Almira Sessions Movies

For the Love of Rusty is an easy-to-take entry in Columbia's brief "Rusty" series of the late 1940s. Danny Mitchell (Ted Donaldson) can't seem to get along with his father Hugh (Tom Powers). An especially sore spot is Danny's affection for his dog Rusty; Hugh Mitchell can't stand Rusty, and demands that the boy lose the mutt immediately. Everything is straightened out with the help of another dog named Flash, and by lovable old veterinarian Aubrey Mather. For the Love of Rusty represented one of the earliest directorial assignments for John Sturges, who graduated to such high-priced fare as Bad Day at Black Rock, The Magnificent Seven and The Great Escape. ~ Hal Erickson, All Movie Guide

The George S. Kaufman-Marc Connelly play Merton of the Movies was previously filmed in 1923 with Glenn Hunter, and in 1932 (as Make Me a Star) with Stu Erwin. This time around, Red Skelton plays Merton, the small-town rube who aspires to become a dramatic actor in silent pictures. Bumbling his way into Hollywood, he lays waste to several movie sets before he finally lands a screen test. When his histrionic efforts are greeted with derisive laughter, Merton slinks away disappointed and disillusioned-only to re-emerge triumphant as moviedom's newest comedy sensation! In one of her few non-musical appearances, deadpan comedienne Virginia O'Brien plays Phyllis "Flips" Montague, the warmhearted Hollywood stunt girl who befriends and eventually falls in love with the hapless Merton. Reportedly, Buster Keaton supplied a few of the film's sight gags, but apparently not enough to permit Merton of the Movies to rise above mediocrity and predictability. ~ Hal Erickson, All Movie Guide

Peter Cookson, Monogram's answer to Jimmy Stewart, stars in Fear, also known as Black Tower Cookson plays a medical student who becomes involved in a murder. Anne Gwynne is the girl who doesn't completely trust Cookson, but helps him out anyway. Also appearing as one of those oh-too-helpful types is Warren William, who died in 1948, suggested that perhaps Black Tower was lensed a few years before its official 1950 release date. Some sources list Black Tower as a PRC production; this is possible, though PRC was defunct by 1950. ~ Hal Erickson, All Movie Guide

True Confession was one of the unfunniest of the "screwball" comedies of the 1930s, and its musical remake, Cross My Heart, isn't much of an improvement. Betty Hutton steps into the old Carole Lombard role as Peggy, a compulsive liar who'll do anything to help her attorney fiance Oliver Clarke (Sonny Tufts) get ahead. When it looks as though an unsolved murder case will be Clarke's ticket to success, Peggy, sticking her tongue in her cheek (as she always does when she's about to tell a whopper), glibly confesses to the killing. Peggy's plan is to allow her boyfriend to prove her innocence, thereby cementing his reputation as a man of integrity-but things don't go quite as planned. The subsequent trial is enlivened by the antics of looney Russian actor Peter (Michael Chekhov), who may or may not be the actual murderer. Betty Hutton's song numbers are just about as mediocre as the rest of the film. ~ Hal Erickson, All Movie Guide

This is director Frank Capra's classic bittersweet comedy/drama about George Bailey (James Stewart), the eternally-in-debt guiding force of a bank in the typical American small town of Bedford Falls. As the film opens, it's Christmas Eve, 1946, and George, who has long considered himself a failure, faces financial ruin and arrest and is seriously contemplating suicide. High above Bedford Falls, two celestial voices discuss Bailey's dilemma and decide to send down eternally bumbling angel Clarence Oddbody (Henry Travers), who after 200 years has yet to earn his wings, to help George out. But first, Clarence is given a crash course on George's life, and the multitude of selfless acts he has performed: rescuing his younger brother from drowning, losing the hearing in his left ear in the process; enduring a beating rather than allow a grieving druggist (H.B. Warner) to deliver poison by mistake to an ailing child; foregoing college and a long-planned trip to Europe to keep the Bailey Building and Loan from letting its Depression-era customers down; and, most important, preventing town despot Potter (Lionel Barrymore) from taking over Bedford Mills and reducing its inhabitants to penury. Along the way, George has married his childhood sweetheart Mary (Donna Reed), who has stuck by him through thick and thin. But even the love of Mary and his children are insufficient when George, faced with an $8000 shortage in his books, becomes a likely candidate for prison thanks to the vengeful Potter. Bitterly, George declares that he wishes that he had never been born, and Clarence, hoping to teach George a lesson, shows him how different life would have been had he in fact never been born. After a nightmarish odyssey through a George Bailey-less Bedford Falls (now a glorified slum called Potterville), wherein none of his friends or family recognize him, George is made to realize how many lives he has touched, and helped, through his existence; and, just as Clarence had planned, George awakens to the fact that, despite all its deprivations, he has truly had a wonderful life. Capra's first production through his newly-formed Liberty Films, It's a Wonderful Life lost money in its original run, when it was percieved as a fairly downbeat view of small-town life. Only after it lapsed into the public domain in 1973 and became a Christmastime TV perennial did it don the mantle of a holiday classic. ~ Hal Erickson, All Movie Guide

In this drama, an amnesiac awakens and finds himself accused of murder. Fortunately, a female cabbie helps prove his innocence. Things look bleak until a bullet wound helps him regain his memory and he can prove he didn't kill anyone. ~ Sandra Brennan, All Movie Guide

The Southerner was Jean Renoir's favorite of his American films. Shot on location, the film stars Zachary Scott as a sharecropper who yearns for a place of his own. On a tiny, scraggly patch of land, Scott tries to make a go of things, along with his wife Betty Field, his grandmother Beulah Bondi, and his children Jean Vanderwilt (aka Bunny Sunshine) and Jay Gilpin. Though a proud, independent man, Scott is forced by circumstance to seek help from neighboring farmer J. Carroll Naish, whose life experience have left him bitter and vituperative. The two men become enemies, but are reunited by their mutual love of fishing. Scott suffers a setback when a rainstorm destroys his cotton crop. He is about to go wearily back to working for others (specifically, factory owner Charles Kemper, who also narrates the film) when he is convinced by his never-say-die family to persevere on his own. Director Jean Renoir also wrote the script for The Southerner--in fluent English rather than French, as mental exercise. Told at a leisurely, unhurried pace, the film is the one American Renoir effort that comes closest to his "slice of life" dramas of the 1930s. The Southerner was not a box office hit, but did win the effusive praise of critics, not to mention the Venice Film Festival "best picture" award. ~ Hal Erickson, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning after a particularly wild night, Trudy labors under the apprehension that last eve, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product. Miracle of Morgan's Creek was remade (and considerably laundered) as the 1958 Jerry Lewis vehicle Rock-a-bye Baby. ~ Hal Erickson, All Movie Guide

Louise Allbritton, a talented but neglected film star of the 1940s, plays the oldest sister in a large motherless family. Papa (Edward Everett Horton) is an erstwhile inventor working on a collapsible life raft, which Allbritton tries to promote to a handsome financier (Jon Hall) who mistrusts women. It isn't hard to guess who will fall in love with who in this one, but the true appeal of this film lies in the performance of Louise Allbritton, who directly and indirectly encourages all with whom she comes in contact to break the shackles of tradition and normality and to follow the dictates of the Heart. The most famous sequence in San Diego I Love You concerns cynical bus driver Buster Keaton, who thanks to Allbritton's influence decides to break loose from his tiresome routine and takes his delighted passengers on an impromptu bus trip to the moonlit seashore. At the end of this enchanting vignette, Buster Keaton the actor drops his own deadpan "tradition" and breaks out in a warm smile! ~ Hal Erickson, All Movie Guide

Paramount's "Henry Aldrich" series came to a quiet conclusion with 1944's Henry Aldrich's Little Secret. The titular secret is a baby, the son of woebegone Helen Martin (Ann Doran). Because her husband is in jail, Helen has been adjudged an unfit mother by the local welfare board, headed by the father of our hero Henry Aldrich (Jimmy Lydon). Taking pity on Helen, Henry hides the baby in his own home while Helen leaves town to prove her husband's innocence. The finale finds Henry lampooning Mr. Smith Goes to Washington with a comic-pathetic filibuster on behalf of poor Helen. Way at the bottom of the cast list is Noel Neill, TV's future Lois Lane. ~ Hal Erickson, All Movie Guide

This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, All Movie Guide