Hafsia Herzi Movies

The prostitutes at an early-20th century Paris brothel revel in their hopes and contend with customers who range from the hopelessly smitten to the frighteningly hostile in this visually sumptuous period drama from writer/director Bertrand Bonello (The Pornographer, On War). ~ Jason Buchanan, Rovi

Inspired by director Vittorio De Sica's 1952 neorealist classic Umberto D., Francis Huster's sentimental drama stars Jean-Paul Belmondo as an aged retiree who is forced out onto the street with his dog after his relationship with a wealthy widow falls apart. A cinematic comeback for Belmondo, who previously retired from acting after suffering a major stroke, un homme et son chien tells the story of Charles, an older man who was invited by his lover to stay in the maid's room in her sprawling home. When the woman decides to marry again, however, Charles and his faithful four-legged companion are promptly shown the door. With no place to call home and no means of earning a living, Charles wanders the streets of Paris with his dog as their pair drift towards an uncertain fate. ~ Jason Buchanan, Rovi

Though it is seldom discussed (or acknowledged) in the West, modern-day France incorporates a substantial number of immigrant communities, with many indigenes from North Africa populating the bucolic regions of southern Gaul. Abdel Kechiche's La Graine et le Mulet hones in on one such community, located on the ocean, which exudes a laid-back, unforced rhythm and a slower pace of life for all of its residents. For many years, one such occupant, sexagenarian Slimane Beiji (Habib Boufares), has nurtured a single lifelong dream: to open up his own couscous and fish restaurant in the community. This dream appears ever more impossible when Slimane is promptly laid off, but he soon lands on the idea of occupying a wrecked boat and converting it into the restaurant. Meanwhile, the gentleman has recently divorced his wife, Souad (Bouraouia Marzouk), and has moved into a hotel owned by his lover, Latifa (Hatika Karaoui), but Slimane's extended family continues to meet at Souad's home on a weekly basis for her beloved fish couscous, where they expostulate their views on life and reflect on the state of their relationships with one another. In a tangentially related subplot, Slimane's oldest son, Hamid (Abdelhamid Aktouche), enjoys an extramarital affair, ignoring his nuptials with his Russian wife and the presence of his infant boy, and thus endangering the sanctity and happiness of his family. ~ Nathan Southern, Rovi