Dan Seymour

This fast-paced Disney endeavor stars Kim Richards and Ike Eisenmann as two adolescents with acute psychic powers. The kids are actually space aliens, but suffer from amnesia and are unaware of their origins. Pursued by greedy business-mogul Ray Milland, who wants to harness their special powers for his benefit, Kim and Ike are rescued by likeable camper Eddie Albert. He and the kids escape to the mountain of the title when Albert's RV suddenly acquires the power of flight. In 1978, the film spawned the sequel Return from Witch Mountain. ~ Hal Erickson, All Movie Guide

"Gorgeous goyish guy" meets Jewish radical girl in Sydney Pollack's glossy romance. In 1937, frizzy-haired Red co-ed Katie Morosky (Barbra Streisand) briefly captures the attention of preppy jock Hubbell Gardiner (Robert Redford) with her passionate pacifism, while the writing talent beneath his privileged exterior entrances her. Almost eight years later, the two are reunited in New York, when well-coiffed leftist radio worker Katie spies military officer Hubbell snoozing in a nightclub. Through her force of will, and in spite of his smug rich friends, the two opposites fall in love, sparring over Katie's activist zeal and Hubbell's writerly ambivalence after a failed first novel. They head to Hollywood so that Hubbell can write a screenplay for his buddy-turned-producer J.J. (Bradford Dillman). But the House Committee on Un-American Activities' Communist witch hunt in 1947 tears the pair apart, as a pregnant Katie refuses to keep silent about the jailing of the Hollywood Ten, while a faithless Hubbell decides to save his career. When the two meet again at the dawn of the '60s, TV hack Hubbell and A-bomb protestor Katie feel the old pull, but they have to decide if it's worth the grief. Although blacklisted writers had returned to Hollywood -- and won Oscars -- by the early 1970s, the HUAC sections of Arthur Laurents's screenplay were still considered dicey, resulting in substantial cuts; Laurents reportedly blamed star Redford for not fighting them hard enough. Regardless of the edits, and critics' complaints about the film's schlockiness, 1973 audiences went for the well-executed and still politically tinged weepie, turning The Way We Were into one of the most popular films of 1973 and Redford into a major heartthrob. Streisand won an Oscar nomination for Best Actress and the Streisand-sung title tune won for Best Song. Despite the eviscerated politics, The Way We Were poignantly captures the insoluble dilemma of reconciling private desires with public awareness. ~ Lucia Bozzola, All Movie Guide

Claudia Jennings stars as Karen Walker, a woman who sets her sights for roller derby success. Released a few months after Raquel Welch's Kansas City Bomber, Unholy Rollers gives the Welch film a run for its money, despite its exploitation budget, by adding nudity and lesbianism. After being sexually harassed by her loutish boss at the factory, Karen walks out of her job and tries out for the roller derby. She quickly wins a spot on the team and rises to the top, intent on ignoring the violence and grandstanding and concentrating on winning games. Although her teammates dislike her, Karen becomes a hit with the roller derby fans. But soon, her desire for victory becomes an obsession and she ends up losing not only her cool but also most of her clothes. ~ Paul Brenner, All Movie Guide

Paul Drake (William Hopper) is hired to investigate when an unusually high number of heart attacks threaten to bankrupt the Safeline Insurance Company--an assignment that proves more hazardous than it first appeared to be. In his efforts to help Paul prove that some of the claims are fraudlent, Perry (Raymond Burr) forces ex-boxer Jack B. David (Hal Baylor) to reveal that he isn't a helpless invalid. When David ends up dead, Perry may well be facing a manslaughter charge! ~ Hal Erickson, All Movie Guide

In the first of several episodes cashing in on the "spy craze" of the mid-1960s, Tim (Bill Bixby) falls for a beautiful secret agent named Kitty (Susanne Cramer), aka "Agent 004" of the government organization TOPSEEK. For her sake, he agrees to deliver an important message, whereupon he is drafted as an undercover agent to infiltrate the sinister enemy cartel CRUSH. Not surprisingly, Tim gets in way over his head, and it's Uncle Martin (Ray Walston) to the rescue as usual. ~ Hal Erickson, All Movie Guide

When a scientist team at Ice Station T is mysteriously killed, the Seaview must investigate the cause. Complicating the mission are three not-wholly-welcome guests -- Dr. Reisman (David Opatoshu), a brilliant but personally unpleasant researcher who once worked for Hitler's government; Julie Lyle (Jill Ireland), a young agricultural researcher; and Philip Wesley (John Milford), a representative of the corporation financing the mission with the government. Each has his own agenda, and one may be an enemy spy -- but unknown to all of them, the plankton research project they're working on has created a monstrous, incredibly dangerous creature. ~ Bruce Eder, All Movie Guide

This is the second of four consecutive episodes in which Perry Mason appears only briefly, while a "guest" lawyer handles the case at hand (Raymond Burr was at the time recovering from minor surgery). Michael Rennie stars as erudite law professor Edward Lindley, one of Perry's best friends and severest critics. Though he has never handled a murder case--and indeed, regards most defense attorneys with the utmost disdain--Lindley agrees to help one of his students, Janice Norland (Patricia Manning), who claims to have killed blackmailing dance instructor Raul Perez (Carlos Romero). But when Lindley accompanies Janice to the scene of the crime, the body has disappeared! Ultimately, however, Janice is charged with Perez' murder, with circumstantial evidence provided by a candid camera which the dead man used for his extortion racket. Making things even dicier is the possibility that Janice's own mother Maureen (played by Patrice Wymore, former wife of movie superstar Errol Flynn), is the guilty party!. Excluded from the original Perry Mason syndicated rerun package in 1966, this episode remained unseen until it was telecast on cable TV in the mid-1990s. ~ Hal Erickson, All Movie Guide

Druggist Herbert Simms (Linden Chiles) hopes to change careers and become a TV writer. To this end, he submits his first script to unscrupulous producer Charlie Cory (John Lasell)--who proceeds to steal Simms' story idea and pass it off as his own. The outraged Simms consults his family's attorney, Perry Mason (Raymond Burr), who tells him that nothing can be done because no contract had been signed. Not long afterward, Cory is bludgeoned to death--and Simms is spotted fleeing the murder scene. ~ Hal Erickson, All Movie Guide

Nick Moses (Harry Guardino) breaks the code of the Mob by bumping off another gangster without permission. Grimly, Frank Nitti (Bruce Gordon) informs Moses that the only way he can save himself is to assassinate Federal agent Elliot Ness--and he is given a very limited space of time to pull off the deed. Featured in the cast of this nailbiter are Peter Mamakos and Herman Rudin, playing the same two hoodlums (albeit with different character names) whom we saw Frank Nitti gun down in a barbershop in the series' very first episode "The Empty Chair". ~ Hal Erickson, All Movie Guide

This sequel to Kurt Neumann's The Fly (1958) is peculiar, to say the least. Producer/director Neumann had passed away during the summer of 1958, and the studio needed a sequel. The resulting film, Return of the Fly, was directed by Edward L. Bernds, a filmmaker (and former sound man at Columbia Pictures) most closely associated with the Three Stooges, but who had lately moved successfully into popular science fiction, with movies such as World Without End, Space Master X-7, and Queen of Outer Space to his credit -- not that this last, in particular, seemed to qualify him for anything but tongue-in-cheek satire. Curse of the Fly was shot in CinemaScope but in black-and-white, an unusual combination that is usually associated with artier movies, as a compromise for discriminating directors who can't avoid the widescreen format but want to present something serious; in this particular case, however, it was purely a budgetary decision. Vincent Price is the nominal star as Francois Delambre, the brother of Andre Delambre, who died as a result of his experiments with a matter transmitting device in The Fly. It is now a dozen years later, and Andre's son, Philippe (Brett Halsey), has just laid his mother to rest, having witnessed the final years of her life blighted by the memory of the horror of Andre's death. He convinces Francois to tell him what happened and of the device that destroyed his parents' happy life together. Philippe vows to perfect the matter transmitter, so that all of the heartache and sacrifice by his parents will not have been in vain. He employs as his assistant a scientist friend, Alan Hinds (David Frankham), who, unbeknownst to him, has shady business connections and a dark secret in his own past. Alan conspires to steal the secret of the matter transmitter, but first he must dispose of a detective who has come to arrest him for an earlier crime, and then eliminate Philippe, who doesn't know what Alan has done, only that he's hiding something. Thus, the same disaster that befell Philippe's father now occurs again, to him -- his body parts are transposed with those of a house-fly. The human-sized fly, even nastier looking than the monster in the original film, goes on a rampage, trying to catch Alan and get revenge for what has happened to him, using what faculties he has. Meanwhile, Francois gets help from the surviving detective on his brother's case, who knows the truth, and the two try to trap the monster alive and also find the fly-sized creature with Philippe's head and features, so they can try and unscramble the atoms of both. ~ Bruce Eder, All Movie Guide

In his second solo starring film after breaking with Dean Martin, Jerry Lewis plays cartoonist George Baker's classic GI misfit The Sad Sack. Lewis' constitutional inability to do anything right brings him under the scrutiny of gorgeous Army psychiatrist Phyllis Kirk. She discovers that Lewis possesses a photographic memory, making him valuable enough to be transferred to a top secret assignment in Morocco. Assigned along with buddies David Wayne and Joe Mantell to guard a new weapon, Lewis deviates from his task when he falls in love with sexy nightclub performer Lilliane Montevecchi. She spurns him, so the heartbroken Lewis deserts the army and joins the Foreign Legion. When enemy spy Peter Lorre discovers that Lewis has memorized the assembly instructions for the secret weapon, he and his minions kidnap Lewis, Wayne and Mantell. With the help of Montevecchi, Lewis thwarts the baddies and becomes a hero--but within minutes, he's fouled up again, so it's back to permanent KP duty. Jerry Lewis still needed a straight-man foil at the time of The Sad Sack so Paramount provided him with David Wayne and Joe Mantell. By the time Geisha Boy rolled around in 1958, Lewis was finally able to carry a picture by himself. ~ Hal Erickson, All Movie Guide

The Buster Keaton Story is the sublimely inaccurate life story of immortal film comedian Buster Keaton, played by Donald O'Connor. The film begins with young Buster appearing in his parents' circus acrobatic act (the real Keatons never appeared in a circus, but were vaudevillians instead). After Buster's dad dies (an event that actually occurred when Keaton was in his 30s and already a star), the boy strikes out on his own. He makes it into silent films as a top slapstick comic (this much is accurate), but his private life is complicated by two loves, a "sweet" girl (Ann Blyth) and a wealthy temptress (Rhonda Fleming) (Buster was married three times, but not to either one of the ladies depicted in this film). When talkies come in, Buster is browbeaten by autocratic director Peter Lorre (all of Keaton's talkies were directed by Eddie Sedgwick, one of his best friends) and finds himself unable to handle dialogue (no comment). He turns to drink (true) and destroys himself in Hollywood (partly true). But through the love of good girl Ann Blyth, Buster makes a comeback in vaudeville, and finally decides to get married and settle down for the first time in his life (Buster did tour in vaudeville with wife Eleanor Norris, who was wife number three and whom he met nine years after the advent of talkies). The nicest thing about The Buster Keaton Story was that the amount Paramount paid Keaton for permission to film his "life story" ($50,000) was large enough for Buster to remain financially solvent for the rest of his life. ~ Hal Erickson, All Movie Guide

Crusading publisher Austin Spenser (Sidney Blackmer) wants to prove a point about the insufficiency of circumstantial evidence. Spencer talks his prospective son-in-law Tom Garrett (Dana Andrews) into participating in a hoax, the better to expose the alleged ineptitude of conviction-happy DA (Philip Bourneuf). Tom will plant clues indicating that he is the murderer of a nightclub dancer, then stand trial for murder; just as the jury reaches its inevitable guilty verdict, Spencer will step forth to reveal the set-up and humiliate the DA. Somewhat surprisingly, Tom eagerly agrees to this subterfuge. Unfortunately, an unforeseen event renders their perfectly formed scheme useless. Beyond a Reasonable Doubt was the last American film of director Fritz Lang. ~ Hal Erickson, All Movie Guide