Andrzej Seweryn Movies

Legendary Polish filmmaker Andrzej Wajda adapts a nationally treasured epic poem to the silver screen. For 400 years, Lithuania and Poland were linked, until the country was partitioned in 1795 by aggressive nations at its borders -- Russia, Prussia, and the Austrian empire. At that point, the formerly huge nation simply ceased to exist. Yet one hope remained for the patriotic Poles yearning for autonomy -- France. Napoleon promised to restore the Polish homeland if they, in turn, helped him defeat Russia. Thousands of Poles were part of the French force that reached the gates of Moscow before being forced into a long and bloody retreat. The film itself centers on two families who live in the Russian-controlled part of Poland: the Horeszkos, who ardently favor independence, and the Soplicas, who support Russia. In 1792, the last household lord of the Horeszkos was killed by Jacek Soplica; as a result, the latter was rewarded with the former's castle by the Russian colonizers. Twenty years later, the region is rife with rumors of Napoleon's imminent invasion. A destitute Count (Marek Kondrat) and heir to the Horeszko family estate almost throws his lot in with the richer and more powerful Soplica clan before he stumbles upon Gervais (Daniel Olbrychski), who reminds him of the treacherous murder of his ancestor. Meanwhile, Tadeusz (Michal Zebrowski), the rakish nephew of Judge Soplica (Andrzej Seweryn), who symbolizes all that is good and right about Poland, is confronted with a choice upon returning from university. He can either give his heart to the beautiful, pure, 14-year-old Sosia (Alicja Bachleda-Curus), a distant cousin of the Horeszkos who is living with the Soplicas, or he can opt instead for the worldly, sophisticated, St. Petersburg-educated Telimena (Grazyna Szapolowska), who is related to both clans. This film, which in many ways sums up Wajda's long and illustrious career, was a massive success in its native Poland. ~ Jonathan Crow, All Movie Guide

A lavish historical epic that (on a budget of $8.5 million) was the most expensive Polish film ever at the time of its release, Ogniem I Mieczem/With Fire and Sword is based on a classic Polish novel by Henryk Sienkiewicz concerning political and social turmoil from 1647 to 1649. Cossacks are waiting to strike Poland on the Eastern border that neighbors the Ukraine, the nearby Tartars and Turks are waiting for the opportunity to attack Europe, and the Polish ruling class is busy feuding among themselves. A daring Pole named Jan Skrzetuski (Michal Zebrowski), meanwhile, is vying for the hand of beautiful Helena Kurcewicz (Izabella Scorupco, best known for her role in the James Bond film Goldeneye), against heavy competition from Ukranian Bohun (Alexandr Domogarov), to whom she is already engaged. Helena's aunt and guardian, however, cancels the wedding plans, and an enraged Bohun attempts to kidnap her. One of Jan's associates, Zagloba (Krysztof Kowalewski), foils the plot and whisks her away to the Castle of Bar, but Bohun is not to be denied; he storms the castle, taking Helena and leaving Jan and his men to find her, just as the Cossacks and the Tartars have joined forces to sack the nation. Ogniem I Mieczem/With Fire and Sword was the first in a trilogy of novels by Sienkiewicz, but, ironically, was the last to be filmed by director Jerzy Hoffman. The final book in the series, Colonel Wolodyjowski, was adapted for the screen by Hoffman in 1969, while the second, The Deluge, appeared in 1974. A low-budget Italian version of With Fire and Sword was released in 1961. ~ Mark Deming, All Movie Guide

Raul Ruiz directed this typically eccentric look at the nature of crime, the human mind, and life in the modern world. Solange (Catherine Deneuve) is a defense attorney with a reputation for taking on cases that can't be won -- and proving it by losing them. Her latest lost cause is Rene (Melvil Poupaud), a young man on trial for murdering his Aunt Jeanne (also played by Deneuve), a cruel psychiatrist who raised him as a child and was convinced from infancy that he was destined for a life of crime. While Rene would seemingly need a good lawyer in his situation, he prefers instead to play games with Solange's mind and finds unlikely allies in a strange society of French and Belgian psychologists, headed by Georges (Michel Piccoli), who seems crazier than anyone he's treating. Solange, however, finds herself falling in love with Rene, which only makes a difficult situation more unpleasant for everyone. Through a series of layered flashbacks, we're shown Rene's crime several times from a number of perspectives, which ultimately makes his actions seem more vague with each repetition. ~ Mark Deming, All Movie Guide

Based on a true story, Steven Spielberg's Schindler's List stars Liam Neeson as Oskar Schindler, a German businessman in Poland who sees an opportunity to make money from the Nazis' rise to power. He starts a company to make cookware and utensils, using flattery and bribes to win military contracts, and brings in accountant and financier Itzhak Stern (Ben Kingsley) to help run the factory. By staffing his plant with Jews who've been herded into Krakow's ghetto by Nazi troops, Schindler has a dependable unpaid labor force. For Stern, a job in a war-related plant could mean survival for himself and the other Jews working for Schindler. However, in 1942, all of Krakow's Jews are assigned to the Plaszow Forced Labor Camp, overseen by Commandant Amon Goeth (Ralph Fiennes), an embittered alcoholic who occasionally shoots prisoners from his balcony. Schindler arranges to continue using Polish Jews in his plant, but, as he sees what is happening to his employees, he begins to develop a conscience. He realizes that his factory (now refitted to manufacture ammunition) is the only thing preventing his staff from being shipped to the death camps. Soon Schindler demands more workers and starts bribing Nazi leaders to keep Jews on his employee lists and out of the camps. By the time Germany falls to the allies, Schindler has lost his entire fortune -- and saved 1,100 people from likely death. Schindler's List was nominated for 12 Academy Awards and won seven, including Best Picture and a long-coveted Best Director for Spielberg, and it quickly gained praise as one of the finest American movies about the Holocaust. ~ Mark Deming, All Movie Guide

Regis Wargnier's epic about French Indochina -- from the years of French colonial imperialism to the days when American presence made itself felt and the country became known as Vietnam -- is a story of romance and separation told through the backdrop of a country in turmoil. The film centers on the relationship of the beautiful and imperious Eliane (Catherine Deneuve), a French rubber-plantation owner, and Camille (Linh Dan Pham), her adopted Indochinese daughter. The mother and daughter are very close until a diffident naval officer, Jean-Baptiste (Vincent Perez) enters their lives. Eliane is in love with him, but Jean-Baptiste and Camille become attracted to each other and fall in love. Thinking that she is doing Camille a favor, Eliane arranges to have Jean-Baptiste transferred to the far-away Tonkin Islands. But Camille flees the plantation to go to the man she loves. As she travels the country, she gains a greater knowledge and respect for the people of her homeland. When the government tears her from Jean-Baptiste and their infant child and arrests her for crimes against the state, she becomes politicized and becomes a supporter of the communists in the country's civil war. As the country rocks in turmoil, Eliane becomes a personification of France, coolly walking amid her peasant workers, neither bowed nor afraid, grimly looking westward. ~ Paul Brenner, All Movie Guide

Director Peter Brook collaborates with writer Jean-Claude Carriére for this screen adaptation of the epic, 100,000-stanza Sanskrit poem tracing mankind's quest for universal truth as explored through the ongoing conflict between two warring families - the Pandavas and the Kauravas. Originally a nine-hour stage production, the lengthy play was pared down to just over five hours for the screen. ~ Jason Buchanan, All Movie Guide

The labyrinthine plot deals with a group of space researchers who left the Earth to find freedom. Their spaceship crashes and they land on the dark side of the Moon. They all die except one and leave a lot of children who eventually turn to shamanism and fire worship. They call the last survivor the Old Man and simultaneously loathe and revere him. Finally, the Old Man retreats to the mountains, puts his video diary into a small rocket and sends it to Earth. The rocket reaches its destination and the notes fall into the hands of another group of researchers. One of them, Marek, journeys to the Old Man's planet and lands in the mountains. When he emerges from the hills, the aboriginal inhabitants mistake him for the long-awaited reincarnation of the Old Man and look to him to deliver them from the dreaded sherns -- strange, winged mutants. The making of this film in 1978 was brutally interrupted by the Polish Ministry of Culture. When about 80% of the shooting was complete, they ordered the filmmakers to destroy all related materials. This decision caused director Andrzej Zulawski to leave his homeland for France, where he spent the next ten years. During the democratization of the Polish political regime in 1986-1987, Zulawski returned to the country to finish the picture. Having lost the sets, costumes, actors, and momentum, the director chose to complete the film from the spared footage, adding a voiceover for the missing episodes and utilizing other actors to dub the original actors who were no longer available. Even in this mutilated form, the film appears as a highly ambitious, if overwrought, sci-fi epic that draws upon philosophical concepts rather than special effects. ~ Yuri German, All Movie Guide

The personal tragedy of an alcoholic hemmed in by a domineering wife is the focus of this drama of hope lost and regained. Simon (Christophe Malavoy) is a solo violinist in an orchestra managed by his wife Laura (Jane Birkin). Haunted by specters of his own inadequacy, he loses his insecurities in drink, but that only results in rejection from his fellow musicians. They do not want him playing in the next major concert, which puts Laura in a bind. She fights for him to continue playing, not realizing that he may actually need time off. Simon begins to turn himself around when he meets a recovering alcoholic who introduces him to AA-style meetings and new friends. They understand his problem from their own perspective, yet he still has his increasingly belligerent wife and his future as a musician to handle. La Femme de ma vie was awarded Best First Film by the French Academy of Cinema. ~ Eleanor Mannikka, All Movie Guide

This is a story of how the conflicted feelings of people in rebellion against imposed social conditions can lead to dangerous situations in which the rebels risk their own lives. This film won several awards at the 1982 Thessaloniki Film Festival (Best Director, Actress, Photography, Music, Sets, and Editing.) ~ Eleanor Mannikka, All Movie Guide

Polish filmmaker Andrzej Wajda's sequel to his immensely well-received Man of Marble covers some of the same ground: the relationship of labor leaders to their communist political masters and the difficulties the media encounters in covering that story. But it adds an exceptionally timely element: footage from the real-life Solidarity movement strikes led by Lech Walesa that were taking place during the film's production are woven into the dramatic story. There are a few glimpses of Walesa, and he even pops up as a guest at the wedding of the fictional story's hero. That man, Tomczyk, is the son of Birkut, the labor leader profiled in Man of Marble, and he's played by the actor Jerzy Radziwilowicz, who played Birkut in the first film. In Man of Marble, a student filmmaker in late 1970s Poland tried to uncover the story of Birkut, a working-class hero of the '50s who was later politically discredited and killed in a 1970 strike demonstration. Here, Winkiel (Marian Opania), an alcoholic radio journalist, is assigned by the state to cover the rise to prominence of Tomczyk, but with an eye to discrediting him and the Solidarity movement as well. Like The Godfather II, Man of Iron successfully expands on the story of its predecessor while provocatively exploring many of the same issues. ~ Tom Wiener, All Movie Guide

Polish director Andrzej Wajda had a habit of switching gears between socially conscious films and pure box-office entertainments. The Conductor, released in Poland in 1979 as Dyrygent, falls into the latter category. John Gielgud stars as an old and venerated orchestra conductor, making his annual personal appearance in a small Polish town. Violinist Krystyna Janda, who like the guest conductor is a devotee of Beethoven, finds her entire life altered by Gielgud's brief stay. The film made a few allegorical points about making oneself accessible to change, but otherwise The Conductor is all that it seems to be on surface: A simple story, simply told. English-language prints of The Conductor are blighted by the poor dubbing of the principal characters--with of course the exception of John Gielgud. ~ Hal Erickson, All Movie Guide