Rufus Sewell Movies

Nick Hamm (Talk of Angels) directed this U.K. romantic comedy following a group of British blokes and their encounters with an American woman in London. As Laurence (Joseph Fiennes, brother of Ralph Fiennes) narrates the tale to his neighbor, Dr. Pedersen (Ray Winstone), the scene flashes back to three days earlier: Laurence's friend Daniel (Tom Hollander) is in the Minneapolis airport on a business trip when he spots blonde Martha (Monica Potter of Con Air) buying a "first flight to anywhere." Daniel sits next to her on the plane and makes a London lunch date with her for the following day, but she's a no-show. He expresses his disappointment to Laurence and unemployed actor Frank (Rufus Sewell of Cold Comfort Farm). Frank meets Martha accidentally in a park, realizes who she is, learns she's in love and she intends to fly back to the U.S., and then makes a move on her (without telling her he knows Daniel). He loses track of her at an art gallery. Later, Laurence reveals that when he missed meeting Daniel at the airport, he wound up meeting Martha instead -- a moment of mutual love. At this point, much like the structure of Stanley Kubrick's The Killing (1956), the time is reset and previous events are repeated -- from the POV of another character. The movie is only two-thirds complete when Laurence finishes his recap of the previous three days -- so the story continues from that point. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Minnie Driver, her sister Kate Driver, and Nigel Hawthorne teamed as the executive producers of this $2.5 million romantic comedy about a mismatched couple. Writer-director John Huddles describes it as "a modern-day fable about what happens when your worldly ambition collides with the love of your life." At Satchem Farm in California's Simi Valley, an expatriate family of transplanted Brits includes maxim-mouthing Cullen (Hawthorne) and ambitious but bankrupt Ross (Rufus Sewell), a failed entrepreneur who plans to sell off his family's final remaining asset, their famed wine collection, in order to purchase an obsolete manganese mine. The manic Ross is engaged to his opposite, cool businesswoman Kendal (Minnie Driver), who succeeds where Ross fails. Kendal kindles her relationship with Ross -- while carrying the torch for someone else. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, Rovi

At least the 22nd time William Shakespeare's most famous tragedy has been brought to the screen, Kenneth Branagh's film adaptation of Hamlet was the first to preserve Shakespeare's entire text, uncut and unabridged. Moving the action into the 19th century, Branagh cast himself in the title role and, as in his adaptation of Much Ado About Nothing, assembled an eclectic group of actors that mixed veteran Shakespearean performers (including John Mills, Judi Dench, John Gielgud, and Derek Jacobi) with Hollywood stars not known for interpreting the Bard's work (among them Robin Williams, Charlton Heston, Billy Crystal, and Jack Lemmon). However, unlike most interpretations, it's the women who really carry the show, with the two best performances delivered by Kate Winslet as Ophelia and Julie Christie as Gertrude. As usual, Hamlet finds himself torn over what to do after the death of his father and his mother's hasty remarriage. Branagh's version of Hamlet was also notable on a technical level, as it was filmed in the 70-mm format for increased visual clarity and detail. ~ Mark Deming, Rovi

Stella Gibbons' popular novel was published in 1932, and it has been adapted twice for British television, first as a miniseries in 1971, then by director John Schlesinger in 1995. That version proved so popular that it was released to theaters in the U.S. The heroine of Gibbons' story, Flora Poste (Kate Beckinsale), is an aspiring young writer with two needs: material for her first novel, and a cheap place to live and work. A wealthy friend encourages her to take advantage of her country cousins and impose upon them for lodgings. Flora finds Cold Comfort Farm to be a ramshackle affair populated by eccentrics including the imperious Ada Doom (Sheila Burrell), her daughter Judith (Eileen Atkins), Judith's rough but handsome son Seth (Rufus Sewell), and Amos (Ian McKellen), an amateur preacher whose sermonizing seems to release some kind of demons within him. Undaunted by this menagerie, Flora gets to work organizing the household, and she comes to realize that the material for her book is right in front of her. ~ Tom Wiener, Rovi

In this 1994 BBC adaptation of George Eliot's novel, altruism, social reform, and romantic love struggle to survive against snobbery, economic oppression, and self-indulgence. Set in the fictional town of Middlemarch in the 1830s, the film begins when Dr. Tertius Lydgate (Douglas Hodge) arrives in the community to begin a medical practice. Because of his knowledge of the latest medical techniques and his desire to do humanitarian work and pioneering laboratory research, Lydgate becomes the ideal candidate for the pro bono position of superintendent of a new Middlemarch hospital. Meanwhile, Dorothea Brooke (Juliet Aubrey), a well-to-do resident of the nearby town of Tipton Grange, desperately searches for a noble cause to occupy her time. She and her sister Celia, both orphans, live with their uncle, Arthur Brooke (Robert Hardy), in a spacious home where they enjoy a comfortable life. After Dorothea observes the plight of poor tenant farmers during a horseback ride in the country, she decides to promote new housing for the farmers. But Dorothea and Lydgate both encounter obstacles as they attempt to realize their dreams. In Dorothea's case, her own uncle, Mr. Brooke, who operates the worst of the tenant farms, refuses to endorse her housing plan. As a self-satisfied member of the local establishment and a possible candidate for Parliament, he deems it wise to maintain the status quo. In Lydgate's case, a corrupt banker, Nicholas Bulstrode (Peter Jeffrey), threatens to block the physician's appointment as hospital superintendent unless he supports Bulstrode's candidate for the hospital chaplaincy. Against his better judgment, Lydgate compromises his integrity and backs Bulstrode's man rather than the man better-suited for the job. But the problems of Dorothea and Lydgate don't stop there. Dorothea, who is strikingly attractive, intelligent, and sensitive, chooses a middle-aged husband, the Rev. Edward Casaubon (Patrick Malahide), because she thinks she can contribute to his scholarly pursuits. But after marrying him, she discovers he is cold and conceited -- a walking book with an attitude. Her real love, though she doesn't fully realize it, is Will Ladislaw (Rufus Sewell), a handsome painter and social reformer who now must keep his distance from the married woman. Lydgate, deeply in love with pretty Rosamond Vincy (Trevyn McDowell), marries her only to discover that she is a self-centered spendthrift. While he dotes on her, she dotes on his bank account. Subplots emerge to add suspense and intrigue. One involves Rosamond's brother, Fred (Jonathan Firth), who abandons his studies for the ministry against his father's wishes to work the land and to pursue a young woman below his social status. Another involves the grasping banker Bulstrode, who is being blackmailed for acquiring money illegally. Casaubon dies of a heart ailment less than two years after he marries Dorothea, but he manages to hold onto her from the grave. His will states that she must forfeit all the property she inherits if she marries Ladislaw. Because she has already committed portions of her considerable inheritance to charitable causes, she rejects Ladislaw, but cannot tell him why. By this time, Rosamond has bankrupted Lydgate. Suspense builds as the film moves toward its conclusion and discloses the fate of the central characters -- Dorothea, Ladislaw, Lydgate, Rosamond, Bulstrode, and the others. ~ Mike Cummings, Rovi

Michael Winner directs a curious amalgam of his own Death Wish and Abel Ferrara's Ms. 45, in this intense, post-feminist serial-killer movie, based on the bestseller by Helen Zahavi. After an explosive love affair crashes and burns, Bella (Lia Williams) leaves London for Brighton, where she begins to receive a series of obscene telephone calls from her deranged neighbor. Soon her neighbor also begins to stalk her. When the local police refuse to help her, Bella determines to take the matter into her own hands. Finally, at the urging of a loony Asian clairvoyant (Ian Richardson), Bella sneaks into the stalker's apartment in the dead of night and beats him to death with a claw-hammer. And to Bella's surprise, she finds that she likes it. ~ Paul Brenner, Rovi