C. Montague Shaw Movies

Often mistakenly identified as a sequel to My Friend Flicka, Thunder in the Valley actually has more in common with the Lassie saga. Lon McAllister plays the son of truculent Scottish sheepherder Edmund Gwenn. Though he has no time for people, Gwenn is quite fond of his collie dog. Partly as a means of defying his intractible father, McAllister raises his own dog and beats Gwenn at an annual contest. Father and son are brought closer together when Gwenn is forced to do away with his collie, who has gone mad. Breathtakingly photographed in Technicolor (those nocturnal Highlands scenes are terrific!), Thunder in the Valley is based on the popular Alfred Ollivant novel Bob, Son of Battle. Lending excellent support to stars Gwenn and McAllister are Peggy Ann Garner and Reginald Owen; reportedly, perennial Laurel and Hardy foil James Finlayson also appears in the role of a judge. ~ Hal Erickson, All Movie Guide

In this improbable romantic drama set in Gay Nineties London, a member of Parliament jeopardizes his career when he falls in love with a music hall dancer. When his stodgy older brother finds out about the affair, he sternly counsels the dancer to jilt her lover, lest she damage his political career. Not wanting to hurt her beloved, she leaves him and goes back to the dancehall. Unfortunately, trouble begins one night when the police mistake her for a hooker. She flees and ends up hiding in the apartment of a concert pianist. He has his own troubles when he is arrested for a murder he did not commit. Only the dancer can prove him innocent, but he doesn't know how to find her. While the police begin a city-wide search for the girl, her true-love decides he loves her more than politics and proposes to her. She joyfully accepts. The next day, a formal announcement and picture of the happy couple appears in the newspaper. The police find and question her, but she, fearful that a scandal could jeopardize her nuptials, denies ever having seen the pianist. His case goes to court and things look bleak until the girl finds her courage and shows up to clear his name. Fortunately, her confession generates a happy ending all around. ~ Sandra Brennan, All Movie Guide

Based on a play by Leslie Storm, Tonight and Every Night is a musical wartime morale booster in which star Rita Hayworth is but one of a lively ensemble. Set in battle-scarred Britain, the action takes place in a seedy old music hall, which never misses a performance even at the height of the "blitz". Five times a day like clockwork, American-born entertainer Rosalind Bruce (Rita Hayworth) and her British cohorts put on a show for their ever-appreciative audiences. Along the way, a romance develops between Rosalind and RAF pilot Paul Lundy (Lee Bowman). Providing excellent support are Janet Blair as the troupe's plucky ingenue and Broadway alumnus Marc Platt as the entourage's resident eccentric dancer. The individual numbers are inventively staged, with one scene creatively harnessing the Technicolor process in an eye-popping manner seldom seen in 1940s films. All that Tonight and Every Night lacks is a memorable score, though Rita's solo number "Anywhere" enjoyed brief hit-parade popularity. Incidentally, one of the chorus girls is a slim-and-trim Shelley Winters! ~ Hal Erickson, All Movie Guide

The Lodger was the third film version of Mrs. Marie Belloc-Lowndes' classic "Jack the Ripper" novel, and in many eyes it was the best (even allowing for the excellence of the 1925 Alfred Hitchcock adaptation). Laird Cregar stars as the title character, a mysterious, secretive young man who rents a flat in the heart of London's Whitechapel district. The Lodger's arrival coincides with a series of brutal murders, in which the victims are all female stage performers. None of this fazes Kitty (Merle Oberon), the daughter of a "good family" who insists upon pursuing a singing and dancing career. Scotland Yard inspector John Warwick (George Sanders), in love with Kitty, worries about her safety and works day and night to solve the murders. All the while, Kitty draws inexorably closer to The Lodger, who seems to have some sort of vendetta on his mind?..Some slight anachronisms aside (for example, the villain falls off a bridge that hadn't yet been built at the time of the story), The Lodger is pulse-pounding entertainment, with a disturbingly brilliant performance by the late, great Laird Cregar. ~ Hal Erickson, All Movie Guide

"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide

A "B" picture with "A" aspirations, Bombay Clipper mostly takes place on a flight from India to San Francisco. Someone has absconded with $4,000,000 worth of diamonds, and that someone may very well be a passenger on the Bombay Clipper. International news correspondent Jim (William Gargan) hopes to solve the mystery for two reasons-to get a big scoop for his paper, and to repair his tattered marriage to long-suffering Frankie (Irene Hervey). Less than five minutes before the end, the jewel thief is revealed, whereupon the culprit tries to take over the plane and dispose of the other passengers. Fat chance! Obviously made on a tight budget, Bombay Clipper is nonetheless beautifully and meticulously photographed by Stanley Cortez, who on the strength of this and other Universal projects was signed by Orson Welles to lens the classic Magnificent Ambersons. ~ Hal Erickson, All Movie Guide

Hard Guy (British title: Professional Bride) stars singer Mary Healy (later of "Peter Lind Hayes and?" fame) as Julie, a nightclub cigarette girl with a mission. Julie is determined to ascertain the identity of the man who murdered her sister, hence her current employment at the tawdry nightery owned by mobster Vic (Jack LaRue). Since the aforementioned Vic has a habit of knocking around his female employees whenever they get out of line, the unmasking of the murderer isn't much of a surprise. Before this happens, however, Julie falls in love with gangly Oklahoma-born detective Steve (Kane Richmond), whose inbred skill with a six-gun comes in handy during the inevitable shootout finale. Hard Guy was directed by Elmer Clifton, who'd been helming six-day quickies for so long that one wonders how he would have handled a seven-day shooting schedule. ~ Hal Erickson, All Movie Guide

A sequel to The Green Hornet, The Green Hornet Strikes Again is a 15-chapter serial that was based upon characters from the popular radio and pulp series. The Green Hornet (Warren Hull) is actually Britt Reid, fearless newspaper publisher, who dons the Hornet's guise to battle criminals that have managed to escape the long arm of the law -- aided, of course, by his invaluable sidekick, Kato (Keye Luke). As Strikes Again opens, Reid and Kato are enjoying a well-earned vacation in Hawaii. Their respite is short-lived, however, as they discover that master criminal Crogan (Pierre Watkin) has ratcheted up his operations and is starting a whole new series of rackets that require the Hornet's attention. After a rough crossing, they begin closing down Crogan's rackets -- including selling bombs to foreign agents -- one by one. Along the way, the duo encounter a number of close calls involving a plane crash, an explosion in a laboratory, a roof cave-in, electrocution, and driving a car into a warehouse loaded with explosives. In the end, of course, the Hornet brings down Crogan and all is once again well. For Strikes Again, Warren Hull, who had already played super-heroes The Spider and Mandrake the Magician, replaced Gordon Jones, the Hornet from the original serial. ~ Craig Butler, All Movie Guide

In this fast-paced sci-fi serial from Republic, a crazed, megalomaniacal scientist attempts to use his many deadly robots to take over the world. ~ Sandra Brennan, All Movie Guide

The schizophrenic screenplay of The Earl of Chicago is rendered even more bizarre by the uneven performance by Robert Montgomery. He plays Silky Kilmont, a Runyonesque American gangster who inherits a British title (Earl of Gorley) and mansion. Taking charge of his new estate, Silky has an amusing time trying to acclimate himself to the customs of the "landed gentry". Things take a sinister turn when Silky discovers that his trusted attorney Doc Ramsey (Edward Arnold) is actually a bigger crook than he is. In a rage, Silky murders Ramsey, then goes into what appears to be a catatonic shock, refusing to defend himself at his murder trial. Blood finally tells at the climax when Silky Kilmont, aka the Earl of Gorley, meets his fate with a dignity and decorum worthy of his aristocratic forebears. The queasy atmosphere of the film is heightened by its utter lack of romance; outside of character actress Norma Varden, there are barely any women in the film at all. ~ Hal Erickson, All Movie Guide

Eduardo Cianelli (his first name changed to "Edward" on this occasion) is the not-so-mysterious title character in the 15-chapter Republic serial The Mysterious Dr. Satan. A criminal genius, Dr. Satan has developed a "killer robot" to do his bidding. In order to perfect his invention, he must get his hands on a secret remote-control device invented by kindly Professor Thomas Scott (C. Montague Shaw). His efforts along this line-including the period abduction of Scott's pretty daughter Lois (Ella Neal)-are constantly stymied by the Copperhead, a masked do-gooder who in reality is handsome hero Bob Wayne (Robert Wilcox). Jam-packed with fast action and dizzying plot twists, The Mysterious Dr. Satan was one of the best and most often-revived Republic serials of the early 1940s. A feature-length abridgement, Dr. Satan's Robot, was prepared for televison in 1966. ~ Hal Erickson, All Movie Guide