Dick Shawn Movies

Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he's reduced to wearing a cardboard belt. Max's new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it's too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max's eyes light up -- and in that moment, Leo Bloom is gloriously corruptible. "I want everything I've ever seen in the movies!" cries Leo as Max embraces him. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, "a delightful romp...with Adolf Hitler and Eva Braun." The playwright is Franz Liebkind (Kenneth Mars), an unreconstructed Nazi who, in drunken delirium, insists that Hitler was a better painter than Churchill -- "He could paint an entire apartment in one afternoon, two coats!" The director is pompous transvestite Roger De Bris (Christopher Hewett), who is preparing to go to a costume party garbed as Marie Antoinette when Max and Leo come calling ("Max, Max, he's wearing a dress"). And the star, selected after extensive auditions, is hippie-freak Lorenzo St. DuBois (Dick Shawn) -- "L.S.D." for short.

At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide

Comical chaos erupts when milquetoast astronaut Peter Mattemore (Jerry Lewis) and his bride-of-convenience and fellow astronaut (the government forced them to marry to avoid scandal) Eileen Forbes (Connie Stevens) are sent to a lunar space station, which they will share with a Russian couple, to monitor the weather and replace their two predecessors, both of whom have gone bonkers. ~ Sandra Brennan, All Movie Guide

In this service comedy set during World War II, Capt. Cash (Dick Shawn) and Lt. Christian (James Coburn) are given orders to invade a small but strategically important village in Sicily. To their surprise, none of the natives offer the slightest resistance to the Americans taking over their town, who present only one stipulation -- the main event on the town's annual social calendar, a football match followed by a wine festival, is scheduled to happen in a few days. If the Americans would be kind enough to let them have their party, they'll hand over the town without a fight. Cash and Christian think that this plan sounds reasonable enough, and a few days later they and their men are drunkenly whooping it up with the townspeople when both German and U.S. surveillance planes spot the festivities. Thinking the wild party looks more like some sort of battle, both the Germans and Americans make plans to send in troops. Screenwriter William Peter Blatty would enjoy greater success a few years down the line with The Exorcist, a novel about a different sort of conflict. ~ Mark Deming, All Movie Guide

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make "the comedy that would end all comedies." The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, "under the Big W." The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie "Rochester" Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture's biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn't meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture's premiere. ~ Hal Erickson, All Movie Guide

Wake Me When It's Over is a zany service comedy in which Ernie Kovacs plays the latest in his long line of military captains. Kovacs and his men are stationed at a dead-end Japanese island. World War II vet Dick Shawn, redrafted through a clerical error, arrives on the island and decides to liven things up. Using the materials at hand, he supervises the building of a hotel, using the island girls as the staff. The military brass investigate when it's obvious than the servicemen are having too much fun on the island. Kovacs would love to have Shawn stay, and says so at Shawn's court-martial, but the reluctant draftee is mustered out of the service as accidentally as he'd been brought back in. Ernie Kovacs and Dick Shawn work so well together in Wake Me When It's Over that one can only feel an intensified loss over the early deaths of these two comic masters. ~ Hal Erickson, All Movie Guide