering around like nonagenarians. The "speaking one's thoughts" gimmick in Strange Interlude was parodied in such comedy films as Animal Crackers, Me and My Gal, So This Is Africa, and even the Walter Catlett two-reeler Get Along Little Hubby. ~ Hal Erickson, Rovi

Amanda (Norma Shearer) and Elyot (Robert Montgomery) -- a witty, sophisticated married couple -- divorce and marry other mates. Amanda chooses stuffy Victor (Reginald Denny), while Elyot's selection is the tiresome Sibyl (Una Merkel). Coincidentally, both newlywed couples honeymoon at the same Swiss hotel -- in adjoining suites, in fact. Amanda and Elyot realize anew that the flame of their love has never been extinguished, but when both slip off for a lover's tryst, they fall into their old pattern of ceaseless bickering. When Victor and Sibyl catch up with their erring mates, they themselves begin arguing. Once the point has been made that Amanda and Elyot deserve each other and that Victor and Sibyl are likewise perfectly matched, this elegant comedy of manners draws to a quiet close. A fairly faithful adaptation of the classic Noël Coward stage play (virtually all of the witticisms, notably "Some women should be struck regularly -- like gongs" are left intact, though we truly miss "You're looking lovely in this damned moonlight"), Private Lives is played with such polish and expertise that we're willing to overlook the fact that only one of the four principals (Reginald Denny) is genuinely British. ~ Hal Erickson, Rovi

Norma Shearer stars in this pre-Code melodrama as Lisbeth Corbin, who is in love with Alan (Neil Hamilton), a globe-trotting newspaper reporter, but also strings along Steve (Robert Montgomery), a well-mannered local boy who is good friends with Lisbeth, even though she doesn't love him. When Alan is sent to Mexico to cover a story, love-struck Lisbeth goes with him, but when he's next sent to China, Alan leaves Lisbeth behind. Heartbroken, she heads for Europe, where she tries to forget Alan with a series of short-term love affairs. Try as she might, Lisebth can't forget Alan, but when she returns home, lonely and desperate, she finally agrees to marry Steve. Alan picks this moment to return, but just as she's thrown over Steve for her true love, Alan learns of Lisbeth's escapades in Europe and breaks off the engagement, sending her to the brink of suicide. Keep an eye peeled for an early appearance by Ray Milland as one of Lisbeth's suitors. ~ Mark Deming, Rovi

Norma Shearer earned an Academy Award for playing the not so gay divorcée in this pre-Code offering based, loosely, on Ex-Wife, a 1929 Ursula Parrott novel. Shearer is Jerry, a socialite who marries handsome Ted (Chester Morris) after a whirlwind courtship. But Ted is not exactly the faithful type and after three years of what she in her naïveté considered marital bliss, Jerry learns of his affair with Janice (Mary Doran). "It meant nothing," Ted assures her but Jerry is devastated and decides to investigate adultery for herself by sleeping with Ted's best friend, Don (Robert Montgomery). When she discovers that the old double-standard still applies, Jerry announces that henceforth Ted, and only Ted, is no longer welcome in her bed. After a string of lovers who mean little or nothing to her, Jerry falls for an old flame, Paul (Conrad Nagel), but when she understands the effect their affair has on Paul's poor disfigured wife, Dorothy (Helen Johnson, aka Judith Wood), Jerry returns to Ted, who still loves her despite it all. ~ Hans J. Wollstein, Rovi

Yet another early talkie about love, jealousy and divorce among the upper classes, Their Own Desire remains a dramatically stilted if technically efficient star vehicle. Lewis Stone is married to frumpy Belle Bennett, whom he leaves for the more streamlined Helene Millard. Stone's daughter, Norma Shearer, formerly a carefree member of the younger polo set, takes her mother's side on the issue and refuses any further association with the parent she once worshipped. In an attempt to forget her family problems, Shearer dallies with young Robert Montgomery and they fall madly in love. But he turns out to be Millard's son and Mother Bennett reacts to this alarming development by having fainting spells. Forced by circumstances to meet in secrecy, Shearer and Montgomery find themselves caught up in a ferocious storm on Lake Michigan and are reported missing. They have survived on an uninhabited island, however, from whence they are rescued by Stone, whom Shearer has forgiven. Parading a series of sleek gowns by Adrian, Norma Shearer performs one of her patented "restless debutante" roles with her usual elan but is somewhat defeated by Frances Marion's overly talkative scripts. Still, Their Own Desire did well enough at the box-office for MGM to re-team her with newcomer Robert Montgomery in the similar The Divorcee (1930), for which she earned an Academy Award. ~ Hans J. Wollstein, Rovi

The Actress is a silent-film adaptation of Arthur Wing Pinero's evergreen stage play Trelawny of the Wells. Norma Shearer plays Rose Trelawny, who becomes an accomplished actress only after she learns to "love the players"-that is, to believe in what she's doing. While touring with a second-string company, Rose falls in love with aristocratic Arthur Gower (Ralph Forbes), whose parents frown on show folk. Impressed by Rose's pluck, Arthur's grandfather (O.P. Heggie) changes his mind about the theatre. The old man bankrolls a play that will make Rose a star, paving the way for a happy third-act curtain. ~ Hal Erickson, Rovi

The Latest from Paris takes place in New York's garment district, where business rivals Blogg (George Sidney) and Littauer (Tenen Holz) have been carrying on a feud for years. In the tradition of Romeo and Juliet, heroine Ann Dolan (Norma Shearer) works for Blogg, while her sweetheart Joe Adams (Ralph Forbes) is employed by Littauer. Without the knowledge of either boss, Ann and Joe develop their own clothing line, with Ann serving as model. The happy result of all this industrial intrigue is a merger -- in every sense of the word. It was during filming of The Latest From Paris that Norma Shearer became the wife of MGM production chief Irving Thalberg. ~ Hal Erickson, Rovi