Stan Shaw Movies

Brian DePalma directed this taut thriller, set in Atlantic City, where a corrupt cop investigates a political assassination. Outside an Atlantic City arena-hotel-casino, a TV news reporter stands in a pre-hurricane storm to report on the heavyweight boxing match about to begin inside. A transition to the stadium interior focuses on Atlantic City homicide Detective Rick Santoro (Nicolas Cage), a father with a wife and son, yet also a dishonest cop who maintains a mistress and cheerfully accepts bribes. DePalma's Steadicam follows Santoro on a fast-paced tour of the stadium as the laughing, yelling detective travels stairs and hallways, talks to a gal with a between-rounds placard, visits the dressing room of champ Lincoln Tyler (Stan Shaw), rides down an escalator to squeeze money from a small-time hood, enters the arena of 14,000 fight fans, talks on his phone with his girlfriend and wife, and sits ringside next to his lifelong buddy, Navy Cmdr. Kevin Dunne (Gary Sinise). Behind Dunne, the U.S. Secretary of Defense Charles Kirkland (Joel Fabiani) is seated alongside billionaire casino owner Gilbert Powell (John Heard). As the fight gets underway, Dunne abandons his position protecting the defense chief to pursue a suspicious redhead. From his ringside vantage point, Santoro has a close view of the champ, curiously conscious despite taking a kayo punch. At that moment, an assassin fires at Kirkland. Santoro immediately concocts a good cover story for his pal (to explain why Dunne left his post protecting Kirkland). Just after the shooting, Dunne kills a Palestinian extremist, the apparent killer, and Santoro orders the stadium doors locked, hoping he can locate other suspects among the fleeing crowd. One such is Julia Costello (Carla Gugino), an injured woman in a blond wig who spoke with Kirkland seconds before the gunfire. After a video replay reveals the champ took a fall, going down to the floor from a punch that never touched him, Santoro becomes more curious and suspicious, comparing witness accounts, and he attempts to locate Julia, convinced she's the key to truth behind the assassination. As it all comes to a head, Santoro peels through successive layers of corruption, ultimately confronting himself in a self-examination of his own values. Filmed at Montreal's old Forum. ~ Bhob Stewart, Rovi

Sinbad offers some unusual advice on how to make friends in this wacky comedy. Kevin Franklin (Sinbad) is a guy who dreams of starting his own business. However, getting it off the ground is another matter altogether, and soon Kevin discovers that the two loan sharks who fronted him money want to be paid, and paid promptly, otherwise Kevin will be spending some time in the hospital. On the run through an airport, Kevin is trying to find a way out when he overhears Gary Young (Phil Hartman) wondering where his friend is. It seems that Gary has arranged a reunion with an old friend from childhood, but since he hasn't seen him in 25 years, he has no idea what he looks like today, beyond the fact that he's black. Kevin fits the bill that far and claims to be Gary's long lost buddy, which Gary buys hook, line, and sinker. Gary seems to enjoy bonding with his old friend, and Kevin likes staying at Gary's fine home (and raiding his large icebox), but Kevin discovers that impersonating a stranger is a lot more complicated than he expected after he's forced to perform oral surgery and give a speech at a grade school "Career Day" presentation. However, this is all small potatoes on the "oh, no" scale when the loan sharks track Kevin back to Gary's home in the suburbs. ~ Mark Deming, Rovi

This time the murder victim is a nasty and abusive loan shark (Robert Beltran). The main suspect is the shark's stepson, a young graffiti artist (William Gallo). A picture taken with infrared film would seem to prove the young man's guilt beyond all doubt. Ah, but the police have reckoned without Jessica Fletcher (Angela Lansbury--who just so happens to be the suspect's writing teacher, and as such is inclined to believe him innocent. ~ Hal Erickson, Rovi

When Michael Crichton wrote his best-selling thriller Rising Sun, he wrote the character of hero John Connor with Sean Connery in mind. For Philip Kaufman's film version of the novel, Sean Connery, needless to say, fits seamlessly into the role of a legendary police detective who is an expert in Japanese culture. The story takes place in the towering office building of the Japanese Nakamoto Corporation in Los Angeles, who are negotiating a deal with Microcon, an American electronics firm. During a gala held one night in the Nakamoto offices, the body of a woman, Cheryl Lynn Austin (Tatjana Patitz) is found murdered in the main conference room. Arriving quickly on the scene is high-amped police lieutenant Tom Graham (Harvey Keitel), who oozes hatred for anything Japanese from every pore. When he has trouble getting cooperation from the Nakatomo executives, Graham calls in Web Smith (Wesley Snipes), a Special Services liaison, and John Connor (Connery), a man well-versed in Japanese culture and traditions. Together they form a team as they investigate the crime. Connor questions computer video expert Jingo (Tia Carrere), who works on a security system computer disc that captures the killer's identity. The only problem is that the image of the killer on the disc has been altered to conceal the murderer's face. ~ Paul Brenner, Rovi

Actor Ron Silver made his directorial debut with this made-for-TV, futuristic retelling of Alfred Hitchcock's Lifeboat, in which the survivors of a sabotaged spaceship must face mounting evidence that the terrorist responsible for their plight is among them. ~ Jason Ankeny, Rovi

Made for the TNT cable network, The Court Martial of Jackie Robinson concentrates on the wartime service of major league baseball's first black player. Robinson (Andre Braugher), a star athlete at UCLA, is drafted during World War II. He hopes that his academic record will assure him entry into Officers Candidate School, but the racism inherent in the military at the time puts several roadblocks in his way. After finally making OCS, Robinson's belief in himself is strengthened tenfold--to the point that he refuses to bow to the "Jim Crow" laws regarding the seating arrangements on an Army bus, and is subsequently threatened with a court martial. Stan Shaw costars as boxing great Joe Louis, likewise a victim of prejudice during the war years (the script intimates that Louis was more willing to roll with the punches than Robinson). Ruby Dee, who played the ballplayer's wife in the 1950 film The Jackie Robinson Story, is here seen as Robinson's mother. The Court Martial of Jackie Robinson premiered on October 15, 1990. ~ Hal Erickson, Rovi

Eddie Murphy, in addition to starring as Quick, the son of 1930s Harlem gambling-house proprietor Sugar Ray (Richard Pryor), also wrote and directed the film. The plotline details the combined efforts of Quick and Sugar Ray to prevent white gangster Bugsy Calhoune (Michael Lerner) from muscling in on their operation. The supporting players include Redd Foxx, Danny Aiello and Jasmine Guy. ~ Hal Erickson, Rovi

The made-for-TV Three Kings stars Jack Warden, Lou Diamond Phillips and Stan Shaw as three patients in a Los Angeles-area mental institution. Dressed as the Three Wise Men for a Christmas pageant, the trio is suddenly struck with the delusion that they are really their Biblical counterparts. As TV cameras grind away, the three ersatz Kings ride out of the Pageant--on camels--and into the mean streets of LA. As the story draws to its conclusion, the three escapees find themselves providing Christmas cheer for a group of homeless people on the outskirts of the city. Aaron Spelling's original story veers dangerously close to being devoured by its own cuteness at times, but Stirling Silliphant's script for Three Kings keeps the whimsy in check and the sillier events reasonably credible. ~ Hal Erickson, Rovi

Billionaire Boys Club is the two-part TV adaptation of a book by Sue Horton (unpublished at the time of the film's first telecast). In flashback form, the story recounts the murder of Beverly Hills con artist Ron Levin (Ron Silver). The culprit is yuppie Joe Hunt (Judd Nelson), a sharp young commodities trader who has organized an investment firm with several of his prep school buddies, known as the Billionaire Boys Club. Part one, originally telecast November 8, 1987, traces Hunt's meteoric rise to wealth and power, and the means by which Levin worms his way into Hunt's confidence. In part two, shown the next evening, Hunt has already murdered Levin and carefully disposed of the body. The next step of the scheme is take over where Levin left off by conning an Iranian millionaire out of a huge sum of money. Meanwhile, other members of the Club begin to have qualms over Hunt's finagling. Their whistle-blowing leads to Hunt's arrest and convinction for murder. ~ Hal Erickson, Rovi

Based on a true story, the made-for-television Samaritan: The Mitch Snyder Story is the tale of a Washington, DC-based Vietnam veteran (Martin Sheen) who fights for America's homeless by staging hunger strikes and battling with various government agencies, eventually winning the attention of several city officials. ~ Stephen Thomas Erlewine, Rovi

Prolific actor-stuntman Conrad Palmisano directed this average action-thriller about the owner of an inner-city gym. Earl (Paul Coufos) happens to also be a skilled fighter, and when he is pressured by real-estate developers to close the gym, he fights in order to save it. Former Saturday Night Live regular Tony Rosato co-stars with Irene Cara, who sings a cover version of "She Works Hard for the Money," as well as portraying Earl's love interest, Simone. ~ Robert Firsching, Rovi

D.P. is also known as Displaced Person, the original title of the Kurt Vonnegut short story from which this TV drama is adapted. As World War II winds down, a young black boy is raised by an order of nuns in a small German town. The locals tease the boy, claiming that his long-lost father is an African-American GI from the occupation troops. The eager youth heads off to be reunited with the man (Stan Shaw) alleged to be his father. D.P. originally aired May 6, 1985, on PBS' American Playhouse. ~ Hal Erickson, Rovi