Al Sharpton Movies

Directed by filmmaker Timothy Greenfield-Sanders and produced by journalist Elvis Mitchell, this collaborative documentary offers an informative collection of portraits of twenty influential African Americans ranging from powerful CEOs to prolific artists, well-known politicians, and dedicated activists. Artist Bill T. Jones discusses the reaction of his contemporaries after he described himself as an artist first and a black man second, Chris Rock describes how equality in sports didn't come about until there were bad black athletes in the major leagues, and Vernon Jordan ponders the reason why there is a clear definition of black America while white America remains a vague, undefined standard. Other conversations find Academy Award-winning actor Lou Gossett Jr. discussing institutionalized racism and its effect on his onscreen career, museum curator Thelma Golden reflecting on the times when people mistakenly assumed she was her own assistant, and, by contrast, the manner in which author Toni Morrison was encouraged as a young girl to believe that women can be just as strong as men. ~ Jason Buchanan, Rovi

After September 11, 2001, when terrorist attacks leveled New York City's World Trade Center towers, mayor Rudolph Giuliani's public bravery and pluck in the midst of his city's greatest crisis made him a hero across the country and around the world. However, while Giuliani's actions after 9/11 made him seem like a champion, there has been significantly less attention paid to his record before the attacks. Documentary filmmaker Kevin Keating focuses on Giuliani's early years in politics, his often controversial and uncharitable stands on civil rights, social services, education, and law enforcement, and his political ambitions after leaving the mayor's office in Giuliani Time. Featuring newsreel footage and extensive interviews with political analysts and people who worked with Giuliani, the film offers an overview of the totality of the former mayor's career than has been absent in most recent profiles of his life. ~ Mark Deming, Rovi

James Brown: Soul Survivor spans more than four decades of the one and only Godfather of Soul, documenting the rise and fall of the "hardest working man in show business." Through archival footage, excerpts read from his biography, and interviews with the people closest to the man, you get an inside look at the music and political times which helped shape Brown's career through the ages. Various friends lending thoughts in the program include the Rev. Al Sharpton, rapper Chuck D, Little Richard, and former long-time musical director Fred Wesley. Performances include segments from a House of Blues gig along with rare, behind-the-scenes rehearsal footage of the maestro at work. Originally aired as part of the American Masters television documentary series, this 90-minute special was later released on DVD under the Polydor label. ~ Jeremy Wheeler, Rovi

One of Frank Capra's best-loved stories gets a modernized and wildly slapstick reinterpretation in this romantic comedy starring Adam Sandler. When Preston Blake (Harve Presnell), a remarkably wealthy media magnate, dies with neither a wife nor children, the question on the lips of most of his associates is who will inherit the estate. The surprising answer turns out to be Longfellow Deeds (Adam Sandler), a cheerful but half-bright proprietor of a small-town pizzeria, as well as part-time greeting card poet, who was a distant relative of Blake. In order to claim his 40-billion-dollar inheritance, Deeds heads to New York City, where Blake's former associates, Chuck Cedar (Peter Gallagher) and Cecil Anderson (Erick Avari), introduce him to the city while trying to figure out how to get their hands on his new fortune. Meanwhile, Mac McGrath (Jared Harris), the producer of a sleazy tabloid television show, wants to get the inside scoop on Deeds, and comes up with perfect way to get it: he sends beautiful but unscrupulous reporter Babe Bennett (Winona Ryder) to sweep Deeds off his feet while she's wired for sound. Convincing Deeds that she's from a small town just like himself, Bennett quickly wins his heart, but while his affection is sincere, hers is not. He also displays a curious eagerness to defend her good name with his fists which quickly gets him in trouble. Meanwhile, as Deeds becomes the new laughing stock of New York thanks to Bennett's stories, Deeds decides it's time he did something big with his money, while Cedar and Anderson think they've finally found a way to take control of Deeds' holdings. Mr. Deeds also features supporting performances from John Turturro, Steve Buscemi, and Conchata Ferrell. John McEnroe and Rev. Al Sharpton make cameo appearances as themselves. ~ Mark Deming, Rovi

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, Rovi