John Shay Movies

This time, undercover cop Tony Baretta (Robert Blake) goes behind bars to nab a master criminal. Posing as a convict, Baretta blends into the prison population in search of a minor-league jewel thief. His real target, however, is the genius who commandeered a huge jewel theft -- and ordered two brutal murders in the process. Guest stars include future Oscar winner Tommy Lee Jones and soon-to-be CHiPs star Erik Estrada. ~ Hal Erickson, All Movie Guide

Scripted by Dalton Trumbo and directed by Robert Aldrich, this off-beat, almost eclectic film could be hailed as a thinking person's western. It is the dark cat-and-mouse tale of a sherrif's hunt for a philosophy-spouting criminal in the midst of a great cattle drive. The outlaw killed the sherrif's brother-in-law. During his flight, the outlaw pauses long enough to drop by the ranch where his former lover lives with her husband and 16-year-old daughter. While there, the rancher hires him to lead a cattle drive to Texas. The sheriff soon catches up, but he decides to help the killer with the drive before bringing him in. Along the way, the two men gain a grudging respect for one another. Also the sheriff begins to fall in love with the rancher's wife, while the crook finds himself drawn to her lovely daughter. The rancher ends up killed during the trip and this allows the romances to bloom until the widow tells the outlaw an awful secret about the young woman he loves. Grecian-style tragedy ensues. ~ Sandra Brennan, All Movie Guide

This odd drama features Jack Nicholson, then only 21-years old, in his first feature film. He plays a young delinquent who thinks he may have killed one of the two thugs who were pursuing him. He hides out in a local drive-in where he takes three hostages and barricades himself and them in a storeroom. Police surround the place and try to negotiate with the frightened boy but even his friends cannot reach him. Meanwhile, the media has learned of the situation and soon a TV news crew arrives followed by a crowd of spectators. Soon concessions are being sold, and the event becomes a circus. ~ Sandra Brennan, All Movie Guide

This modern-day "Faust" variation benefits from a superb cast. Thomas Mitchell plays Joseph Foster, an honest judge who wants to become governor. Blocked by corrupt political forces, Foster would practically have to make a deal with the Devil to reach his goal. Enter Nick Beal (Ray Milland), a diabolically handsome gent with a slick line of patter and a smooth, infallible method of getting things done. Failing to recognize his benefactor's true identity (after all, Nick has no horns or cloven hooves) Foster agrees to the deal when Nick assures him that the end result is for the good of the people. To bind the bargain, Nick sends out one of his most trusted associates, Donna Allen (Audrey Totter), to keep Foster in line. When Foster finally realizes that he's sold his soul, there seems to be no way out..but that's when the forces of Good, represented by Foster's wife Martha (Geraldine Wall) and his clergyman friend Thomas Gaylord (George Macready), switch into high gear. ~ Hal Erickson, All Movie Guide

Warren Douglas plays an average Joe who bears a striking resemblance to a famous gangster. A group of rival hoods beat up the innocent lookalike, which gives the police an idea. They set Douglas up as the real crook in hopes of forcing his gang out in the open. An outsized (but economically staged) gunfight brings this tense little tale to its conclusion. Incident is one of the slicker directorial accomplishments of B-picture maestro William "One Take" Beaudine. ~ Hal Erickson, All Movie Guide

Another of 20th Century-Fox's "drawn from today's headlines" dramas of the late 1940s, Behind the Iron Curtain (a.k.a. The Iron Curtain) is based on the true-life defection of Soviet Embassy code specialist Igor Gouzenko. Portrayed by Dana Andrews, Gouzenko is brought to Canada under a cloud of secrecy by Russian "special agents", the better to help them in their espionage efforts. Despite the fact that he is far from Russia, Gouzenko is hounded by his suspicious superiors and denied the simplest basic rights. When Gouzenko realizes that his government will soon call him back to Russia to engage in the "class struggle," the code clerk decides to defect, stealing secret information and turning it over to the Canadian Ministry of Justice. At first, Gouzenko is ignored, but when his information is digested by the Canadian government, the authorities round up the Communist spy ring. Gouzenko and his family are put in protective custody by the Canadian government, while several of Gouzenko's Russian superiors are punished by the Communist higher-ups for allowing the clerk to slip through their hands. Filmed in a semi-documentary style, Behind the Iron Curtain is more matter-of-fact and less paranoic than other "Red scare" films of the period. ~ Hal Erickson, All Movie Guide

A would-be nightclub entertainer finds her life jeopardized after she inadvertently witnesses a gangland murder while heading for an audition. Fortunately, a brave photographer is there to save her and this crime drama ends on a happy note. ~ Sandra Brennan, All Movie Guide

The motivating factor of The Missing Corpse is a feud between rival newspapermen Kruger (J. Edward Bromberg) and McDonald (Paul Guilfoyle). While Kruger tries to play fair, McDonald, a mob-connected slimeball who uses his publication for blackmailing purposes, does not. Before long, McDonald is murdered and his corpse is deposited in the back of Kruger's car. With the help of his fast-talking chauffeur Hogan (Frank Jenks), Kruger tries to dispose of the body to avoid being implicated in the crime, but the body just won't stay missing (despite the film's title). The revelation of the actual killer will undoubtedly amuse fans of the Superman television series. ~ Hal Erickson, All Movie Guide

The first of Columbia's "B" wartime melodramas for their Summer 1942 schedule was the largely speculative Submarine Raider. Set in the early stages of the war, the film makes several suppositions concerning the events surrounding the Pearl Harbor attack which don't entirely hold up when seen today. According to the screenplay, a Japanese aircraft carrier en route to Hawaii takes time out to shell an American yacht, killing all the passengers except for heroine Sue Curry (Marguerite Chapman). Fortunately she is rescued by a passing submarine, wherein she falls in love with sub commander Chris Warren (John Howard). Apprised by Sue of covert Japanese naval movements, Warren tries to alert Pearl Harbor of the impending sneak attack. Failing to do so, he spends the remainder of the picture trying to sink that enemy aircraft carrier introduced in Reel One (both sub and carrier are "played" by unconvincing scale models, bobbing up in down in Columbia's studio tank). Nino Pipitone, in real life a Philippine horse trainer, plays the black-hearted Japanese commander. ~ Hal Erickson, All Movie Guide

Director William "One Take" Beaudine puts his all-character-actor cast through their paces in Men of San Quentin. J. Anthony Hughes plays a prison guard who tries to put new reforms into effect when he becomes a warden. Naturally, Hughes' efforts are undercut by a handful of hardbitten cons and jealous fellow guards. His efforts pay off when Hughes is able to quell a prison riot. Men of San Quentin was produced and cowritten by Martin Mooney, a former newspaperman who'd actually "done time" behind bars; its opening theme music was performed by the San Quentin orchestra! ~ Hal Erickson, All Movie Guide

Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, All Movie Guide