Dan Seymour Movies

Director Fritz Lang was attracted to the British period piece Moonfleet because of the relatively unregenerate nature of its greedy "hero" Stewart Granger. Young Jon Whitely, who is in the legal custody of Granger, learns that he is to inherit a valuable diamond. Hoping to get his own hands on the gem, Granger packs Whitely off to boarding school, but the boy returns to bollix up his guardian's plans. Just when it appears that a cynical ending is on the horizon, Granger does right by Whitely. Adding spice to Moonfleet are George Sanders and Joan Greenwood as a wittily decadent aristocratic couple. Lang's first CinemaScope effort, Moonfleet was based on a novel by J. Meade Falkner. ~ Hal Erickson, All Movie Guide

Eccentric "Daily Planet" stringer Horatio Hinkle (Lucien Littlefield) invents a robot named Hero, which he uses to break up a jewel robbery. The disgruntled thieves decide to kidnap the robot and force Hinkle to reprogram it to help them commit their next few crimes. This, of course, is a contingency that Superman (George Reeves) hopes to prevent--but he may be too late to do so. Future Gilligan's Island costar Russell Johnson is rather surprisingly cast as the leader of the criminal gang. ~ Hal Erickson, All Movie Guide

The fate in the Free World is threatened when three atomic scientists decide to sell their secrets to the Reds. American secret agent Steve (George Brent) heads to Tangier, where he poses as a black marketer in hopes of intercepting the rogue scientists. But Steve finds he has a formidable foe in the shapely shape of Soviet spy Millicent (Mari Aldon), who is posing as an American heiress to throw the Good Guy off the track. Dan Seymour, veteran of such espionage mellers of the 1940s as Casablanca and To Have and Have Not, has a juicy role as the head of the Tangier police. Tangier Incident wasn't quite an "A" picture, but it was too slick and expensive-looking to qualify for a "B." ~ Hal Erickson, All Movie Guide

Even without its 3D/stereophonic sound gimmickry, Second Chance is a crackling good suspenser. Robert Mitchum plays Russ Lambert, a prizefighter who heads to South America to forget a recent tragedy in the ring. Here he meets Clare Shepard (Linda Darnell), who is likewise running away -- not from her bitter memories, but from her boyfriend, a vicious gangster. Also newly arrived in South America is Cappy Gordon (Jack Palance), the cold-blooded triggerman for Clare's ex-beau. After several close calls and near-misses, the three main characters converge in a disabled cable car, high above a deep abyss. Filmed on location at RKO Radio's Mexican facilities, Second Chance takes a while getting started, then rapidly builds to a heart-pounding finale. ~ Hal Erickson, All Movie Guide

Johnny Sims, a two-bit burglar and sneak-thief, breaks into the apartment of Clark Kent (George Reeves) and chances upon the secret closet where he keeps his Superman costume (Kent isn't wearing it that night because he must take a check-up as part of an office insurance program). He steals the costume but manages to get shot by a pursuing police officer and makes his way to the apartment of Ace (Dan Seymour) and Connie (Veda Ann Borg), a pair of low-level criminals. The burglar dies, but not before he gives Ace the location of the apartment where he got the costume. Ace is skeptical but the notion that this is Superman's costume, and what it would mean if he could figure out Superman's secret identity, is too tempting to ignore. Meanwhile, Kent is almost panic-stricken over the loss of the costume and what it might mean if someone discovered his secret. He can't go to the police, so he calls in a friend, private detective Candy Meyers (Frank Jenks), who is understandably bewildered when he is asked to help Kent recover a stolen piece of property, but also informed that he can't be told what the property is. While he's following up on the prints left behind by the burglar, Ace and Connie are several steps ahead -- when they learn that Kent is a reporter for the Daily Planet, they know they're on the right track. But due to a misunderstanding, they think that Candy is Kent and kidnap the detective. Kent must save his friend and bring an end to this situation, and to do it he is forced to bring Ace and Connie to a remote mountain peak, to an isolated cabin, until he can figure out what to do about them. It's then that the pair make a disastrous decision about trying to escape. ~ Bruce Eder, All Movie Guide

A very tired-looking Errol Flynn heads the cast of Maru Maru. Flynn plays deep-sea diver Gregory Mason, who is hired to locate a sunken PT boat bearing a diamond-encrusted religious icon. Mason's employer on this mission is the disreputable Brock Benedict (Raymond Burr), a firm believer in the old buccaneer credo that "dead men tell no tales." Aware that he's expendable once he finds the treasure, Mason stalls as long as he can, hoping that Benedict and his crooked flunkies will end up wiping out one another. He also intends to claim the treasure for himself, rather than turn it over to the proper authorities. Ruth Roman co-stars as Stella Callahan, the widow of Mason's former partner, who wants nothing more than for Mason to return the gem-studded cross to its rightful owners (well, maybe she wants Mason, too). ~ Hal Erickson, All Movie Guide

The original title for Rancho Notorious was Chuck-a-Luck, which is also the title of the soundtrack ballad (written by Ken Darby) which unifies the plotline, à la High Noon. Frontiersman Vern Haskell (Arthur Kennedy) wanders throughout the West in search of the man who robbed and murdered his fiancée. He is told that he'll probably find the culprits at Chuck-a-Luck, a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). To gain entrance to Chuck-a-Luck, Haskell poses as an escaped prisoner. Keane warns him that the ranch has only one rule: "Don't ask questions." Still, he has ways of finding things out. Haskell is compelled to keep up his charade when the dirty denizens of Chuck-a-Luck plan a big bank holdup, but this has the result of exposing the killer of his girl. Director Fritz Lang had a rough time with RKO head Howard R. Hughes, who insisted upon making changes in the film that might have hurt it irreparably. The biggest argument centered over the title; Hughes complained that no one overseas would understand the meaning of Chuck-a-Luck, whereupon Lang riposted sarcastically that "I'm sure that everyone will understand Rancho Notorious." One of the principal villains was Lloyd Gough, but you'd never know it from the opening titles; Hughes, incensed that Gough had refused to testify at the HUAC "witch hunt," ordered that the blacklisted Gough's name be removed from the credits. ~ Hal Erickson, All Movie Guide

Bud Abbott and Lou Costello play wrestling promoters whose star attraction, Wee Willie Davis, skips town to return to his home in Arabia. While scouring the desert in search of Davis, Bud and Lou inadvertently purchase slave girl Patricia Medina, and with equal inadvertence join the Foreign Legion. In their own bumbling, inept fashion, our heroes manage to foil a desert uprising fomented by shiek Douglas Dumbrille and traitorous Legion commandant Walter Slezak. The film's highlights include an opening-scene parody of pre-rehearsed wrestling matches, a "mirage" routine capped by one of the hoariest vaudeville punchlines in history, and a runaway-jeep climax. All in all, however, Abbott & Costello in the Foreign Legion is one of the team's lesser efforts. ~ Hal Erickson, All Movie Guide

The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker. ~ Hal Erickson, All Movie Guide

There's a thrill a minute in the economical actioner Highway 13. Robert Lowery plays Hank Wilson, an honest truck driver who suspects foul play after a series of trucking "accidents". Offering his services to undercover detective George Montgomery (Gaylord Pendleton), Wilson finds himself at the mercy of the villains-who hope to put a major transportation firm out of business-when Montgomery is murdered in an unusually grotesque fashion. It wouldn't be fair to reveal the true identities of the criminal masterminds, except to say that the actors playing those roles had seldom appeared as villains in any previous film. It can be said that the usually underhanded Dan Seymour shows up as one of the good guys, one of the many surprises in this lightning-paced little film. ~ Hal Erickson, All Movie Guide

Richard Brooks and John Huston's screenplay for Huston's Key Largo eschews the lofty blank verse of Maxwell Anderson's original play, concentrating instead on the simmering tensions among the many characters. Humphrey Bogart plays Frank McCloud, an embittered war veteran who travels to Key Largo in Florida, there to meet Nora Temple (Lauren Bacall), the wife of his deceased war buddy. Arriving at a tumbledown hotel managed by Nora's father-in-law James Temple (Lionel Barrymore), McCloud discovers that the establishment has been taken over by exiled gangster Johnny Rocco (Edward G. Robinson) and what's left of his mob. Also in attendance is Gaye Dawn (Claire Trevor), Rocco's alcoholic girlfriend. While the others bristle at the thought of being held at bay by the gangsters, the disillusioned McCloud refuses to get involved: "One Rocco more or less isn't worth dying for." As he awaits a contact who is bringing him enough money to skip the country, Rocco is responsible for the deaths of a deputy sheriff and two local Indian youth. Unwilling to take a stand before these tragedies, McCloud finally comes to realize that Rocco is a beast who must be destroyed. To save the others from harm, McCloud agrees to pilot Rocco's boat to Cuba through the storm-tossed waters. Just before McCloud leaves, Gaye Dawn slips him a gun -- which leads to the deadly final confrontation between McCloud and Rocco. His resolve to go on living renewed by this cathartic experience, McCloud heads back to Nora, with whom he's fallen in love. Claire Trevor's virtuoso performance as a besotted ex-nightclub singer won her an Academy Award -- as predicted by her admiring fellow actors, who watched her go through several very difficult scenes in long, uninterrupted takes. While Key Largo sags a bit during its more verbose passages, on a visual level the film is one of the best and most evocative examples of the "film noir" school. ~ Hal Erickson, All Movie Guide

One of the many Bowery Boys movies, in this one Slip and Sach are mistaken for two private investigators and risk their lives trying to solve a missing persons mystery. ~ Tana Hobart, All Movie Guide