John Abbott Movies

Bob Regan (Edmond O'Brien) -- a small-time attorney from the wrong side of the tracks who nonetheless has a lot of dedication -- is representing a vegetable pushcart owner (Tito Vuolo) in a damage suit against multi-millionaire Andrew Colby (Vincent Price). It seems Colby's car wrecked the man's cart, and he and his attorneys have been too busy running the world (or Colby's world) to deal with the case, so Regan barges right into the millionaire's office. Professing to be impressed with Regan's tenacity on behalf of his client, Colby offers to hire him, for a lot more money than he is making or ever stood to make, but not as an attorney -- rather, as a bodyguard/troubleshooter. It seems that Colby's been receiving threats lately, and he likes the way Regan looks after his clients. To aid him in his new job, Colby also secures a gun and permit for his new employee. Regan is so surprised at this whole turn of events in his life that he accepts the offer for the chance to finally get in on some the big money he sees around him. He's given entrée to Colby's upper-crust world, including his huge New York townhouse and all that goes with it, never smelling a rat. This is mostly because, apart from the money he's suddenly earning and traveling in the midst of, he's distracted by the presence of Colby's personal secretary, Noel Faraday (Ella Raines) -- about as pretty, intelligent, and seductive a female as Regan has ever seen, and who seems mutually intrigued by his rather earthy and plain-spoken presence in the Colby organization. Regan is a fresh dose of working-class honesty amid the elegance, affectation, and duplicity that oozes out of Colby's world, and on Regan's side of it he can hardly keep his hands off of her.

However, during Regan's first night on the job, a shot rings out from upstairs and he finds Colby in a struggle with an intruder carrying a gun -- and Regan shoots the man dead. The stranger turns out to be Leopold Kroner (Fritz Leiber), Colby's one-time business associate, who just finished a ten-year stretch for embezzlement of a million dollars. The threats seemed to come from Kroner, and there was a gun in his hand when Regan shot him, but that's not good enough for Lieutenant Damico of the NYPD; it's all a little too convenient that Colby's one-time partner gets himself killed that way, at the hands of some lawyer playing detective whose gun permit barely has the ink dry. Damico makes no secret of his doubts to Regan, or of the fact that he would like nothing more than to pull his friend in on a murder rap just for being a prize chump, mostly because he doesn't like murder and can't really see Regan as being as stupid as he seems. It turns out that he is just about that stupid, and is always a step behind Colby in trying to unravel the mystery of what really happened and how Kroner came to be in the house. Even Noel, for all of her intelligence and education, can't keep ahead of her employer's machinations; even as they dig deeper, more and more evidence gets planted implicating them both in a conspiracy, and before they can spring their trap, Damico is there ready to put the cuffs on both of them. But that's when matters get really interesting, as Damico begins to prove that if Regan isn't half as bright as he ought to be, the police lieutenant is a lot smarter than he looks or his job description calls for. ~ Bruce Eder, All Movie Guide

More serious and less colorful than The King And I, Anna And The King Of Siam is still a well-crafted and elaborate spectacle. Leonowens (Irene Dunne) and her son travel to the tiny kingdom of Siam, where she has been hired to teach Western ways and culture to the multitudes of children sired by the King (Rex Harrison). All too soon, however, the King and Anna clash over the differences in their ways and cultures; Anna is also drawn into a palace romance between the concubine, Tuptim (Linda Darnell), and another man, which ends in tragedy. Whereas The King And I focused on the budding relationship between Anna and the King, the non-musical version is a more straightforward reading of Margaret Landon's book about the real Anna Leonowens. Harrison made his screen debut in the role, which became synonymous with Yul Brynner in the 1956 musical version. ~ Don Kaye, All Movie Guide

Fannie Hurst's novel Humoresque is the lachrymose tale of a famed Jewish-American violinist who forgets all about his friends and family in his rise to fame. Screenwriters Clifford Odets and Zachary Gold refashioned this timeworn material into a first-class, big-budget soap opera, completely dominated by the high-octane talents of Joan Crawford and John Garfield. A gifted musician, Garfield rises from the slums to the upper echelons of society, thanks to the patronage of wealthy, alcoholic Crawford. Virtually ignored by her husband Paul Cavanaugh, Crawford adopts Garfield as her lover as well as her protégé. He is only mildly offended by the setup; she, on the other hand, becomes jealous and possessive. It is not a woman who comes between Crawford and Garfield: it the intensity of his talent, not to mention the spectre of the great composers whose works he interprets so brilliantly. Garfield's virago of a mother (Ruth Nelson) feeds upon Crawford's jealousy, planting the seeds of guilt for (allegedly) holding her son back. The ultrastylish suffering of Joan Crawford and the street-punk insouciance of John Garfield (who looks like a "Dead End Kid" even while wearing a tux) is counterpointed by the phlegmatic comedy relief of Oscar Levant. ~ Hal Erickson, All Movie Guide

Three years after its previous "Lone Wolf" entry Passport to Suez, Columbia Pictures revitalized the B-picture series with The Notorious Lone Wolf. Gerald Mohr succeeds Warren William in the role of jewel thief-turned-detective Michael Lanyard, while Eric Blore is back as Lanyard's faithful valet Jamison. Returning from WW2, Lanyard is immediately involved in another baffling case: Several priceless jewels have been stolen from a museum, and you-know-who is the most likely suspect. Racing against time-the theft occured on the eve of his reunion with the gorgeous Carla Winter (Janis Carter)-Lanyard follows the trail of clues to a group of kidnapped foreign dignitaries. The film's highlight finds Lanyard and Jamison disguising themselves as Arab potentates, complete with beards and turbans. ~ Hal Erickson, All Movie Guide

In this musical, a chorus of convicts conspires to get a paroled crooner chucked back in the clink. Songs include: "Time Will Tell," "Now And Always," "Round The Bend," and "How Lovely." ~ Sandra Brennan, All Movie Guide

The third of Columbia's "Whistler" series, Power of the Whistler once more stars Richard Dix as the tortured protagonist. This time, Dix is cast as an amnesiac named William Everett, who is given aid and comfort by pretty Jean Lang (Janis Carter). Assuming that Everett has been victimized by someone, Jean tries to help him regain his memory. This proves to be a major mistake, which Jean's sister Frances (Jeff Donnell) discovers to her horror. Though it was fascinating to see Richard Dix in an off-the-beaten-track role, Power of the Whistler isn't up to the standard set by the first two "Whistler" films: even so, the climax, staged in the loft of a deserted barn, is a beaut. ~ Hal Erickson, All Movie Guide

Ingrid Bergman and Gary Cooper paired off again after For Whom the Bell Tolls (1943) with this overwrought melodrama based on the romance novel by Edna Ferber. Bergman plays Clio Dulaine, a beautiful half-Creole woman whose return to 1875 New Orleans from Paris creates a stir. Born out of wedlock, Clio's mother was a local woman who became pregnant by a wealthy, married landowner. Scandalized, his wife and family set about humiliating Clio's mother and even paid for Clio's voyage to France in an effort to get rid of the girl. Now Clio returns with a dwarf, Cupidon (Jerry Austin), and a maid, Angelique (Florence Robson) in her entourage. At the docks, Clio meets a handsome gambler from Texas, Colonel Clint Maroon (Cooper) and is smitten. To Clio's delight, their blossoming romance inspires calumny, but Maroon soon realizes that Clio is a gold digger. He departs for Saratoga Springs, where he is working on a venture involving the railroad. Clio follows him there, bent on marrying either Clint or his business partner, Bart Van Steed (John Warburton). Saratoga Trunk (1945) was exhibited to servicemen overseas in WWII for two years before it was released to the general public. ~ Karl Williams, All Movie Guide

Summer Storm is a remarkably effective Hollywood filmization of Anton Chekhov's The Shooting Party. Linda Darnell stars as the young and beautiful wife of a middle-aged Russian civil servant (Hugo Haas). Darnell becomes the object of the affections of her husband's employer, a lecherous count (Edward Everett Horton). The girl in turn is enamored of a provincial judge (George Sanders). At first, all flirtations are playful and harmless, but the judge takes Darnell so seriously that he ends up killing her in a jealous rage. Her husband is blamed for the crime, but the Count gets his comeuppance during the 1917 Bolshevik revolution (which didn't figure into the original Chekhov story, inasmuch as the author died in 1904). The big surprise in this is not that it works as well as it does, but that it features comic actor Edward Everett Horton in a straight, almost unsympathetic role, which he underplays beautifully. ~ Hal Erickson, All Movie Guide

This delightful entry in RKO Radio's "Falcon" series finds amateur Tom Lawrence (Tom Conway), aka The Falcon, tring to solve a series of Tinseltown murders. The killings all seem to be tied in with a "jinxed" movie production, supervised by neurotic studio executive Martin Dwyer (John Abbott). Accompanied by wisecracked lady cabbie Billie (Veda Ann Borg), Lawrence pokes around a studio backlot, gathering clues and grilling suspects all along the way. Could the murderer be pretty starlet Peggy Callahan (Barbara Hale), haughty prima donna Lili D'Alio (Rita Corday) or shady "businessman" Louie (Sheldon Leonard)? Filmed on such locations as the Hollywood Park race track and the Hollywood Bowl, The Falcon in Hollywood spends most of its time within the offices, sound stages, technical departments and walkways of the RKO Radio studio itself. The film was one of the most popular of RKO's "Falcon" efforts, posting a $115,000 profit. ~ Hal Erickson, All Movie Guide

Secrets of Scotland Yard is Republic's spin on a plotline first elucidated in the old E. Phillips Oppenheim novel The Great Impersonation. After losing WW I, the German high command, with remarkable foresight, prepares for the next war by planting a spy in the British Admiralty. Edgar Barrier plays the dual role of the German spy and his British twin brother. When one twin is killed, the other assumes his identity. The question: is the surviving brother the "good" one or the bad? It is up to C. Aubrey Smith, cast as Scotland Yard inspector Sir Christopher Belt, to sort out the mystery. Though it owes a great deal to the aforementioned Oppenheim yarn, Secrets of Scotland Yard is actually based on a novel by Denison Clift, who also wrote the screenplay. ~ Hal Erickson, All Movie Guide

Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, All Movie Guide

All-purpose Columbia contractee Bruce Bennett (formerly college athlete Herman Brix) was awarded a leading role in the wartime "B" U-Boat Prisoner. Bennett plays merchant seaman Archie Gibbs, who manages to survive when his ship is torpedoed by a German submarine. Disguising himself in the uniform of a dead Nazi spy, Gibbs is picked up by the Nazi U-boat. He manages to convince the German sailors that he's the spy, and in this guise he tries to rescue a group of captured Allied scientists. Already unbelievable, U-Boat Prisoner journeys into the Twilight Zone during the climax, with Gibbs single-handedly incapacitating the submarine crew and rescuing the prisoners. Incredibly, the film was based on a true story, written by the real-life Archie Gibbs! ~ Hal Erickson, All Movie Guide